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Song

Background[edit]

On working with Stevie Wonder, Drake said: "Stevie Wonder even talking to me at first was obviously one of the most surreal things in the world, then being willing to make music with me, it’s very, very flattering, very surreal. And he’s such a great guy. When you really get around him, just the life that he emits – it’s energizing."[1]

Drizzy explained that he was able to enlist R&B legend Stevie Wonder to record a song with him, titled "Doing It Wrong." According to Drake, the song found him venturing out of his pop-oriented comfort zone and looking back to Stevie Wonder's discography for inspiration. He also said it's the first song he's recorded that's made listeners actually tear up in front of him.

"I had a song that’s very powerful, it’s called 'Doing It Wrong,' and Stevie [Wonder] boosted it to another level," he said. "[Noah '40' Shebib] produced it, but Stevie has a solo on it that he plays. It’s a great piece of music...He brought life to it. I was only trying to use extremely strong R&B songs on this album if I’m going to use R&B at all. Before I’d have scattered interludes and songs where I’m experimenting with things. Here I wanted to get back to 'Brand New,' 'Bria’s Interlude' days. It’s going to be really tight writing and shit that’s sexy as fuck. That’s my thing. I’m going to do the type of R&B I’m good at. With Stevie it’s hard for me to explain. It’s an incredible thing I witnessed that night. He heard a song that he saw some potential in and he added some key pieces that made it come to life.

He added, "I’ve never played a song for people and they’ve cried and gone into their own private zone in their mind where they’re really thinking about some situations that hit home. And this song has done that for me. I’ve never seen that before. I’ve heard stories where it’s like, 'So and so cried when they heard this.' And I’d be like, 'Yeah, okay, cool.' But I’ve seen people tear up listening to this song that me and Stevie did...I think me and Stevie immediately formed a relationship where he wants to see me do well. He’s expressed to me adamantly that he wants to see me succeed. He wants to see me on the moon. It’s boosted my confidence."[2]

With Stevie it was a musical thing. I had a song that’s very powerful, it’s called “Doing It Wrong,” and Stevie boosted it to another level. 40 produced it, but Stevie has a solo on it that he plays. It’s a great piece of music. He brought life to it. I was only trying to use extremely strong R&B songs on this album if I’m going to use R&B at all. Before I’d have scattered interludes and songs where I’m experimenting with things. Here I wanted to get back to “Brand New,” “Bria’s Interlude” days. It’s going to be really tight writing and s— that’s sexy as f—. That’s my thing. I’m going to do the type of R&B I’m good at. With Stevie it’s hard for me to explain. It’s an incredible thing I witnessed that night. He heard a song that he saw some potential in and he added some key pieces that made it come to life. I’ve never played a song for people and they’ve cried and gone into their own private zone in their mind where they’re really thinking about some situations that hit home. And this song has done that for me. I’ve never seen that before. I’ve heard stories where it’s like “So and so cried when they heard this.” And I’d be like, “Yeah, okay, cool.” [Laughs] But I’ve seen people tear up listening to this song that me and Stevie did. Other than that, I just played him music for approval. That’s always reassuring, to be able to play Stevie Wonder music and have him say that it’s incredible. I think me and Stevie immediately formed a relationship where he wants to see me do well. He’s expressed to me adamantly that he wants to see me succeed. He wants to see me on the moon. It’s boosted my confidence.[3]

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