The Duke of Iron
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The Duke of Iron (born Cecil Anderson, 1906 – 1968) was a calypsonian, nightclub and concert entertainer, and recording artist from the 1930s through the 1960s. He was renowned for his bawdy humor, crisp diction, and confident vocal mannerisms. His clarity in pronouncing English lyrics helped him achieve tremendous popularity with American audiences.
Anderson was a native of Trinidad, and moved with his family to New York in 1923. In the 1930s he was a featured vocalist with the Caribbean-styled big band Felix & His Krazy Kats. He performed at a conference of folklorists in Canada during the 1930s, for which he was billed as "An Authentic Interpreter of the Kaiso.".
Anderson became a headliner on the New York club scene, which included a ten-month stint at the Village Vanguard in the 1940s. He also participated in the legendary 1946 Calypso At Midnight concerts produced by Alan Lomax at New York's Town Hall auditorium. In the latter part of the decade he often performed at the Caribbean Club on Seventh Avenue, New York, along with Wilmoth Houdini (billed as "King Houdini").
In 1948, he performed in the film short Wild Indian, under the name The Duke of Iron and Band. During the 1950s and 1960s, he performed at Carnegie Hall, the Apollo Theater in Harlem, and at many leading nightclubs, such as the Village Gate, the Jamaican Room and the Calypso Room. He appeared in the film Calypso Joe (Allied Artists Pictures, 1957) with Angie Dickinson.
Anderson regularly returned to Trinidad to keep up with current trends in calypso, and performed and recorded many annual Carnival hits.
He died in 1968 at age 62.
The Duke of Iron recorded singles and albums for a variety of labels, including Decca; Virgin Isle–Supertone; Varsity; Paragon; Stinson and Folkways (owned by Moses Asch); Monogram; Prestige/International; and RCA Victor.
He was notorious for humorous, ribald calypsos, like "I Left Her Behind For You," "Miss Constance" ("she said: I may be small, and yet/I can take on any runner when the track gets wet"), "The Naughty Fly," and "The Postman" (who has "the longest route in town/they know he rings the bell whenever he comes round"). He also wrote topical songs about radio commentator Walter Winchell and the New York Mets baseball team.
Some sources have erroneously alleged that Anderson, as the Duke of Iron, made the first calypso recording in 1914. Anderson was eight years old at the time. The recording in question, titled "Iron Duke in the Land," was made by calypso pioneer Henry Julian (a.k.a. Julian Whiterose). Although calypsos had originally been sung in French, by the time "Iron Duke" was recorded, calypsonians were developing the art of singing in English.
- Attila's Kaiso: a short history of Trinidad calypso, p. 2. Raymond Quevedo (Atilla). 1983. University of the West Indies, St. Augustine, Trinidad
- Calypso Calaloo: Early Carnival Music in Trinidad, p. 180. 1993. University Press of Florida. ISBN 0-8130-1222-8 (ppk); ISBN 0-8130-1221-X (cloth)
- The Duke of Iron and Band perform Wild Indian, YouTube
- Album: Dancing in the Dark (Milestone Records, 1987), at SonnyRollins.com
- "The Golden Age of Calypso". mustrad.org.uk. Retrieved 6 May 2019.