|Genres||Alternative rock, Britpop|
|Associated acts||Suede, McAlmont & Butler, The Fratellis|
|Past members||Brett Anderson
The Tears were an English rock band formed in 2004 by ex-Suede bandmates Brett Anderson and Bernard Butler. The duo were a much anticipated reunion and music critics praised their first concerts and debut album, Here Come The Tears. However, the project was short-lived as they disbanded in 2006, which allowed Anderson to focus on his solo career and Butler to become a full-time producer.
In 1994, when Bernard Butler walked out of Suede, they were the biggest new band in Britain. He was pilloried in the music press and characterised as "demanding, difficult and egotistical" by Brett Anderson. "When he left the band we pretty much hated each other as much as two people can hate each other," admitted Anderson in an interview with The Times. The pair parted company whilst recording the ambitious Dog Man Star album, which resulted in a major fallout due to musical differences and Anderson's hedonistic lifestyle. As Suede soldiered on and Butler forged a solo career, both with varying degrees of success; they continued to snipe at each other in the press. Though Butler and Anderson had not spoken to each other for nine years, Anderson claimed getting back in gear with Butler was not difficult. The band decided on being named after a line from a Philip Larkin poem, Femmes Damnées, which ends with the line: "The only sound heard is the sound of tears".
The band played their first ever live show on 14 December 2004 at the Oxford Zodiac. Things went as expected for the "new" band, and most new songs were received well by those attending the first set of shows. When asked during a concert by a fan to play Suede song, "The Drowners", Anderson replied saying, "Did somebody say they wanted to hear The Drowners? You’ve come to the wrong gig, mate."
Apart from relatively minor reviews of the first clutch of live shows, The Tears first press, a review of "Refugees", interview with Anderson and a poster was in The Sun on 15 April. The next major article was by Alexis Petridis in The Guardian, which ended on an extremely optimistic note: "the pair seem artistically reinvigorated by each other's company. Anderson talks excitedly of Tears songs like the ballad Asylum, inspired by his father's struggle with depression, as having moved away from "Suede cliches or Brett Anderson cliches ... it's not, you know, opiated fop territory."
From the start, Anderson was insistent that the band would not be playing any songs by Suede. Things would change over time, however, as the band ended up playing the B-side, "The Living Dead", to an enthusiastic reception, during an encore for their show at the Sheffield Leadmill in April. In April 2005, the band's first single, "Refugees", was released. The single was a success and peaked in the Top 10 in the UK Singles Chart.
The band's debut album, Here Come the Tears followed on 6 June 2005. It was released to generally favourable reviews that helped solidify the duo's comeback. However it failed to crack the Top 10 of the UK Albums Chart. Anderson felt that the project was eclipsed by the curiosity in the reconciliation with Butler, saying: "...the story of me and Bernard getting back together again was far too juicy, and it overshadowed the music completely. I am proud of the record we made, but the obsession with us stopped us enjoying it." In late June, the band played a set at the John Peel stage at the Glastonbury Festival. The second single from the debut album, entitled "Lovers", was released in June. Though a significantly lower charting than the previous single, it still managed to reach number 24.
More than a month later, Anderson announced that he would release his long-awaited solo album in between the touring for Here Come The Tears, and the release of the band's follow up album. After playing several festivals including Glastonbury and T in the Park along with international gigs, the band announced a European tour with dates in October and November. However, the tour was soon cancelled and the band were dropped from their label.
In late April 2006, Anderson posted a message on the band's message board announcing the band were on temporary hiatus because "no one ever wanted this thing to get caught up within the drudgery of the whole tour/record/tour cycle anyway". In addition, he announced that he had completed his debut solo album and that it would see light in early 2007, hinting that the second Tears record would most likely come after that. In August 2006, the band's official site and forum were closed. In 2007, Anderson admitted in an interview that The Tears were about to write their second album, however they decided to split because they were simply not enjoying it. Asked about a second record, Anderson replied. "The chance of there being another Tears record in the future is pretty good actually." These hopes were short-lived, however when Butler announced his retirement from performing in 2008 to concentrate on producing.
- Petridis, Alexis. "Frankly I hated Suede". The Guardian. 22 April 2005
- Author unknown. "The guitar man finds his voice". Daily Telegraph. 8 October 1998
- Segal, Victoria. "Better the devil you know". The Times. 23 April 2005
- MacNeil, Jason. "Ex-Suede Mates Form The Tears". Billboard.com. 21 October 2004.
- Sutherland, Mark. "Brett & Bernard stay together". BBC 6 Music. 15 December 2004
- Sinclair, David. "Pop: The Tears". The Times. 18 December 2004
- Saney, Daniel. "Suede's Anderson on new band". Digital Spy. 7 March 2005
- "Treat for Suede heads!". NME. 20 April 2005
- "Chart Stats".
- "Here Come The Tears - The Tears". Metacritic. Retrieved 1 June 2013.
- McNulty, Bernadette. "The return of Britpop's lost boy". The Daily Telegraph. 22 March 2007.
- Natoli, David. "Brett Anderson: The Exclusive Interview, Part II". thetripwire.com 27 February 2007
- Leonard, Michael. "Bernard Butler retires from performing". MusicRadar. 23 May 2008
- Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 550. ISBN 1-904994-10-5.
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