User:DionysosProteus/Biblio

BIBLIOGRAPHY

Works cited

• Aristotle. 1974. "Poetics". Trans. S.H. Butcher. In Dukore Dramatic Theory and Criticism: Greeks to Grotowski, 31-55.
• Baldry, Harold Caparne. 1971. The Greek Tragic Theatre. Ancient Culture and Society ser. London: Chatto & Windus. ISBN 0701116293.
• Banham, Martin, ed. 1998. The Cambridge Guide to Theatre. Cambridge: Cambridge UP. ISBN 0521434378.
• Benedetti, Jean. 1989. Stanislavski: An Introduction. Revised edition. Original edition published in 1982. London: Methuen. ISBN 0413500306.
• ---. 1998. Stanislavski and the Actor. London: Methuen. ISBN 0413711609.
• ---. 1999. Stanislavski: His Life and Art. Revised edition. Original edition published in 1988. London: Methuen. ISBN 0413525201.
• ---. 2005. The Art of the Actor: The Essential History of Acting, From Classical Times to the Present Day. London: Methuen. ISBN 0413773361.
• Benjamin, Walter. 1928. The Origin of German Tragic Drama. Trans. John Osborne. London and New York: Verso, 1998. ISBN 1859848990.
• Berry, Cicely. 2000. The Actor and the Text. Rev. ed. London: Virgin Books. ISBN 0863697054.
• Brockett, Oscar G. and Franklin J. Hildy. 2003. History of the Theatre. Ninth edition, International edition. Boston: Allyn and Bacon. ISBN 0205410502.
• Bradby, David, and John McCormick. 1978. People's Theatre. London: Croom Helm and Totowa, NJ: Rowman and Littlefield. ISBN 0847660737.
• Braun, Edward. 1995. Meyerhold: A Revolution in Theatre. Rev. 2nd ed. London: Methuen. ISBN 0413727300.
• Cardullo, Bert and Robert Knopf, eds. 2001. Theater of the Avant-Garde 1890-1950: A Critical Anthology. New Haven and London: Yale UP. ISBN 0300085265.
• Carlson, Marvin. 1993. Theories of the Theatre: A Historical and Critical Survey from the Greeks to the Present. Expanded ed. Ithaca and London: Cornell University Press. ISBN 978-0801481543.
• Carnicke, Sharon M. 1998. Stanislavsky in Focus. Russian Theatre Archive Ser. London: Harwood Academic Publishers. ISBN 9057550709.
• ---. 2000. "Stanislavsky's System: Pathways for the Actor". In Twentieth Century Actor Training. Ed. Alison Hodge. London and New York: Routledge. ISBN 0415194520. p.11-36.
• Counsell, Colin. 1996. Signs of Performance: An Introduction to Twentieth-Century Theatre. London and New York: Routledge. ISBN 0415106435.
• Deleuze, Gilles and Félix Guattari. 1972. Anti-Œdipus. Trans. Robert Hurley, Mark Seem and Helen R. Lane. London and New York: Continuum, 2004. Vol. 1 of Capitalism and Schizophrenia. 2 vols. 1972-1980. Trans. of L'Anti-Oedipe. Paris: Les Editions de Minuit. ISBN 0826476953.
• Dukore, Bernard F., ed. 1974. Dramatic Theory and Criticism: Greeks to Grotowski. Florence, KY: Heinle & Heinle. ISBN 0030911524.
• Elam, Keir. 1980. The Semiotics of Theatre and Drama. New Accents Ser. London and New York: Methuen. ISBN 0416720609.
• Eyre, Richard and Nicholas Wright. 2000. Changing Stages: A View of British Theatre in the Twentieth Century. London: Bloomsbury. ISBN 0747547890.
• Fergusson, Francis. 1949. The Idea of a Theater: A Study of Ten Plays, The Art of Drama in a Changing Perspective. Princeton, NJ: Princeton UP, 1968. ISBN 0691012881.
• Gebauer, Gunter, and Christoph Wulf. 1992. Mimesis: Culture--Art--Society. Trans. Don Reneau. Berkeley and London: U of California P, 1995. ISBN 0520084594.
• Graver, David. 1995. The Aesthetics of Disturbance: Anti-Art in Avant-Garde Drama. Theater: Theory/Text/Performance ser. Ann Arbour: U of Michigan P. ISBN 0472105078.
• Gordon, Mel, ed. 1987. Dada Performance. New York: PAJ Publications. ISBN 1555540112.
• Gurr, Andrew. 1992. The Shakespearean Stage 1574-1642. Third ed. Cambridge: Cambridge University Press. ISBN 052142240X.
• Hagen, Uta. 1973. Respect for Acting. New York: Macmillan. ISBN 0025473905.
• Hall, Peter. 2004. Shakespeare's Advice to the Players. London: Oberon. ISBN 1840024119.
• Hodge, Alison, ed. 2000. Twentieth Century Actor Training. London and New York: Routledge. ISBN 0415194520.
• Innes, Christopher. 1983. Edward Gordon Craig. Directors in Perspective ser. Cambridge: Cambridge UP. ISBN 0521273838.
• ---, ed. 2000. A Sourcebook on Naturalist Theatre. London and New York: Routledge. ISBN 0415152291.
• Janko, Richard, trans. 1987. Poetics with Tractatus Coislinianus, Reconstruction of Poetics II and the Fragments of the On Poets. By Aristotle. Cambridge: Hackett. ISBN 0872200337.
• Johnstone, Keith. 1981. Impro: Improvisation and the Theatre Rev. ed. London: Methuen, 2007. ISBN 0713687010.
• ---. 1999. Impro for Storytellers. London: Faber. ISBN 057119099.
• Kleberg, Lars. 1980. Theatre as Action: Soviet Russian Avant-Garde Aesthetics. Trans. Charles Rougle. New Directions in Theatre. London: Macmillan, 1993. ISBN 0333568176.
• Kolocotroni, Vassiliki, Jane Goldman and Olga Taxidou, eds. 1998. Modernism: An Anthology of Sources and Documents. Edinburgh: Edinburgh University Press. ISBN 0748609733.
• Lamport, Francis John. 1990. German Classical Drama: Theatre, Humanity and Nation, 1750-1870. Cambridge: Cambridge University Press. ISBN 0521362709.
• Magarshack, David. 1950. Stanislavsky: A Life. London and Boston: Faber, 1986. ISBN 0571137911.
• Merlin, Bella. 2007. The Complete Stanislavsky Toolkit. London: Nick Hern. ISBN 9781854597939.
• Melzer, Annabelle. 1976. Dada and Surrealist Performance. PAJ Books ser. Baltimore and London: The Johns Hopkins UP, 1994. ISBN 0801848458.
• Milling, Jane, and Graham Ley. 2001. Modern Theories of Performance: From Stanislavski to Boal. Basingstoke, Hampshire and New York: Palgrave. ISBN 0333775422.
• Moi, Toril. 2006. Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosophy. Oxford and New York: Oxford UP. ISBN 9780199202591.
• Pavis, Patrice. 1998. Dictionary of the Theatre: Terms, Concepts, and Analysis. Trans. Christine Shantz. Toronto and Buffalo: U of Toronto P. ISBN 0-802-08163-0.
• Pfister, Manfred. 1977. The Theory and Analysis of Drama. Trans. John Halliday. European Studies in English Literature Ser. Cambridige: Cambridge University Press, 1988. ISBN 052142383X.
• Rayner, Alice. 1994. To Act, To Do, To Perform: Drama and the Phenomenology of Action. Theater: Theory/Text/Performance Ser. Ann Arbor: University of Michigan Press. ISBN 047210537X.
• Rehm, Rush. 1992. Greek Tragic Theatre. Theatre Production Studies ser. London and New York: Routledge. ISBN 0415118948.
• Richter, Hans. 1997. Dada: Art and Anti-Art. Trans. David Britt. Updated edition. London: Thames & Hudson. ISBN 0500200394.
• Roach, Joseph R. 1985. The Player's Passion: Studies in the Science of Acting. Theater:Theory/Text/Performance Ser. Ann Arbor: University of Michigan Press. ISBN 0472082442.
• Rodenberg, Patsy. 2002. Speaking Shakespeare. London: Methuen. ISBN 0413700402.
• Rudnitsky, Konstantin. 1981. Meyerhold the Director. Trans. George Petrov. Ed. Sydney Schultze. Revised translation of Rezhisser Meierkhol'd. Moscow: Academy of Sciences, 1969. ISBN 0882333135.
• ---. 1988. Russian and Soviet Theatre: Tradition and the Avant-Garde. Trans. Roxane Permar. Ed. Lesley Milne. London: Thames and Hudson. Rpt. as Russian and Soviet Theater, 1905-1932. New York: Abrams. ISBN 0500281955.
• Southern, Richard. 1973. The Staging of Plays Before Shakespeare. London: Faber. ISBN 0571101321.
• Spolin, Viola. 1967. Improvisation for the Theater. Third rev. ed. Evanston, Il.: Northwestern University Press, 1999. ISBN 081014008X.
• Stanislavski, Constantin. 1936. An Actor Prepares. London: Methuen, 1988. ISBN 0413461904.
• Styan, J[ohn]. L. 1981. Symbolism, Surrealism and the Absurd. Cambridge and New York: Cambridge UP. ISBN 978-0521296298. Vol. 2 of Modern Drama in Theory and Practice. 3 vols.
• Szondi, Peter. 1965. Theory of the Modern Drama: A Critical Edition. Ed. and trans. Michael Hays. Theory and History of Literature ser. vol. 29. Minneapolis: U of Minnesota P, 1987. ISBN 0816612854.
• Taxidou, Olga. 1998. The Mask: A Periodical Performance by Edward Gordon Craig. Contemporary Theatre Studies ser. volume 30. Amsterdam: Harwood Academic Publishers. ISBN 9057550466.
• ---. 2004. Tragedy, Modernity and Mourning. Edinburgh: Edinburgh UP. ISBN 0748619879.
• ---. 2007. Modernism and Performance: Jarry to Brecht. Baisingstoke and New York: Palgrave. ISBN 9781403941015.
• Taylor, Gary. 1989. Reinventing Shakespeare: A Cultural History from the Restoration to the Present. London: Hogarth Press. ISBN 0701208880.
• von Gelden, James. 1993. Bolshevik Festivals, 1917-1920. Studies on the History of Society and Culture 15. Berkeley, Los Angeles and London: University of California Press. ISBN 0520076907.
• Weimann, Robert. 1978. Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function. Baltimore and London: The Johns Hopkins University Press. ISBN 0801835062.
• ---. 2000. Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre. Ed. Helen Higbee and William West. Cambridge Studies in Renaissance Literature and Culture. Cambridge: Cambridge University Press. ISBN 0521787351.
• Whyman, Rose. 2008. The Stanislavsky System of Acting: Legacy and Influence in Modern Performance. Cambridge: Cambrdige UP. ISBN 9780521886963.
• Willett, John. 1967. The Theatre of Bertolt Brecht: A Study from Eight Aspects. Third rev. ed. London: Methuen, 1977. ISBN 041334360X.
• ---. 1978. Art and Politics in the Weimar Period: The New Sobriety 1917-1933. New York: Da Capo Press, 1996. ISBN 0306807246.
• ---. 1978. The Theatre of Erwin Piscator: Half a Century of Politics in the Theatre. London: Methuen. ISBN 0413378101.
• Williams, Raymond. 1966. Modern Tragedy. London: Chatto & Windus. ISBN 0701112603.
• ---. 1989. The Politics of Modernism: Against the New Conformists. Ed. Tony Pinkney. London and New York: Verso. ISBN 0860919552.
• ---. 1993. Drama from Ibsen to Brecht. London: Hogarth. ISBN 0701207930.
• Worrall, Nick. 1996. The Moscow Art Theatre. Theatre Production Studies ser. London and NY: Routledge. ISBN 0415055989.
• Wright, Elizabeth. 1989. Postmodern Brecht. Critics of the Twentieth Century Ser. London and New York: Routledge. ISBN 0415023300.
• Zarrilli, Phillip B. 2002. Acting (Re)Considered: A Theoretical and Practical Guide. Worlds of Performance Ser. Second edition. London and New York: Routledge. ISBN 041526300X.

Bibliography

• Bradby, David, and John McCormick. 1978. People's Theatre. London: Croom Helm and Totowa, NJ: Rowman and Littlefield. ISBN 085664501X.
• Bradby, David, Louis James, and Bernard Sharratt, ed. 1982. Performance and Politics in Popular Drama: Aspects of Popular Entertainment in Theatre, Film and Television, 1800-1976. Cambridge: Cambridge UP. ISBN 0521285240.
• Gooch, Steve. 1984. All Together Now: An Alternative View of Theatre and the Community. Methuen Theatrefile Ser. London: Methuen. ISBN: 0413534804.
• Kershaw, Baz. 1992. The Politics of Performance: Radical Theatre as Cultural Intervention. London and New York: Routledge. ISBN 0415057639.
• MacLennan, Elizabeth. 1990. The Moon Belongs to Everyone: Making Theatre with 7:84. London: Methuen. ISBN 0413641503.
• McGrath, John. 1981. A Good Night Out: Popular Theatre: Audience, Class and Form. London: Nick Hern Books, 1996. ISBN 1854593706.
• McGrath, John. 1990. The Bone Won't Break: On Theatre and Hope in Hard Times. London: Methuen. ISBN 0413632601.
• McGrath, John. 1996. Six-Pack: Plays for Scotland. Edinburgh: Polygon. ISBN 0748662014.
• Schechter, Joel, ed. 2003. Popular Theatre: A Sourcebook. Worlds of Performance Ser. London and New York: Routledge. ISBN 0415258308.
• Stourac, Richard, and Kathleen McCreery. 1986. Theatre as a Weapon: Workers' Theatre in the Soviet Union, Germany and Britain, 1917-1934. London and New York: Routledge. ISBN 0710097700.
• Wandor, Michelene, ed. Strike While the Iron is Hot: Three Plays on Sexual Politics. London: The Journeyman Press. ISBN 090452647X.