User:Hexatekin/sandbox/Navarro
THIS IS A DRAFT IN PROGRESS
Eduardo Navarro | |
|---|---|
 Beca Kuitca, Program for the Visual Arts C.C.R.R., Argentina | |
| Born | 1979 Buenos Aires |
| Education | Program for the Visual Arts C.C.R.R., Argentina |
Eduardo Navarro is a contemporary Argentinian artist born in 1979 in Buenos Aires. He lives and works in Buenos Aires, Argentina. Since 2004, he has worked in a variety of mediums, such as sculpture, collage, performance, and installation.
Eduardo Navarro inserts himself in legal, spiritual, scientific, medical, archaeological environments- and draws on a series of discussions and exchanges within the groups he inserts himself into to produce work. For example, in a video he created for the Americas Society exhibition, "From Confrontation to Intimacy," at the Americas Society in New York, he infiltrated a group of New Age Street performers.[1]
At the launch of a five-month pedagogical program in concert with the 9th Bienal do Mercosul, Eduardo Navarro sent a telepathic message to those willing to receive it that had attended a lecture on curiosity from his home in Buenos Aires.[2]
Education
[edit]Navarro studied from 2003–2005 with artist Guillermo Kuitca in the Program for the Visual Arts C.C.R.R. in Argentina, where he lives and works. In 2006, he studied at the Skowhegan School of Painting and Sculpture and received a UBS Art Scholarship/Individual grant Program for emerging artists.
Exhibitions
[edit]- Ir para Volver, 12th Cuenca Biennial, Ecuador, (2014).[3][4]
- Weather Permitting, 9th Mercosur Biennial, Brazil (2013).[5]
- Performance: Horses Don't Lie. 9th Mercosur Biennial, Brazil (2013).[6]
- There is always a cup of sea to sail in, 29th São Paulo Biennial, Brazil (2010).[7]
- Screaming and Hearing, 7th Mercosur Biennial, Brazil, (2009).
- Do Not Feed. Frederieke Taylor Gallery, New York, (2008).[8]
- The Great Transformation-Kunst und Takitsche Magie, Frankfurter Kunstverein, Germany, (2008).[9]
- From Confrontation to Intimacy, Americas Society, USA (2007).[10][11]
- The Pod Show, Blanton Museum-Art Palace, US (2006).
- Civilizacion y Barbarie MAC Santiago de Chile (2005).
References
[edit]- ^ Johnson, Ken. "Art Review: Roars of Argentina’s Past, Murmurs of Its Present." New York Times. December 14, 2007.
- ^ "The 9TH Bienal do mercosul / Porto Alegre launched its pedagogical Program." Arte Alida. May 30, 2013.
- ^ "Ir para volver (leaving to return) describes a physical and temporary absence (frequently without a definite duration)." Biennial Foundation. July 1st, 2014.
- ^ "Leaving to Return." Press Release. e-flux. 12th Bienal de Cuenca. March 28–June 27, 2014.
- ^ "Biome World: Pursuing a Pedagogy of Intervention." Chus Martínez. Mouse 43. 2013.
- ^ "Horses Don't Lie." 9th Bienal Mercosul, Brazil (2013).
- ^ "Eduardo Navarro 2004-2010." Foundazione Ratti.
- ^ Eduardo Navarro. Frederieke Taylor Gallery.
- ^ "Review: The Great Transformation." Frankfurter Kunstverein, Germany. Freize Magazine. Issue 118. October 2008.
- ^ Noorthoorn, Victoria, and Gabriela Rangel Mantilla. Beginning with a bang!: from confrontation to intimacy: an exhibition of Argentine contemporary artists, 1960-2007. New York, N.Y.: Americas Society. 2007. OCLC 183917294
- ^ Johnson, Ken. "Art Review: Roars of Argentina’s Past, Murmurs of Its Present." New York Times. December 14, 2007.
External Links
[edit]- Artist website.
- "Do Note Feed." Joanne Bernstein Exhibition Text. 2009.
- "Eduardo Navarro." Art Pension Trust. Biographical Entry