User:GreenBruchert8

Nia DaCosta

Nia DaCosta (born November 8th, 1989) in Brooklyn, New York City, New York, USA (3). She is a filmmaker, writer, director, and producer. She made her feature film debut as a writer and director for her crime/drama film Little Woods (2018) (9). The film was released on April 21, 2018. DaCosta gained wide acclaim for her work and garnered the Nora Ephron Award for female filmmakers at the Tribeca Film Festival (4). DaCosta successfully became the youngest black female director to hit No. 1 at the box office for the weekend opening of her horror mystery film Candyman (2021) (8). She is currently in pre-production, writing for her upcoming film Hedda Gabler (2023) and the television series Lincoln Conspiracy Theory, which she is co-producing. (3)

Early Life and Education

Nia DaCosta was born in Brooklyn, New York City, New York (4). She grew up in Harlem and Brooklyn and was deeply influenced by directors Coppola and Scorsese (8). She attended New York University Tisch School of the Arts because her idol, Scorsese, was an alumnus. She received her graduate degree in London from The Royal Central School of Speech and Drama (10).

Career

DaCosta began working in film as an additional crew member on the set of Shark Loves the Amazon (2011) (3). She proceeded to work as a production associate and researcher for the television series I Love the 1880s (2012) and Ke$ha: My Crazy Beautiful Life (2013) (3). After working as a crew member on sets, she began writing short films like Livelihood (2014) and Celeste (2014) (3). Soon, DaCosta made her feature film debut with Little Woods (2018). Originally developed as an indie film, Little Woods (2018) became one of 12 projects chosen for the 2015 Sundance Screenwriters and Directors Lab. DaCosta received praise for her work on the film, which was soon released by Neon (4). DaCosta became a co-creator alongside Aron Eli Coleite when she worked on an 8-episode webcast series called Ghost Tape (2020) (3). After this web series (3), DaCosta fulfilled a dream of hers when she began working with Jordan Peele, who later became her mentor, while working on the Candyman (2022) film (10). Soon, DaCosta began working on The Marvels (2023) film, making her the first black woman to direct a Marvel film. DaCosta is currently in pre-production for her upcoming film Hedda. She is in the development stages for her work on The Lincoln Conspiracy television series, in which she is a co-producer.

Stylistic Approach

DaCosta is a longtime horror fan. In high school, she made a short film titled "The Black Girl Dies Last." For Jordan Peele's movie Candyman (2021) (8), DaCosta was asked to deliver a pitch for the film, which included several horror classics. Jordan Peele remarked on DaCosta as having "a great sense of the unsettling."(8) When reflecting on her work in Candyman (2021) DaCosta stated, "I love gore; I love body horror; I love all that stuff. When it is about enhancing the psychological terror, go for it. But I didn't want to depict what we see every day."(8) DaCosta presents stories with overlapping themes of pain and trauma (8). She focuses on the complicated dynamics between characters and their emotional ties. (4)

Personal Life

DaCosta grew up in Brooklyn and Harlem, New York. She initially wanted to become an actor, but her mother helped her realize she wanted to direct and have more creative control. She attended New York University's Tisch School and graduated in 2011(6) in the Arts because her idol Director, Martin Scorsese, was an alumnus. She later went to grad school at The Royal Central School for Speech and Drama. DaCosta grew up being an avid fan of the Marvel series and was very excited to direct and produce the Film (4).

Awards and Achievements (3)

List of Awards and Nominations: Heartland Film Awards -DaCosta was the 2018 winner of the Truly Moving Picture Award for her work in the feature film Little Woods (2018) (IMdB) (Heartland film) Gasparilla International Film Festival -DaCosta was a 2019 Nominee for the Gasparilla International Film Festival for Best Narrative Feature for her work on Little Woods (2018) (IMDb) Fargo Film Festival - 2019 Winner for Best Director in Little Woods (2018) at the Fargo Film Festival - 2019 Winner for Best Narrative Feature for Little Woods Tribeca Film Festival -2018 Nominee Best Narrative Feature for Little Woods Black Reel Awards Nominee for Outstanding Director for Candyman (2022) Nominee for Outstanding Screenplay for Candyman (2022), shared with Jordan Peele and Win Rosenfeld Palm Springs International Film Festival 2021 Winner for Directors to Watch for Candyman Las Vegas Critics Society Awards: 2021 Nominee for Sierra Award for Breakout Filmmaker of the Year for Candyman Image Awards (NAACP) 2022 Nominee for Outstanding Writing in a Motion Picture for Candyman Denver International Film Festival: 2018 Nominee for an American Independent Award for Best Feature Film Little Woods - 2018 Winner of the American Independent Award, Honorable Mention for Little Woods Bram Stoker Awards 2021 Nominee for Best Screenplay in Candyman Sunset Film Circle Awards 2021 Winner of the SFC Award, Five Fire Directors for the Film Candyman

Filmography List

Marvels:

DaCosta took the opportunity to work on The Marvels film when she was just 31 years old, making her the first black woman and youngest person to direct a Marvel film (4). The Marvels (2023) follows the story of three heroes: Captain Marvel, played by Oscar-Winner Brie Larson; Monica Rambeau, played by Teyonah Parris; and Kamala Khan as Ms. Marvel (4). The film is a sequel to Captain Marvel (2019) (4). The film follows themes from Disney+ television shows, portraying Monica, an adult who garners superhero abilities, while "Ms. Marvel follows Kamala's original superhero story. The trio band together to defeat a new villain, Dar-benn, played by another woman, Zawe Ashton. The film cost over 250 million dollars and was released on November 10th. The film is an hour and 45 minutes long (4). When DaCosta was asked 'how she feels about shattering so many glass ceilings?' she responded with, "For other young Black women who want to be filmmakers, I think it's important to be an example."(4)

Little Woods:

Little Woods was one of 12 projects chosen for the 2015 Sundance Screenwriters and Directors Lab. During an interview with the Los Angeles Times, DaCosta mentioned how she was made to work with “very scarce resources” (10). DaCosta further remarked on the production aspect of the film, "It's very difficult for a woman to just pop up in the studio system. But I think the same systemic issues that affect how much work women get to make is also inside the indie space. While there are more women working, we definitely get less money"(10). Little Woods (2018) production took place in the winter of 2017 and 2018. They shot the film in North Dakota and Austin, Texas. Filming occurred over January and February when the weather was 'extreme'(10). The film premiered later that same year, during the summer of 2018, at the Tribeca Film Festival. The film received critical acclaim and was soon acquired by Neon (10).

Candyman:

DaCosta worked on the film Candyman (2022) alongside Jordan Peele and Win Rosenfeld. The film is a “spiritual sequel” to the 1992 horror film classic Candyman (1992) and is produced by Jordan Peele through his Monkeypaw Productions (8). The film's release date had to be postponed due to the COVID-19 pandemic. Jordan Peele first took notice of DaCosta through her work on Little Woods (2018). DaCosta delivered a pitch to Jordan Peele to work on the Candyman (2021) film^((8)), which was well-received by both Rosenfeld and Peele. The new film picks up from the original 1992 film Candyman in downtown Chicago, Cabrini-Green. The original teaser trailer was released on June 17th, 2021. Dacosta was intent on not depicting the everyday horrors committed against black people. Her priority was to inflict psychological terror and steer clear of current event depictions. Candyman (2021) was set to be released during the Black Lives Matter movement (8).

Additional Crew Member: (3)

Shark Loves the Amazon (2011)

I Love the 1880s (2012)

Ke$ha: My Crazy Beautiful Life (2013)

Writer:

Livelihood (short) (2014)

Celeste(short) (2014)

Little Woods (2018)

Ghost Tape (2020)

Candyman (2021)

The Marvels (2023)

Hedda (pre-production) (to be decided)

The Lincoln Conspiracy (pre-production) (to be decided)

References:

1)Daniell, Mark. “Marvellous; Director Nia DaCosta Breaks Barriers with the Marvels.” www.proquest.com, November 10, 2023. https://www.proquest.com/docview/2888640332/8623AAFEB65B4C5BPQ/3?accountid=9894&sourcetype=Newspapers.

2)Dubey, Nivedita. “The Marvels Director Reveals Her Personal Connection to Ms. Marvel.” CBR, July 18, 2023. https://www.cbr.com/the-marvels-nia-dacosta-personal-connection/.

3)IMDb. “Nia DaCosta | Writer, Additional Crew, Producer.” Accessed December 13, 2023. https://www.imdb.com/name/nm4804442/.

4)Jackson, Angelique. “How ‘the Marvels’ Got Its Blerd Girl Energy.” Variety, November 9, 2023. https://variety.com/2023/film/features/nia-dacosta-the-marvels-1235785554/.

5)NYU. “Nia DaCosta.” tisch.nyu.edu. Accessed December 13, 2023. https://tisch.nyu.edu/film-tv/alumni/nia-dacosta.

6)Pometsey, Olive. “Director Nia DaCosta on Top Boy and Candy Man.” British GQ, January 25, 2021. https://www.gq-magazine.co.uk/culture/article/nia-dacosta-interview.

7)Pruitt-Young, Sharon. “Nia DaCosta Is the 1st Black Female Director to Debut atop the U.S. Box Office.” NPR, August 31, 2021. https://www.npr.org/2021/08/31/1032875813/nia-dacosta-is-the-1st-black-female-director-to-debut-atop-the-u-s-box-office.

8)Riley, Jenelle. “With ‘Candyman,’ Director Nia DaCosta Puts a Killer Spin on a Horror Classic.” Variety, August 19, 2021. https://variety.com/2021/film/features/nia-dacosta-horror-classic-candyman-1235044045/

9)Sorrenti, Mario. “Nia DaCosta on Her Meteoric Rise through Hollywood.” Harper’s BAZAAR, August 16, 2023. https://www.harpersbazaar.com/culture/film-tv/a44693024/nia-dacosta-icons-interview-2023/.

10)Twitter, Instagram, Email, and Facebook. “Tessa Thompson and ‘Little Woods’ Director Nia DaCosta Are Breaking down Hollywood Barriers.” Los Angeles Times, April 19, 2019. https://www.latimes.com/entertainment/movies/la-et-mn-little-woods-tessa-thompson-nia-dacosta-20190419-story.html.