User:DelinquoSavvy/Marcos Zapata/Bibliography

You will be compiling your bibliography and creating an outline of the changes you will make in this sandbox.

Bibliography

As you gather the sources for your Wikipedia contribution, think about the following:

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Bibliography[edit]

Palmer, Allison Lee. "The Last Supper by Marcos Zapata (c. 1753): a meal of bread, wine, and guinea pig." Aurora, The Journal of the History of Art, vol. 9, annual 2008, pp. 54+. Gale Academic OneFile, link.gale.com/apps/doc/A191476255/AONE?u=anon~74243710&sid=googleScholar&xid=36d1d00c. Accessed 25 Feb. 2024.^[1]

Art, Commerce and Colonialism 1600-1800. United Kingdom, Manchester University Press, 2018.^[2]

Zendt, Christina. “Marcos Zapata's "Last Supper": a feast of European religion and Andean culture.” Gastronomica : the journal of food and culture vol. 10,4 (2010): 9-11. doi:10.1525/gfc.2010.10.4.9.^[3]

Collective Creativity and Artistic Agency in Colonial Latin America. United States, University of Florida Press, 2023.^[4]

Colonial, Obras destacadas, September 2015-Present, Museo de Arte de Lima, Peru.

Cowie, Helen. "Guinea Pig." New World Objects of Knowledge: A Cabinet of Curiosities (Institute of Latin American Studies), Edited by Mark Thurner and Juan Pimentel, University of London Press, 2021, pp. 187-193.^[5]

Damian, Carol. "Artist and Patron in Colonial Cuzco: Workshops, Contracts, and a Petition for Independence." Colonial Latin

American Historical Review 4, 1 (1995): 25. https://digitalrepository.unm.edu/clahr/vol4/iss1/2.^[6]

Frank Barrows Freyer Collection, Currently on View, Denver Art Museum, Denver.^[7]

Meredith, America, The Cuzco School: Andean Visions in Oils and Gold, Fırst American Art Magazine, Spring 2014, no. 2, 21 Feb. 2015, pp. 52–59, Remembered, Allan Houser, et al. "FırstAmericanArt." (2014).^[8]

Alicia Seldes, José E. Burucúa, Gabriela Siracusano, Marta S. Maier & Gonzalo E. Abad (2002) Green, Yellow, and Red Pigments in South American Painting, 1610–1780, Journal of the American Institute for Conservation, 41:3, 225-242, DOI: 10.1179/019713602806082548.^[9]

Alicia M. Seldes, José Emilio Burucúa, Marta S. Maier, Gonzalo Abad, Andrea Jáuregui & Gabriela Siracusano (1999) Blue Pigments in South American Painting (1610–1780), Journal of the American Institute for Conservation, 38:2, 100-123, DOI: 10.1179/019713699806113484.^[10]

Meade, Teresa A.. A History of Modern Latin America: 1800 to the Present. Germany, Wiley, 2011.^[11]

Examples:

Luke, Learie. 2007. Identity and secession in the Caribbean: Tobago versus Trinidad, 1889–1980 Kingston, Jamaica: University of the West Indies Press.
- This is a book published by a university press, so it should be a reliable source. It also covers the topic in some depth, so it's helpful in establishing notability.
Galeano, Gloria; Bernal, Rodrigo (2013-11-08). "Sabinaria , a new genus of palms (Cryosophileae, Coryphoideae, Arecaceae) from the Colombia-Panama border". Phytotaxa.
- This is a peer-reviewed scientific journal, so it should be a reliable source. It covers the topic in some depth, so it's helpful in establishing notability.
Baker, William J.; Dransfield, John (2016). "Beyond Genera Palmarum: progress and prospects in palm systematics". Botanical Journal of the Linnean Society.
- This is a peer-reviewed scientific journal, so it should be a reliable source for a specific fact. Since it only dedicates a few sentences to the topic, it can't be used to establish notability.

References[edit]

^ Palmer, Allison Lee (2008-01-01). "The Last Supper by Marcos Zapata (c. 1753): a meal of bread, wine, and guinea pig". Aurora, The Journal of the History of Art. 9: 54–74.
^ "Manchester University Press - Art, commerce and colonialism 1600-1800". Manchester University Press. Retrieved 2024-03-27.
^ "https://csu-sb.primo.exlibrisgroup.com/discovery/fulldisplay?docid=cdi_openaire_primary_doi_dedup_479b7aa31d3797fae4b46dc8e88b0a47&context=PC&vid=01CALS_USB:01CALS_USB&lang=en&search_scope=Everything&adaptor=Primo%20Central&tab=Everything2&query=any,contains,Marcos%20Zapata&mode=Basic". csu-sb.primo.exlibrisgroup.com. Retrieved 2024-03-27. {{cite web}}: External link in |title= (help)
^ Stanfield-Mazzi, Maya; Vargas-Betancourt, Margarita (2023-05-09). Collective Creativity and Artistic Agency in Colonial Latin America. University Press of Florida. ISBN 978-1-68340-378-4.
^ Gänger, Stefanie (2023-04-03). "New World objects of knowledge: a cabinet of curiosities New World objects of knowledge: a cabinet of curiosities , edited by Mark Thurner and Juan Pimentel, London: University of London, 2021, xviii + 278 pp. (ISBN 9781908857828)". Colonial Latin American Review. 32 (2): 289–290. doi:10.1080/10609164.2023.2205263. ISSN 1060-9164. {{cite journal}}: line feed character in |title= at position 57 (help)
^ Damian, Carol (1995-12-01). "Artist and Patron in Colonial Cuzco: Workshops, Contracts, and a Petition for Independence". Colonial Latin American Historical Review. 4 (1): 25. ISSN 1063-5769.
^ "Adoration of the Magi | Denver Art Museum". www.denverartmuseum.org. Retrieved 2024-03-27.
^ Benavides, Annick. "Andean Visions in Oil and Gold". {{cite journal}}: Cite journal requires |journal= (help)
^ Seldes, Alicia; Burucúa, José E.; Siracusano, Gabriela; S. Maier, Marta; E. Abad, Gonzalo (2002-01). "Green, Yellow, and Red Pigments in South American Painting, 1610–1780". Journal of the American Institute for Conservation. 41 (3): 225–242. doi:10.1179/019713602806082548. ISSN 0197-1360. {{cite journal}}: Check date values in: |date= (help)
^ Seldes, Alicia M.; Burucúa, José Emilio; Maier, Marta S.; Abad, Gonzalo; Jáuregui, Andrea; Siracusano, Gabriela (1999-01). "Blue Pigments in South American Painting (1610–1780)". Journal of the American Institute for Conservation. 38 (2): 100–123. doi:10.1179/019713699806113484. ISSN 0197-1360. {{cite journal}}: Check date values in: |date= (help)
^ Meade, Teresa A. (2011-09-09). A History of Modern Latin America: 1800 to the Present. John Wiley & Sons. ISBN 978-1-4443-5811-7.

Outline of proposed changes[edit]

I've added a variety of sources from other types of media, along with different focuses. These include things such as textbooks, published articles and information from museums.

Now that you have compiled a bibliography, it's time to plan out how you'll improve your assigned article.

In this section, write up a concise outline of how the sources you've identified will add relevant information to your chosen article. Be sure to discuss what content gap your additions tackle and how these additions will improve the article's quality.

Consider other changes you'll make to the article, including possible deletions of irrelevant, outdated, or incorrect information, restructuring of the article to improve its readability or any other change you plan on making. This is your chance to really think about how your proposed additions will improve your chosen article and to vet your sources even further.

Note: This is not a draft. This is an outline/plan where you can think about how the sources you've identified will fill in a content gap.

Get Help

[1] Palmer, Allison Lee (2008-01-01). "The Last Supper by Marcos Zapata (c. 1753): a meal of bread, wine, and guinea pig". Aurora, The Journal of the History of Art. 9: 54–74.

[2] "Manchester University Press - Art, commerce and colonialism 1600-1800". Manchester University Press. Retrieved 2024-03-27.

[3] "https://csu-sb.primo.exlibrisgroup.com/discovery/fulldisplay?docid=cdi_openaire_primary_doi_dedup_479b7aa31d3797fae4b46dc8e88b0a47&context=PC&vid=01CALS_USB:01CALS_USB&lang=en&search_scope=Everything&adaptor=Primo%20Central&tab=Everything2&query=any,contains,Marcos%20Zapata&mode=Basic". csu-sb.primo.exlibrisgroup.com. Retrieved 2024-03-27. {{cite web}}: External link in |title= (help)

[4] Stanfield-Mazzi, Maya; Vargas-Betancourt, Margarita (2023-05-09). Collective Creativity and Artistic Agency in Colonial Latin America. University Press of Florida. ISBN 978-1-68340-378-4.

[5] Gänger, Stefanie (2023-04-03). "New World objects of knowledge: a cabinet of curiosities New World objects of knowledge: a cabinet of curiosities , edited by Mark Thurner and Juan Pimentel, London: University of London, 2021, xviii + 278 pp. (ISBN 9781908857828)". Colonial Latin American Review. 32 (2): 289–290. doi:10.1080/10609164.2023.2205263. ISSN 1060-9164. {{cite journal}}: line feed character in |title= at position 57 (help)

[6] Damian, Carol (1995-12-01). "Artist and Patron in Colonial Cuzco: Workshops, Contracts, and a Petition for Independence". Colonial Latin American Historical Review. 4 (1): 25. ISSN 1063-5769.

[7] "Adoration of the Magi | Denver Art Museum". www.denverartmuseum.org. Retrieved 2024-03-27.

[8] Benavides, Annick. "Andean Visions in Oil and Gold". {{cite journal}}: Cite journal requires |journal= (help)

[9] Seldes, Alicia; Burucúa, José E.; Siracusano, Gabriela; S. Maier, Marta; E. Abad, Gonzalo (2002-01). "Green, Yellow, and Red Pigments in South American Painting, 1610–1780". Journal of the American Institute for Conservation. 41 (3): 225–242. doi:10.1179/019713602806082548. ISSN 0197-1360. {{cite journal}}: Check date values in: |date= (help)

[10] Seldes, Alicia M.; Burucúa, José Emilio; Maier, Marta S.; Abad, Gonzalo; Jáuregui, Andrea; Siracusano, Gabriela (1999-01). "Blue Pigments in South American Painting (1610–1780)". Journal of the American Institute for Conservation. 38 (2): 100–123. doi:10.1179/019713699806113484. ISSN 0197-1360. {{cite journal}}: Check date values in: |date= (help)

[11] Meade, Teresa A. (2011-09-09). A History of Modern Latin America: 1800 to the Present. John Wiley & Sons. ISBN 978-1-4443-5811-7.

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