User:Sfnickelette
References
[edit]==References==
</ref>Kleinberg, David (April 9. 1972). "When Sex Ends at Midnight the Freaks Roll In". San Francisco Sunday Examiner and Chronicle. {{cite news}}
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==References==
</ref>Berman, Susan (September 9, 1973). "Opera's First Night was Best Free Show in Town". San Francisco Sunday Examiner and Chronicle.</ref> ==References==
</ref>Sufian, Vicki (1974). "Direct From Barney's Boom Boom Room". San Francisco Magazine. {{cite journal}}
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==References==
</ref>Eichenbaum, Stanley (February 18, 1976). "A women's troupe liberates "Peter Pan"". San Francisco Examiner.</ref> ==References==
</ref>Wasserman, John (February 25, 1976). "'Peter Pan' Nickelettes are at it Again". San Francisco Chronicle.</ref> ==References==
</ref>Graham, Barbara (September 27,1979). "Peter Pan: A New Fairytale". The Bay Guardian. {{cite news}}
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==References==
</ref>Stein, Ellin (January, 1980). "A Diary: Les Nickelettes on the Gong Show". Boulevards. {{cite news}}
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==References==
</ref>Chesley, Robert (September 18, 1980). "The Perils of Romance: Spaced Out". The San Francisco Bay Guardian.</ref> ==References==
</ref>Gelb, Hal (May, 1980). "Five Women Directors on Power, Sexuality and Art in Theatre". City Arts (San Francisco). {{cite news}}
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==References==
</ref>Stein, Ellin (March 2, 1982). "Rhinestone Politics: Bay Area Experimental Theater". The Village Voice.</ref> ==References==
</ref>Munk, Erika (October 19,1982). "The Sublimated Ridiculous". The Village Voice. {{cite news}}
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Les Nickelettes Origins and History
[edit]Les Nickelettes were created by a group of women experimental theatre artists from San Francisco State University in 1972. Started as a lark, first becoming vaudevillian cheerleaders at the Peoples’ Nickelodeon midnight shows at the O’Farrell Theatre, the group quickly evolved into a cutting edge feminist satirical performance art troupe. Women were eager to join and because there were no entrance requirements, no leaders, no structure and no rules all women, experienced performers and novices, were welcome to take part in the free artistic expression of pure unfettered female humor. The group became “Virgins in Residence” at the Intersection Theatre in 1973 and 1974 performing vaudeville style shows before the scheduled Charlie Chaplin and Betty Boop movies. As female urban guerillas Les Nickelettes were also involved in feminist stunts such as showing up at the infamous Condor topless nightclub on Broadway in North Beach dressed in Brownie/Girl Scout uniforms adorned with plastic breasts demanding to perform on Carol Doda’s stage. The troupe also crashed the 1973 opening of the San Francisco Opera. The newspaper society pages described their appearance; “Stealing the show … were bizarrely dressed non-ticket holders who hopped out of a van”. The message was that culturally the media only paid attention to the entrances. Evolving a more structured format the group created an original cabaret revue and was the first new wave act to play at the famed Fab Mab then known as the Mabuhay Gardens a Filipino dinner club in 1975. The members of the group stabilized and, with a full commitment to the collective vision of a female led theatre group, decided to write a scripted play. In 1976 Les Nickelettes, Inc. became a non- profit organization and produced its first full-length musical comedy play; Peter Pan: A New Rock Fairytale. The group continued to write and produce plays: 1978; Curtains! a murder mystery musical, 1980; Spaced Out an intergalactic musical comedy play. In 1981 Les Nickelettes collaborated with Diane Noomin, an underground comic book artist featured in Twisted Sisters and Wimmen’s Comix, to create an original musical play based on her character Didi Glitz: I’d Rather Be Doing Something Else – The Didi Glitz Story. In 1982 Les Nickelettes traveled to New York and presented the cabaret/theatre show Anarchy In High Heels, a compilation of skits and songs from their previous shows. 1985 the group produced the last Les Nickelette show: Oh Goddess! a spiritual musical comedy play. Les Nickelettes were part of a ‘70’s and ‘80’s San Francisco phenomenon of women’s theatre companies. Born from the second wave of feminism there arose a desire to express a unique feminine humor and perspective. All aspects of play development, staging, performing, directing and producing were done by women. When a story demanded a male character, a female member obliged to act the male role. The group’s commitment to presenting theatre from the eyes, ears and hearts of women continued through 1985. Les Nickelettes’ work reflected a new style of musical comedy incorporating broad, irreverent comedy and satiric social commentary intermeshed with contemporary music and dance. The members changed throughout the history of the group but always maintained the artistic vision of a women’s theatre collective.
Les Nickeltte Principal Members - 1972 - 1985:
[edit]- Denise Larson (1972-1985)
- Janet Croll (1972-1973)
- Karen Segal (1972-1974)
- Elaine Schelb (1972-1974)
- Deborah Marinoff (1972-1974)
- Bonnie Sue Solomon (1972-1974)
- Roberta Schepps (1972-1974)
- Roberta Coleman (1973-1976)
- Kathy Opitz (1973-1975)
- Katy Akin (1973-1974)
- Joanne McDaniel (1973-1974)
- Diane May (1973-1974)
- Priscilla Alden (1973-1976)
- Joy Phipps (1973-1974)
- Cateline Knell (1974)
- Mimi Morgan (1974)
- Annie Rudder (1974-1975)
- Carol Coleman (1974-1977)
- Jane Huether (1975-1982)
- Ellin Stein (1975-1980)
- Betsy Newman (1975-1980)
- Jill Rose (1977-1978)
- Rosalie Schmidt (1977-1978)
- Mary Valentino (1978-1985)
- Marga Gomez (1978-1979)
- Jean Born Taggart (1978-1981)
- Amy Ryder (1979-1980)
- Liza Kitchell (1979-1985)
- Monica Gurney (1979-1983)
- Rhonda Zirkle (1979)
- Virginia Lombard (1979-1980)
- Judith Rain Sciford (1980-1985)
- Valerie Helmold (1980-1985)
- Debra Jean Pollock (1980-1983)
- Jan Edwards (1980-1985)
- Diane Noomin (1981-1985)
- Rose Bianco (1981-1983)
- Goodrun Thompson (1981-1985)
Performance History
[edit]- 1972 – Peoples’ Nickelodeon Vaudevillian Cheerleaders.
- 1973 & 1974 – Virgins in Residence presenting bi-monthly vaudevillian performance art at the Intersection Theatre.
- 1975 – “It’s Cool in San Francisco”: The Ms. Hysterical Contest & It’s Vicious Out There. Cabaret theatre.
- 1976 – Peter Pan: A New Rock Fairytale. Musical-comedy play.
- 1977 – Nothing Sacred. Cabaret.
- 1978 – Curtains! A musical-mystery comedy play.
- 1979 – Peter Pan: A New Wave Fairytale (revised). Musical-comedy play.
- 1980 – Spaced Out. An Intergalactic-musical comedy play.
- 1981 - I’d Rather Be Doing Something Else; The Didi Glitz Story. A comic-book musical comedy play. In collaboration with Didi Glitz creator Diane Noomin.
- 1982 – Anarchy In High Heels – New York. Cabaret theatre.
- 1983 – Anarchy In High Heels – San Francisco. Cabaret theatre.
- 1985 – Oh Goddess! A spiritual-musical comedy play.