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Template: Kajsa Zetterquist
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This draft was created at an Art+Feminism edit-a-thon.
It is a work in progress and will be revisited by the Art+Feminism organizing team at the end of the March 2021 campaign. Edit in Visual Editor!Make sure that your article has several reliable sources that are independent of the subject, i.e. not from the artist or their representatives. Instead, focus on journalistic and scholarly sources. The section headings are only advisory, and you should remove any that do not apply. Only list major exhibitions and works, not a complete resumé. |
This is an initial draft for an article on Preloaddraft. This page is not yet ready for mainspace.
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Preloaddraft/Artist | |
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Born | November 8, 1936 |
Education | Konstfack (1954–1955),
Signe Barths målarskola (1955–1957), Kungliga Konsthögskolan (1957–1963) |
Known for | Painter |
Movement | Abstract art |
Awards | Nordland fylkes kulturpris in1982 with Per Adde |
Website | Adde-Zetterquist-kunstgalleri |
Preloaddraft/Artist is a sculptor in glass and concrete, best known for her large installation pieces.
Contents
[edit]Early life and education
[edit]Preloaddraft/Artist was educated at a the School of Art.
Born in Arvika, Sweden. Both of her parents were painters, Märta Swenson and Jérôme Zetterquist.
Career
[edit]Preloaddraft/Artist's initial work focused on small scale conceptual pieces such as XYZ. During the early 2000s she became well known for the series of large pieces displayed at Art festival.
Style
[edit]Themes
[edit]Reception
[edit]Work
[edit]Major exhibitions
[edit]Public collections
[edit]Awards and nominations
[edit]References
[edit]External links
[edit]- Preloaddraft/Artist's webpage
- Collection of Preloaddraft/Artist's works
- This page was last edited on 7 May 2019, at 04:46.