The Executioner's Song (film)
|The Executioner's Song|
|Based on||The Executioner's Song
by Norman Mailer
|Screenplay by||Norman Mailer|
|Directed by||Lawrence Schiller|
|Starring||Tommy Lee Jones
|Theme music composer||John Cacavas|
|Country of origin||USA, Sweden|
Mimi Rothman Schapiro (associate producer)
Michael Economou (associate producer)
John Thomas Lenox (supervising producer)
|Editor(s)||Richard A. Harris
|Running time||157 minutes (U.S.)
136 minutes (Sweden)
|Production company(s)||Film Communications Inc.|
|Original release||November 28, 1982|
The Executioner's Song is a 1982 made-for-television film adaptation of Norman Mailer's 1979 Pulitzer Prize-winning novel of the same name. The film is directed by Lawrence Schiller from a screenplay by Mailer.
The movie is about the final nine months of the life of Gary Gilmore, beginning with his release from prison at the age of 35 after serving 12 years for robbery in Indiana. He is allowed to fly to Utah to live with Brenda Nicol, a distant cousin who was close to him and agrees to sponsor him. She tries to help him get back to normal life, which he finds extremely difficult after being in prison for so long. He soon moves to live with his uncle Vern, with whom he works in shoe repair, and his wife. Gilmore moves on to another job, at an insulation factory, where he performs well at first, but starts to have erratic hours and contentious relations with co-workers.
Gilmore meets and becomes romantically involved with Nicole Baker, a 19-year-old separated woman with two young children. Despite his efforts to reform himself, Gilmore begins to fight, steal items from stores, and abuse alcohol and drugs. The people who care for him are distressed to see these patterns re-emerge.
Nicole breaks up with him after he hits her and goes into hiding with her children. Gilmore soon murders two men in two separate robberies over two days. His cousin Brenda tells police she suspects he is involved, and he is taken into custody. He is convicted of one of the murders and sentenced to death under a state law designed to accommodate the US Supreme Court ruling on the death penalty, which found most state laws on capital punishment to constitute "cruel and unusual punishment," prohibited under the Constitution. States worked to revise their laws.
While his attorneys, the ACLU and his family try to persuade Gilmore to pursue more appeals, he argues to have the sentence carried out and becomes a national media sensation. Publishers and reporters vie to buy his story and film rights. The night before his death, family, friends and lawyers join him for a party on death row. On January 17, 1977, Gilmore is executed by firing squad, as he chose. He was the first person to be judicially executed in the United States after the execution of Luis Monge in Colorado on June 2, 1967.
- Tommy Lee Jones as Gary Mark Gilmore
- Christine Lahti as Brenda Nicol
- Rosanna Arquette as Nicole Baker
- Eli Wallach as Uncle Vern Damico
- Steven Keats as Larry Samuels (Larry Schiller figure)
- Jordan Clarke as Johnny Nicol
- Richard Venture as Earl Dorius
- Jenny Wright as April Baker
- Walter Olkewicz as Pete Galovan
- Michael LeClair as Rikki Wood
- Pat Corley as Val Conlan
- Mary Ethel Gregory as Ida Damico
- John Dennis Johnston as Jimmy Poker-Game
- Norris Mailer as Lu-Ann (as Norris Church)
- Kenneth O'Brien as Spencer McGrath
- Rance Howard as Lt. Johnson
- Charles Cyphers as Noall Wootton
- Robert DeMotte as Garage Mechanic
- Jim Youngs as Sterling Baker
- Grace Zabriskie as Kathryne Baker
Mailer originally asked Lanford Wilson to adapt the story, but Wilson politely declined. It was originally produced as a two-part TV movie running a total of 200 minutes on November 28 and 29, 1982. Later it was re-edited in a 97-minute theatrical version for European distribution, with additions of scenes of violence and nudity.
In what the New York Times described as a "searing performance," Tommy Lee Jones won an Emmy Award for his role in this work. Time Out- London said about the film's performances: "Jones (playing Gilmore) goes his own fascinating route to the loser's nirvana without recourse to psycho-style tics, while strong character performances from Arquette and Lahti constantly shift the focus back towards the everyday straitjacket of Utah underdogs."
- "The Executioner's Song (1982)". The New York Times. Retrieved 2008-06-18.
- Hal Erickson, The Executioner's Song, New York Times, 2010, accessed 31 May 2015
- PT, "The Executioner's Song", Time Out (London), n.d., accessed 31 May 2015