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Santa Claus, also known as Father Christmas, Saint Nicholas, Saint Nick, Kris Kringle, or simply Santa, is a legendary character originating in Western Christian culture who is said to bring gifts on Christmas Eve of toys and candy to well-behaved children, and either coal or nothing to naughty children. He is said to accomplish this with the aid of Christmas elves, who make the toys in his workshop at the North Pole, and flying reindeer who pull his sleigh through the air.

Santa Claus portrayed by Jonathan Meath in 2010

The modern character of Santa Claus is based on traditions surrounding the historical Saint Nicholas, the English figure of Father Christmas and the Dutch figure of Sinterklaas.

Santa Claus is generally depicted as a portly, jolly, white-bearded man, often with spectacles, wearing a red coat with white fur collar and cuffs, white-fur-cuffed red trousers, red hat with white fur, and black leather belt and boots, carrying a bag full of gifts for children. He is commonly portrayed as laughing in a way that sounds like "ho ho ho". This image became popular in the United States and Canada in the 19th century due to the significant influence of the 1823 poem "A Visit from St. Nicholas". Caricaturist and political cartoonist Thomas Nast also played a role in the creation of Santa's image. This image has been maintained and reinforced through song, radio, television, children's books, family Christmas traditions, films, and advertising.File:Jonathan G Meath portrays Santa Claus.jpg

Predecessor figures

A 13th-century depiction of St. Nicholas from Saint Catherine's Monastery, Sinai

Saint Nicholas

Main article: Saint Nicholas

Saint Nicholas was a 4th-century Greek Christian bishop of Myra (now Demre) in the region of Lycia in the Roman Empire, today in Turkey. Nicholas was famous for his generous gifts to the poor, in particular presenting the three impoverished daughters of a pious Christian with dowries so that they would not have to become prostitutes. He was very religious from an early age and devoted his life entirely to Christianity. In continental Europe (more precisely the Netherlands, Belgium, Austria, the Czech Republic and Germany) he is usually portrayed as a bearded bishop in canonical robes.

In 1087, while the Greek Christian inhabitants of Myra were subjugated by the newly arrived Muslim Seljuq dynasty, and soon after their Greek Orthodox church had been declared to be in schism by the Catholic church (1054 AD), a group of merchants from the Italian city of Bari removed the major bones of Nicholas's skeleton from his sarcophagus in the Greek church in Myra. Over the objection of the monks of Myra the sailors took the bones of St. Nicholas to Bari, where they are now enshrined in the Basilica di San Nicola. Sailors from Bari collected just half of Nicholas' skeleton, leaving all the minor fragments in the church sarcophagus. These were later taken by Venetian sailors during the First Crusade and placed in Venice, where a church to St. Nicholas, the patron of sailors, was built on the San Nicolò al Lido. St. Nicholas' vandalized sarcophagus can still be seen in the St. Nicholas Church in Myra. This tradition was confirmed in two important scientific investigations of the relics in Bari and Venice, which revealed that the relics in the two Italian cities belong to the same skeleton. Saint Nicholas was later claimed as a patron saint of many diverse groups, from archers, sailors, and children to pawnbrokers. He is also the patron saint of both Amsterdam and Moscow.

During the Middle Ages, often on the evening before his name day of 6 December, children were bestowed gifts in his honour. This date was earlier than the original day of gifts for the children, which moved in the course of the Reformation and its opposition to the veneration of saints in many countries on 24 and 25 December. The custom of gifting to children at Christmas has been propagated by Martin Luther as an alternative to the previous very popular gift custom on St. Nicholas, to focus the interest of the children to Christ instead of the veneration of saints. Martin Luther first suggested the Christkind as the bringer of gifts. But Nicholas remained popular as gifts bearer for the people.

Father Christmas

"Ghost of Christmas Present", an illustration by John Leech made for Charles Dickens's festive classic A Christmas Carol (1843).

Main article: Father Christmas

Father Christmas dates back as far as 16th century in England during the reign of Henry VIII, when he was pictured as a large man in green or scarlet robes lined with fur. He typified the spirit of good cheer at Christmas, bringing peace, joy, good food and wine and revelry. As England no longer kept the feast day of Saint Nicholas on 6 December, the Father Christmas celebration was moved to 25 December to coincide with Christmas Day. The Victorian revival of Christmas included Father Christmas as the emblem of good cheer. His physical appearance was variable, with one famous image being John Leech's illustration of the "Ghost of Christmas Present" in Charles Dickens's festive classic A Christmas Carol (1843), as a great genial man in a green coat lined with fur who takes Scrooge through the bustling streets of London on the current Christmas morning, sprinkling the essence of Christmas onto the happy populace.

Dutch, Belgian and Swiss folklore

Sinterklaas, Netherlands (2009) on his horse called Amerigo

1850 illustration of Saint Nicolas with his servant Père Fouettard/Zwarte Piet

See also: Sinterklaas and Saint Nicholas

In the Netherlands and Belgium, the character of Santa Claus competes with that of Sinterklaas, based on Saint Nicolas. Santa Claus is known as de Kerstman in Dutch ("the Christmas man") and Père Noël ("Father Christmas") in French. For children in the Netherlands, Sinterklaas remains the predominant gift-giver in December; 36% of the Dutch only give presents on Sinterklaas evening or the day itself, 6 December, while Christmas, 25 December, is used by another 21% to give presents. Some 26% of the Dutch population gives presents on both days. In Belgium, presents are offered exclusively to children on 6 December, and on Christmas Day all ages may receive presents. Saint Nicolas/Sinterklaas' assistants are called "Zwarte Pieten" (in Dutch) or "Père Fouettard" (in French), so they are not elves. In Switzerland, Père Fouettard accompanies Père Noël in the French speaking region, while the sinister Schmutzli accompanies Samichlaus in the Swiss German region. Schmutzli carries a twig broom to spank the naughty children.

Origins

Early representations of the gift-giver from Church history and folklore, notably St Nicholas, merged with the English character Father Christmas to create the mythical character known to the rest of the English-speaking world as "Santa Claus" (a phonetic derivation of "Sinterklaas" in Dutch).

In the English and later British colonies of North America, and later in the United States, British and Dutch versions of the gift-giver merged further. For example, in Washington Irving's History of New York (1809), Sinterklaas was Anglicized into "Santa Claus" (a name first used in the U.S. press in 1773) but lost his bishop's apparel, and was at first pictured as a thick-bellied Dutch sailor with a pipe in a green winter coat. Irving's book was a parody of the Dutch culture of New York, and much of this portrait is his joking invention. Irving's interpretation of Santa Claus was part of a broader movement to tone down the increasingly wild Christmas celebrations of the era, which included aggressive home invasions under the guise of wassailing, substantial premarital sex (leading to shotgun weddings in areas where the Puritans, waning in power and firmly opposed to Christmas, still held some influence) and public displays of sexual deviancy; the celebrations of the era were derided by both upper-class merchants and Christian purists alike.^{[better source needed]}

19th century

Illustration to verse 1 of Old Santeclaus with Much Delight

In 1821, the book A New-year's present, to the little ones from five to twelve was published in New York. It contained Old Santeclaus with Much Delight, an anonymous poem describing Santeclaus on a reindeer sleigh, bringing rewards to children. Some modern ideas of Santa Claus seemingly became canon after the anonymous publication of the poem "A Visit From St. Nicholas" (better known today as "The Night Before Christmas") in the Troy, New York, Sentinel on 23 December 1823; Clement Clarke Moore later claimed authorship, though some scholars argue that Henry Livingston, Jr. (who died nine years before Moore's claim) was the author. St. Nick is described as being "chubby and plump, a right jolly old elf" with "a little round belly", that "shook when he laughed like a bowlful of jelly", in spite of which the "miniature sleigh" and "tiny reindeer" still indicate that he is physically diminutive. The reindeer were also named: Dasher, Dancer, Prancer, Vixen, Comet, Cupid, Dunder and Blixem (Dunder and Blixem came from the old Dutch words for thunder and lightning, which were later changed to the more German sounding Donner and Blitzen).

By 1845 "Kris Kringle" was a common variant of Santa in parts of the United States. A magazine article from 1853, describing American Christmas customs to British readers, refers to children hanging up their stockings on Christmas Eve for "a fabulous personage" whose name varies: in Pennsylvania he is usually called "Krishkinkle", but in New York he is "St. Nicholas" or "Santa Claus". The author quotes Moore's poem in its entirety, saying that its descriptions apply to Krishkinkle too.

1881 illustration by Thomas Nast who, along with Clement Clarke Moore's 1823 poem "A Visit from St. Nicholas", helped to create the modern image of Santa Claus.

As the years passed, Santa Claus evolved in popular culture into a large, heavyset person. One of the first artists to define Santa Claus's modern image was Thomas Nast, an American cartoonist of the 19th century who immortalized Santa Claus with an illustration for the 3 January 1863 issue of Harper's Weekly in which Santa was dressed in an American flag, and had a puppet with the name "Jeff" written on it, reflecting its Civil War context. In this drawing, Santa is also in a sleigh pulled by reindeers.^{[citation needed]}

The story that Santa Claus lives at the North Pole may also have been a Nast creation. His Christmas image in the Harper's issue dated 29 December 1866 was a collage of engravings titled Santa Claus and His Works, which included the caption "Santa Claussville, N.P." A color collection of Nast's pictures, published in 1869, had a poem also titled "Santa Claus and His Works" by George P. Webster, who wrote that Santa Claus's home was "near the North Pole, in the ice and snow". The tale had become well known by the 1870s. A boy from Colorado writing to the children's magazine The Nursery in late 1874 said, "If we did not live so very far from the North Pole, I should ask Santa Claus to bring me a donkey."

The idea of a wife for Santa Claus may have been the creation of American authors, beginning in the mid-19th century. In 1889, the poetess Katharine Lee Bates popularized Mrs. Claus in the poem "Goody Santa Claus on a Sleigh Ride".

"Is There a Santa Claus?" was the title of an editorial appearing in the 21 September 1897 edition of The New York Sun. The editorial, which included the famous reply "Yes, Virginia, there is a Santa Claus", has become an indelible part of popular Christmas lore in the United States and Canada.

In Russia, Ded Moroz emerged as a Santa Claus figure around the late 19th century where Christmas for the Eastern Orthodox Church is kept on 7 January.

20th century

A man dressed as Santa Claus fundraising for Volunteers of America on the sidewalk of street in Chicago, Illinois, in 1902. He is wearing a mask with a beard attached.

L. Frank Baum's The Life and Adventures of Santa Claus, a 1902 children's book, further popularized Santa Claus. Much of Santa Claus's mythos was not set in stone at the time, leaving Baum to give his "Neclaus" (Necile's Little One) a wide variety of immortal support, a home in the Laughing Valley of Hohaho, and ten reindeer—who could not fly, but leapt in enormous, flight-like bounds. Claus's immortality was earned, much like his title ("Santa"), decided by a vote of those naturally immortal. This work also established Claus's motives: a happy childhood among immortals. When Ak, Master Woodsman of the World, exposes him to the misery and poverty of children in the outside world, Santa strives to find a way to bring joy into the lives of all children, and eventually invents toys as a principal means. Santa later appears in The Road to Oz as an honored guest at Ozma's birthday party, stated to be famous and beloved enough for everyone to bow even before he is announced as "The most Mighty and Loyal Friend of Children, His Supreme Highness – Santa Claus".

Images of Santa Claus were further popularized through Haddon Sundblom's depiction of him for The Coca-Cola Company's Christmas advertising in the 1930s. The popularity of the image spawned urban legends that Santa Claus was invented by The Coca-Cola Company or that Santa wears red and white because they are the colors used to promote the Coca-Cola brand. Coca-Cola's competitor Pepsi-Cola used similar Santa Claus paintings in its advertisements in the 1940s and 1950s. Historically, Coca-Cola was not the first soft drink company to utilize the modern image of Santa Claus in its advertising—White Rock Beverages had already used a red and white Santa to sell mineral water in 1915 and then in advertisements for its ginger ale in 1923. Earlier still, Santa Claus had appeared dressed in red and white and essentially in his current form on several covers of Puck magazine in the first few years of the 20th century.

Santa Claus portrayed by Nick Tribuzio in 1961 (Kent Studio, Hayward, CA)

The image of Santa Claus as a benevolent character became reinforced with its association with charity and philanthropy, particularly by organizations such as the Salvation Army. Volunteers dressed as Santa Claus typically became part of fundraising drives to aid needy families at Christmas time.

In 1937, Charles W. Howard, who played Santa Claus in department stores and parades, established the Charles W. Howard Santa School, the oldest continuously-run such school in the world.

In some images from the early 20th century, Santa was depicted as personally making his toys by hand in a small workshop like a craftsman. Eventually, the idea emerged that he had numerous elves responsible for making the toys, but the toys were still handmade by each individual elf working in the traditional manner.

The 1956 popular song by George Melachrino, "Mrs. Santa Claus", and the 1963 children's book How Mrs. Santa Claus Saved Christmas, by Phyllis McGinley, helped standardize and establish the character and role of Mrs. Claus in the popular imagination.

Seabury Quinn's 1948 novel Roads draws from historical legends to tell the story of Santa and the origins of Christmas. Other modern additions to the "story" of Santa include Rudolph the Red-Nosed Reindeer, the 9th and lead reindeer created in 1939 by Robert L. May, a Montgomery Ward copywriter, and immortalized in a 1949 song by Gene Autry.

Symbol of commercialism

In his book Nicholas: The Epic Journey from Saint to Santa Claus, writer Jeremy Seal describes how the commercialization of the Santa Claus figure began in the 19th century. "In the 1820s he began to acquire the recognizable trappings: reindeer, sleigh, bells," said Seal in an interview. "They are simply the actual bearings in the world from which he emerged. At that time, sleighs were how you got about Manhattan."

Writing in Mothering, writer Carol Jean-Swanson makes similar points, noting that the original figure of St. Nicholas gave only to those who were needy and that today Santa Claus seems to be more about conspicuous consumption:

Our jolly old Saint Nicholas reflects our culture to a T, for he is fanciful, exuberant, bountiful, over-weight, and highly commercial. He also mirrors some of our highest ideals: childhood purity and innocence, selfless giving, unfaltering love, justice, and mercy. (What child has ever received a coal for Christmas?) The problem is that, in the process, he has become burdened with some of society's greatest challenges: materialism, corporate greed, and domination by the media. Here, Santa carries more in his baggage than toys alone!

In the Czech Republic, a group of advertising professionals started a website against Santa Claus, a relatively recent phenomenon in that country. "Czech Christmases are intimate and magical. All that Santa stuff seems to me like cheap show business," said David König of the Creative Copywriters Club, pointing out that it is primarily an American and British tradition. "I'm not against Santa himself. I'm against Santa in my country only." In the Czech tradition, presents are delivered by Ježíšek, which translates as Baby Jesus.

In the United Kingdom, Father Christmas was historically depicted wearing a green cloak.^{[citation needed]} As Father Christmas has been increasingly merged into the image of Santa Claus, that has been changed to the more commonly known red suit. However, Santa had been portrayed in a red suit in the 19th century by Thomas Nast among others.

A law in the U.S. state of Ohio prohibits the usage of Santa Claus or his image to sell alcoholic beverages. The law came to attention when the beer brand Bud Light attempted to use its mascot Spuds MacKenzie in a Santa Claus outfit during a December 1987 ad campaign; Bud Light was forced to stop using the imagery.

Controversy about deceiving children

See also: Paternalistic deception

Psychologists generally differentiate between telling fictional stories that feature Santa Claus and actively deceiving a child into believing that Santa Claus is real. Imaginative play, in which children know that Santa Claus is only a character in a story, but pretend that he is real, just like they pretend that superheroes or other fictional characters are real, is widely believed to be valuable. However, actively deceiving a child into believing in Santa Claus's real-world existence, sometimes even to the extent of fabricating false evidence to convince them despite their growing natural doubts, does not result in imaginative play and can promote credulity in the face of strong evidence against Santa Claus's existence.

Various psychologists and researchers have wrestled with the ways that young children are convinced of the existence of Santa Claus, and have wondered whether children's abilities to critically weigh real-world evidence may be undermined by their belief in this or other imaginary figures. For example, University of Texas psychology professor Jacqueline Woolley helped conduct a study that found, to the contrary, that children seemed competent in their use of logic, evidence, and comparative reasoning even though they might conclude that Santa Claus or other fanciful creatures were real:

The adults they count on to provide reliable information about the world introduce them to Santa. Then his existence is affirmed by friends, books, TV and movies. It is also validated by hard evidence: the half-eaten cookies and empty milk glasses by the tree on Christmas morning. In other words, children do a great job of scientifically evaluating Santa. And adults do a great job of duping them. — 

Woolley posited that it is perhaps "kinship with the adult world" that causes children not to be angry that they were lied to for so long. However, the criticism about this deception is not that it is a simple lie, but a complicated series of very large lies.

Typical objections to presenting Santa Claus as a literally real person, rather than a story, include:

• that lying is normally bad,
• that parents intentionally lying to their children promotes distrust,
• that it promotes selfishness, greed, and materialism,
• that it associates good behavior with being materially rewarded with presents from Santa Claus, and
• that tricking children into believing falsehoods interferes with the development of critical thinking.

With no greater good than having some fun, some have charged that the deception is more about the parents, their short-term happiness in seeing children excited about Santa Claus, and their nostalgic willingness to prolong the age of magical thinking, than it is about the children. Philosopher David Kyle Johnson wrote, "It's a lie, it degrades your parental trustworthiness, it encourages credulity, it does not encourage imagination, and it's equivalent to bribing your kids for good behavior."

Others, however, see little harm in the belief in Santa Claus. Psychologist Tamar Murachver said that because it is a cultural, not parental, lie, it does not usually undermine parental trust. The New Zealand Skeptics also see no harm in parents telling their children that Santa is real. Spokesperson Vicki Hyde said, "It would be a hard-hearted parent indeed who frowned upon the innocent joys of our children's cultural heritage. We save our bah humbugs for the things that exploit the vulnerable."

Most children do not remain angry or embarrassed about the deception for very long. John Condry of Cornell University interviewed more than 500 children for a study of the issue and found that not a single child was angry at his or her parents for telling them Santa Claus was real. According to Dr. Condry, "The most common response to finding out the truth was that they felt older and more mature. They now knew something that the younger kids did not". In other studies, a small fraction of children felt betrayed by their parents, but disappointment was a more common response. Some children have reacted poorly, including rejecting the family's religious beliefs on the grounds that if the parents lied about the unprovable existence of Santa Claus, then they might lie about the unprovable existence of God as well.