The Fourth Direction
| Fourth Direction | |
|---|---|
 Film poster. | |
| Directed by | Gurvinder Singh |
| Written by | Waryam Singh Sandhu Gurvinder Singh |
| Produced by | Kartikeya Narayan Singh |
| Starring | Suvinder Vicky, Rajbir Kaur, Kanwaljit Singh, Harnek Aulakh, Gurpreet Bhangu |
| Cinematography | Satya Rai Nagpaul |
| Edited by | Bhupesh 'Micky' Sharma |
| Music by | Marc Marder |
Production company | The Film Café |
Release date |
|
Running time | 115 minutes |
| Country | India |
| Language | Punjabi |
Chauthi Koot (Template:Lang-pa The Fourth Direction) is a 2015 Indian film in Punjabi language directed by Gurvinder Singh. It is based on the short stories The Fourth Direction and I Am Feeling Fine Now from Indian author Waryam Singh Sandhu's 2005 collection Chauthi Koot. The film is produced by Kartikeya Narayan Singh and is set during the Sikh separatist movement of the 1980s.[1]
It was screened in the Un Certain Regard section at the 2015 Cannes Film Festival.[2][3] It won the Singapore International Film Festival Silver Screen Award for Best Asian Feature Film in December 2015.[4]
The film was shot mostly around Amritsar and Ferozepur in Punjab.
Cast
Suvinder Vicky as Joginder
Rajbir Kaur
Harleen Kaur
Taranjit Singh
Kanwaljit Singh as Jugal
Harnek Aulakh
Nakul Vermani
Gurpreet Bhangu as grandmother
Tejpal Singh as Sikh Passenger
Plot
The film plot synthesises two different stories set in a post-Operation-Blue-Star Punjab in the ‘80s. Fear and paranoia pervaded the atmosphere as general public was caught between excesses of both Khalistani terrorists and the security forces fighting them. The first story is about a militant diktat in Punjab that prohibited family-owned dogs from barking and the other is about two Hindu friends travelling to Amritsar in a nearly empty train. The plot makes the two stories into one by making one of the friends travelling in the train recounting the first story.[5]
The film opens with two Hindus friends Jugal and Raj looking for a train to Amritsar late in the evening. Having missed the last passenger train they along with a Sikh man, in the same position, force their way on a freight train. The small compartment already has a security man and two other young Sikhs besides a couple of train employees. The fearful atmosphere makes Jugal recount to Raj an earlier incident involving him, his wife and young daughter.
The film goes into flashback. Lost at night in the countryside, Jugal, his wife and daughter reach a farmhouse in the outskirts of the village. While they are frightened to knock at the isolated house, they are not left with much choice. The family in the house also, suspicious at first, later lets them in as Joginder, the head of the house, shows them the direction to take.
Later at night Joginder and his family are visited by the Sikh terrorists who demand from Joginder that he kills the family dog for drawing attention with its incessant barking. The family woes continue the next morning when the paramilitary men arrive looking for the terrorists. They turn the house upside down before leaving.
The narrative moves back to the train on its way as the guard asks his unwanted passengers to leave before anyone notices them.[6][7]
Reception
The film premiered at Debussy Theatre in Cannes to a full house where it received a ten minutes standing ovation, reported film critic Uma Da Cunha in The Citizen.[8] She noted "the film excels in the minimal devices it uses for dramatising what it says, relying on facial expressions, individual responses and a simple unveiling of events to convey its harrowing story" adding that "The technical skills in every aspect of the film is what hits the viewer. The visuals impress and linger, the clarity of sound enhances every moment, and the striking music track resounds in the silence attached to the visuals."[8]
Reviewing the film for Variety magazine, Jay Weissberg called it "handsome yet ineffectual take on Hindu-Sikh tensions in the 1980s" adding that "formalist attractions don’t equal dramatic strengths in the film." "While he succeeds in capturing the crushing unease of the countryside, full of uncertain, frightened glances, Singh neglects dramatic construction, jeopardizing audience empathy," Weissberg wrote.[7]
In her review for The Hollywood Reporter Deborah Young wrote that the film "takes a very roundabout route in portraying the fear, paranoia and violence of the 1980’s" while "offering an insider’s glimpse into the rural Sikh community in India’s Punjab". Commenting on the minimalist style of the movie, she wrote that "working in miniature..the film pays a steep price in terms of a drama that involved thousands of violent deaths and lead to the assassination of Indira Gandhi."[9]
"Singh’s directorial choices are often remarkably effective, whether in the camera angles, the long travelling shots, the nervous tension and insecurity transmitted in every glance and reflected in every silence and echoed in every sound," wrote Dan Fainaru for Screen Daily while commenting on the pace of the movie as "self-indulgent". "Prolonged sequences and themes repetitively overstated – risk alienating viewers to the point where 30 minutes less would be so much more," he wrote in his review.[6]
References
- ^ Shankar, Lekha (26 April 2012). "Many nominations for Indian films". The Hindu. Retrieved 27 June 2012.
- ^ "2015 Official Selection". Cannes. Retrieved 16 April 2015.
- ^ "Screenings Guide". Festival de Cannes. 6 May 2015. Retrieved 8 May 2015.
- ^ Frater, Patrick. "'Fourth Direction' Wins Top Prize at Singapore Festival". Variety. Penske Business Media, LLC. Retrieved 17 December 2015.
- ^ "Cannes Film Festival 2015: Meet The Directors Of 'Masaan' And 'Chauthi Koot', Competing In 'Un Certain Regard' This Week". 13 May 2015.
- ^ a b Dain Fainaru (16 May 2015). "'The Fourth Direction': Review". Screen Daily.
- ^ a b Jay Weissber (15 May 2015). "Cannes Film Review-'The Fourth Direction'". Variety.
- ^ a b Uma Da Cunha (18 May 2015). "Gurvinder Singh Film Screens with Woody Allen and Gus van Sant". The Citizen.
- ^ Deborah Young (16 May 2015). "'The Fourth Direction':Cannes Review". The Hollywood Reporter.