User:Lruschak/Jacopo Bellini/Bibliography

Bibliography

• Joost-Gaugier, Christiane L. "Jacopo Bellini's Interest in Perspective and Its Iconographical Significance." Zeitschrift Für Kunstgeschichte 38, no. 1 (1975): 1-28.
• Land, N E. "Note on Jacopo Bellini's Lost St Michael and a Possible Date for Pisanello." Zeitschrift Für Kunstgeschichte. 45, no. 3 (1982): 283-86.
• Collins, Howard. "Major Narrative Paintings by Jacopo Bellini." The Art Bulletin (New York, N.Y.) 64, no. 3 (1982): 466.
• Brown, Patricia Fortini. "The Antiquarianism of Jacopo Bellini." Artibus Et Historiae 13, no. 26 (1992): 65-84.
  • Bellini's sketches show a clear emphasis on space and perspective.
  • Many of the sketches are focused on antiquity, shows Bellini's particular fascination with the past.
  • Connection between Jacopo Bellini and Ciriaco, an actual antiquarian, also shows his fascination with the past.
• Röthlisberger, Marcel. "Notes on the Drawing Books of Jacopo Bellini." The Burlington Magazine 98, no. 643 (1956): 358-64.
  • There was some debate over the chronological order of the sketchbooks, and about whether or not Bellini actually drew within books or on sheets that were later bound into books.
  • The sketches seem to be ordered in different sections, outlined in the article, such as animal studies, textile patterns, etc.
  • There is a possibility that the London sketchbook was used as a template for several, more complex drawings found in the Paris sketchbook.
• Venturi, Lionello. "A Mythological Picture by Jacopo Bellini." The Burlington Magazine for Connoisseurs 49, no. 284 (1926): 205-07.
  • Sketchbooks show that he had an interest in certain mythological subjects, but no painting of it can be found, although some are rumored to exist
  • Shows that Bellini emphasized the strengthening of "emotions aroused by form and color"
• Phillips, Claude. "An Unrecognized Portrait by Jacopo Bellini." The Burlington Magazine for Connoisseurs 16, no. 82 (1910): 200-186.
• Humfrey, Peter. Painting in Renaissance Venice. New Haven: Yale University Press. (2001)

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