The Great Executioner
|The Great Executioner|
|Artist||Prince Rupert of the Rhine|
|Dimensions||63.3 cm × 44.2 cm (24.9 in × 17.4 in)|
|Location||Metropolitan Museum of Art, New York|
The subject of the picture is the execution of John the Baptist, after Jusepe de Ribera's painting. Rupert had become interested in mezzotint design during his time in Europe during the Interregnum following the English civil war, and there is an extensive debate over Rupert's role in the invention of the technique itself. Rupert's mezzotint works were popularised by the print collector John Evelyn after the Restoration, and became much admired across Europe. The Great Executioner is generally considered to be one of Rupert's finest works; produced in 1658, it is still regarded by critics as containing 'brilliance and energy', 'superb', 'one of the greatest mezzotints', and 'among the finest [mezzotints] ever produced'. Rupert's name can be seen signed along the executioner's blade.
- Spencer, p.251.
- Spencer, p.252.
- Hind, p.263.
- Griffiths, p.85.
- Hulton, p.9.
- Griffiths, Antony. Prints and Printmaking: an Introduction to the History and Techniques. Berkeley: University of California Press. (1996)
- Hind, Arthur M. A History of Engraving & Etching: From the 15th Century to the Year 1914. New York: Dover. (1963 reprint of 1923 ed.) ISBN 0-486-20954-7
- Hulton, P. H. Prince Rupert: Artist and Patron of the Arts. (1960)
- Spencer, Charles. Prince Rupert: The Last Cavalier. London: Phoenix. (2007)