Jump to content

User:Mariiobs14/Simonet Biokou

From Wikipedia, the free encyclopedia


Simonet Biokou

[edit]

Simonet Biokou (born on July 7, 1965) is a Beninese scrap metal artist. He is based in Porto Novo, Benin, where Vodun (or Voodoo) is an official religion practiced by 40% of the population. His creative and symbolic pieces that highlight his cultural heritage have allowed him to become the only African Biokou sculptor exhibited at the Contemporary Art Museum of Liège.[1] The artist has frequently exhibited in Africa, Europe, and Canada.

A common theme in his artworks is the depiction of professions, like musicians or soldiers, as well as Voodoo spirits and priests. He utilizes recycled metal from different objects for his sculptures, like bicycle chains, car rims, gears, and screws.[2][3][4]

Biokou also has participated in cinema, playing himself in the 1998 film Divine Carcasse, in which his character is shown creating a sculpture using car parts.[5]

Biography

[edit]

Biokou comes from a family of blacksmiths who helped him acquire his skills with metal before pursuing art as a career. He started his journey along with his cousins and fellow scrap metal artists Calixte and Theodore Dakpogan, who at first did not support his decision to become an artist fearing that no one would buy his work. After seeing interest in his art from a man in the French Embassy who acquired one of his statues, they joined him in using recycled parts to make artworks.[6] Both the brothers and Biokou were commissioned to contribute statues in Ouidah for Ouidah 92, a festival that brings attention to the African Diaspora in Benin and the slave route.[7]

Artworks

[edit]

Une petite representation du Dieu du fer Ogou, scrap metal.

Musicien, scrap metal.

Porteur d'eau, scrap metal.

Dieu Ogoun, scrap metal.

Elisabeth III, scrap metal.

Le joueur de djembé, scrap metal.

Prêt à voler, scrap metal

Le commerce de l’homme, scrap metal.

Le roi, scrap metal.

Le sage, scrap metal.

La compagnie, scrap metal.

Le discours, scrap metal.

Pause clope, scrap metal.

Le couple, scrap metal.

La pintade, scrap metal.

Le troisème âge, scrap metal.

Femme enceinte, scrap metal.

Les musiciens, scrap metal.

Le socle, scrap metal.

Zangbeto, scrap metal.

Ogou, scrap metal.

Exhibitions

[edit]

Group Exhibitions

[edit]
  • Festival vidéo, Liège, Belgium.
  • Les internationales, Liège, Belgium.
  • Rencontres internationales d'été, Castelnaudary, France.
  • Centre d'animations Louis Lumière, Paris, France.
  • Migrations culturelles, Bordeaux, France.
  • Musée Ethnographique, Geneva, Switzerland.
  • Semaine de la Francophonie, Accra, Ghana.
  • Rencontres internationales d'été, Castelnaudary, France.
  • Centre Culturel Saint Exupéry, Libreville, Gabon.
  • Ouag'Art, Ouagadougou, Burkina Faso.
  • Ingénieuse Afrique, Musée des Civilisations, Canada, Ivory Coast, Senegal, Benin.
  • Agnès b., Paris, France.
  • Art Vaudou, Galerie de Nesle, Paris, France.

Solo Exhibitions

[edit]
  • Simonet Biokou, Centre Culturel Français, Cotonou, Benin.
  • Bangui, Centre-Afrique Ambassade des Etats-Unis, Cotonou, Benin.
  • Centre Culturel Franco-Nigérien, Niamey, Niger.
  • Gatobar, Lomé, Togo.
  • Club des Nations Unies, Cotonou, Benin.

Collections

[edit]
  • Jura Isabelle Art Gallery
  • Contemporary art Museum of Liège

See also

[edit]

Simonet Biokou's personal Instagram, displays some of his artworks.

Simonet Biokou's statues for sale

References

[edit]
  1. ^ Badoi, Fabiola. "Biokou". Benin Arts Visuels. Retrieved 19 October 2015.
  2. ^ “Sculptures Africaines de Simone Biokou.” Masques, Statues, d’art Africain
  3. ^ Beaujean-Baltzer, Gaëlle (2009). Artistes d'Abomey. Musée du quai Branly. p. 127. ISBN 9789057791109.
  4. ^ Jeune Afrique L'intelligent. Groupe Jeune Afrique. 2002. p. 105.
  5. ^ "Divine carcasse". IMDb. Retrieved 19 October 2015.
  6. ^ Rush, Dana. “Contemporary Vodun Arts of Ouidah, Benin.” African Arts, vol. 34, no. 4, 2001, pp. 32–96. JSTOR, doi:10.2307/3337805.
  7. ^ Cousin, Saskia, and Théodore Dakpogan. “Des Faïences de Gou: Art Contemporain et ‘Vodun’ Au Bénin.” Cahiers d’Études Africaines, vol. 56, no. 223, 2016, pp. 503–16. JSTOR

Further reading

[edit]
  • Benín. Spain, Alhenamedia, 2020.
  • “Simonet BIOKOU (Bénin).” Article27.
  • Culture et talents du Bénin: itinéraires et rencontres. France, Somogy, 2009.
  • Forte, Jung Ran. “Marketing Vodun. Cultural Tourism and Dreams of Success in Contemporary Benin (Commercialisation Du Vaudou. Tourisme Culturel et Rêves de Réussite Dans Le Bénin Contemporain).” Cahiers d’Études Africaines, vol. 49, no. 193/194, 2009, pp. 429–51. JSTOR.
  • Goussanou, Rossila. "Tourist visits and misappropriations of the past on the Slave Route in Ouidah", Ethnologie française, vol. 50, no. 1, 2020, pp. 65-76.
  • Harmattan 2000: Art Contemporain Au Bénin. Centre culturel français. 2000. pp. 38–41.
  • Rémy, Mylène. Le Gabon aujourd'hui .... France, Editions du Jaguar, 1996.