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Note: I added "Form Identification" and "Color effect on memorization" in the existing article Memory color effect and added more content to "Significance to the evolution of trichromacy" and "In perception research."
Memory color is the canonical hue of a type of object (e.g., sky, leaf, banana, or apple) that human observers acquire through their experiences of that type. For example, most human observers know that an apple typically has a reddish hue; this knowledge about the canonical color which is represented in memory constitutes a memory color.[1][2]
The memory color effect is the phenomenon that memory colors directly modulate the appearance of the actual colors of objects. For example, normal human trichromats, when presented with a gray banana, often perceive the gray banana as being yellow - the banana's memory color. In light of this, subjects typically adjust the color of the banana towards the color blue - the opponent color of yellow - when asked to adjust its surface to gray to cancel the subtle activation of banana's memory color.[3] Subsequent empirical studies have also shown the memory color effect on man-made objects (e.g. smurfs, German mailboxes), the effect being especially pronounced for blue and yellow objects. To explain this, researchers have argued that because natural daylight shifts from short wavelengths of light (i.e., bluish hues) towards light of longer wavelengths (i.e., yellowish-orange hues) during the day, the memory colors for blue and yellow objects are recruited by the visual system to a higher degree to compensate for this fluctuation in illumination, thereby providing a stronger memory color effect.[4]
Form Identification
[edit]
Memory color plays a role when detecting an object. In a study where participants were given multiple objects, such as an apple, with two alternate forms for each, a crooked apple and a circular apple, researchers changed the colors of the alternate forms and asked if they could identify them. Most of the participants answered "unsure," suggesting that we use memory color when identifying an object. The research redefined memory color as a phenomenon when "a form's identity affects the phenomenal hue of that form." [5]
Color effect on memorization
[edit]Memory color effect can be derived from the human instinct to memorize objects better. Comparing the effect of recognizing gray-scaled images and colored images, results showed that people were able to recall colored images 5% higher than gray-scaled images. An important factor was that higher level of contrast between the object and background color influences memory. In a specific study related to this, participants reported that colors over black and white were 5% to 10% easier to recognize. [6]
Significance to the evolution of trichromacy
[edit]While objects that possess canonical hues make up a small percentage of the objects which populate humans’ visual experience, the human visual system evolved in an environment populated with objects that possess canonical hues. This suggests that the memory color effect is related to the emergence of trichromacy because it has been argued that trichromacy evolved to optimize the ability to detect ripe fruits—objects that appear in canonical hues.[7]
In perception research
[edit]In perception research, the memory color effect is cited as evidence for the opponent color theory, which states that four basic colors can be paired with its opponent color: red—green, blue—yellow. This explains why participants adjust the ripe banana color to a blueish tone to make its memory color yellow as gray.[8] Researchers have also found empirical evidence that suggests memory color is recruited by the visual system to achieve color constancy. For example, participants had a lower percentage of color constancy when looking at a color incongruent scene, such as a purple banana, compared to a color diagnostical scene, a yellow banana. This suggests that color constancy is influenced by the color of objects that we are familiar with, which the memory color effect takes part. [9]
References
[edit]- ^ Ewald Hering (1964). Outlines of a theory of the light sense. Harvard University Press.
- ^ Bartleson, C. J. (1960). "Memory Colors of Familiar Objects". Journal of the Optical Society of America. 50 (1): 73. doi:10.1364/JOSA.50.000073. ISSN 0030-3941. PMID 13797246.
- ^ Hansen, T.; Olkkonen, M.; Walter, S.; Gegenfurtner, K.R. (October 2006). "Memory modulates color appearance". Nature Neuroscience. 9 (11): 1367–1368. doi:10.1038/nn1794. PMID 17041591.
- ^ Witzel, C.; Valkova, H.; Hansen, T.; Gegenfurtner, K.R. (March 2011). "Object knowledge modulates colour appearance". I-perception. 2 (1): 13–49. doi:10.1068/i0396. PMC 3485772. PMID 23145224.
- ^ Mial, R.P. (1974). "The effect of memory color on form identification". Perception & Psychophysics. 16: 1-3.
- ^ Dzulkifli, M. A. "The influence of colour on memory performance: a review". The Malaysian journal of medical sciences. 20 (2): 3–9.
- ^ Regan, B.C.; Julliot, C.; Simmen, B.; Vienot, F.; Charles-Dominique, P.; Mollon, J.D. (March 2011). "Fruits, foliage and the evolution of primate colour vision". Philosophical Transactions of the Royal Society B: Biological Sciences. 356 (1407): 229–283. doi:10.1098/rstb.2000.0773. PMC 1088428. PMID 11316480.
- ^ Wolfe, Jeremy M.; Kluender, Keith R.; Levi, Dennis M. (2018). Sensation & Perception (5th ed.). Oxford University Press. p. 151.
- ^ Granzier, J.M.; Gegenfurtner, K.R. (2012). "Effects of memory colour on colour constancy for unknown coloured objects". I-Perception. 3 (3): 190–215. doi:10.1068/i0461. PMC 3485846. PMID 23145282.