Thin White Rope
|Thin White Rope|
TWR performing in Davis, California
|Origin||Davis, California, USA|
|Labels||Frontier Records, RCA|
John von Feldt
The band was formed in Davis, California, during a period spanning 1981 and 1982. Founding members Guy Kyser and Jozef Becker were in a band called the Les Z Boys in 1981. Becker and Kyser split off during the 1981-1982 period, and posted an ad at Skip's Music seeking a bass player and another guitarist. Roger Kunkel answered the ad, bringing in bass player Kevin Staydohar. The newly formed band played some of the same covers as the Les Z Boys, and also began to introduce original songs by Kyser.
The name "Thin White Rope" was derived from William S. Burroughs' description of human semen in Naked Lunch. It was suggested by a friend of Becker, and agreed upon by the four original members during the 1981–1982 period.
In 1984, a four-track recording with about 14 songs was sent to a number of labels, and an additional demo was recorded in December with Scott Miller producing. At this time, Jozef Becker rejoined the group, replacing French. Lisa Fancher of Frontier Records, who heard of Thin White Rope through a magazine review of the 14-song demo, signed the group to Frontier, and the band then recorded Exploring the Axis.
Over time, the band retained singer/songwriter/guitarist Guy Kyser and guitarist Roger Kunkel, with a changing line-up of drummers and bass guitarists. Like Television, it was noted for its twin guitar attack, innovative use of feedback structures and oblique lyrics. The Rough Guide to Rock called Thin White Rope "one of the few worthwhile traditional American guitar rock bands of their era. While most of the essential groups of the time were pushing back the limits of the form, Thin White Rope had the distinction of managing to breathe new life into the genre."
British rock journalist Graeme Thomson attributed the band's 1992 breakup to their having "proved much too idiosyncratic to join the ranks of US breakout alternative bands", citing more successful contemporaries such as R.E.M., The Replacements, American Music Club, and Pixies.
According to Thomson's 2015 retrospective in The Guardian, Thin White Rope "often made a slightly terrifying sound, but it was beautiful, too. Kyser wrote fantastic melodies, and while his charred voice could out-Beefheart Beefheart, it also possessed a quavering tenderness. Their use of twin guitars was as thrilling and distinctive as anything Thin Lizzy or Television achieved with 12 strings: coiling, concentric lines, overloaded and unfailingly malevolent, with brutally deployed and expertly controlled feedback. They were kind of funny, as well, though it’s impossible to explain why." The albums Moonhead (1987) and In the Spanish Cave (1988) were praised as "remarkable albums, the finest examples of the band’s ability to capture and sustain a mood of roiling, heat-stroked intensity," and the band's later albums Sack Full of Silver (1990) and The Ruby Sea (1991) were cited as "a little patchier, but still mighty."
- Exploring the Axis (1985)
- Moonhead (1987)
- In the Spanish Cave (1988)
- Sack Full of Silver (1990)
- The Ruby Sea (1991)
- The One That Got Away (1993)
- Bottom Feeders (1987)
- Red Sun (1988)
- Squatter's Rights (1991)
- "Skinhead" (1988)
- "Ants Are Cavemen" (1990)
- "Eye" (1991)
- "Moonhead (live)" (1993)
- Becker, Jozef. "Thin White Rope formation". Davis 80s Music. Archived from the original on March 1, 2012. Retrieved 1 March 2012.
- "Kevin Staydohar". AllMusic. All Media Network, LLC.
- Thomson, Graeme (March 24, 2015). "Cult heroes: Thin White Rope were scorched, alien, hostile". The Guardian. UK. Archived from the original on 2015-03-24.
- Ankeny, Jason. "Thin White Rope: Artist Biography". AllMusic. All Media Network, LLC.
- Buckley, Peter. The Rough Guide to Rock. Rough Guides. p. 1073. ISBN 1843531054.