User:LoanKieuT/sandbox
Article Evaluation: Lesbian Art Project
In the third section of the article, the article becomes bias in regards to this statement how the Lesbian Art Project plays a large role in lesbian art history. The article should consist of a neutral tone throughout the information. It then becomes redundant, mentioning that the movement was started by Terry Wolverton even though it was mentioned earlier in the first paragraph.
The article seems under presented in terms of its background. Although the project began with six women, only two of them were named. It seems bias towards Wolverton and Raven. The article later discusses how the group disbanded but does not go into detail about why and how it affected the project. The overall article could possibly consist of more information that dove into the significant projects that were a part of the project and also include the viewers' reactions to them.
The sources are credible and all of the links are working now that they have been updated by other users. The talk page discusses a change in one of the sources along with taking out a block on links that was placed in the middle of the text. It does not discuss the content, however.
Article Edits for El Anatsui: (2/17/19)
Adding more to his Artistic Practice in regards to his process and objectives when creating work; include discussion of material significance
More information on his background and how he started his art career. Include info on his techniques and his role in the art community.
Adding more info of Nsukka group and his inspirations from his environment
Article Bibliography: (2/23/19)
[1]Binder, Lisa M. El Anatsui: Transformations. African Arts, vol. 41, no. 2, 2008, pp. 24–37. JSTOR, www.jstor.org/stable/20447883.
[2]Huard, Marie. The Case for Class Discussion: Sixth Grade's Exploration of El Anatsui's Contemporary Sculpture. Art Education Nov 2017: 14-19. Print.
[3]James, Laura Leffler. History, Materials, and the Human Hand—An Interview with El Anatsui. CAA: 36-53. Print.
[4]Vogel, Susan Mullin. El Anatsui: Pot of Wisdom. African Arts, vol. 46, no. 3, 2013, pp. 88–90. JSTOR, www.jstor.org/stable/43307400.
- ^ Binder, Lisa (2008). "El Anatsui: Transformations". African Arts. 41: 24–37.
- ^ Huard, Marie (Nov 2017). "The Case for Class Discussion: Sixth Grade's Exploration of El Anatsui's Contemporary Sculpture". Art Education: 14–19.
- ^ James, Laura. "History, Materials, and the Human Hand-An Interview with El Anatsui". CAA: 36–53.
- ^ Vogel, Susan Mulin (2013). "El Anatsui: Pot of Wisdom". African Arts: 88–90.
Practicing with citing sources (2/23/19):
Anatsui takes inspiration from the idea of sankofa, meaning "go back and retrieve" in his works. This means his practice included finding materials and using processes from his environment with each object possessing an aphorism with it. [1]
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