|Set in||England, late 1920s|
|Publisher||Chapman & Hall|
|Media type||Print (hardback & paperback)|
|LC Class||PR6045 .A97|
|Preceded by||Decline and Fall|
|Followed by||Black Mischief|
Vile Bodies is the second novel by Evelyn Waugh, published in 1930. It satirises the bright young things, the rich young people partying in London after World War I, and the press which fed on their doings. The original title of Bright Young Things, which Waugh changed because he thought the phrase had become too clichéd, was used in Stephen Fry's 2003 film adaptation. The eventual title appears in a comment made by the novel's narrator in reference to the characters' party-driven lifestyle: "All that succession and repetition of massed humanity... Those vile bodies...". The book was dedicated to B. G. and D. G. , Waugh's friends Bryan Guinness and his wife Diana.
Adam Symes has a novel to finish and, with the proceeds, plans to marry Nina Blount. Returning from France, his manuscript is impounded as obscene by customs officers, while in the next room his friend Agatha Runcible is strip searched as a suspected jewel thief. She rings the newspapers about her fate. Adam rings Nina to say he cannot now marry her, and has to negotiate a penal new contract with his publisher.
Winning 1,000 pounds on a bet, Adam gives it to a drunk major to place on a horse, but the major disappears. After a fancy dress party, where he meets up with Nina and Agatha, the young people go back to the home of a quiet girl who turns out to be the Prime Minister's daughter. Agatha, who is in Hawaiian costume, is kicked out, to the delight of press photographers. The implication of orgies at 10 Downing Street causes the collapse of the government.
Nina suggests that Adam asks her widowed father in the country for money to marry on. The eccentric old man comes up with a cheque for 1,000 pounds and, in celebration, Adam takes Nina to a country hotel to claim her virginity. She claims not to have enjoyed it, pointing out also to Adam that the signature on the cheque says Charlie Chaplin.
The next big party in London is being held by Margot Metroland, whose private business is recruiting girls for Latin American brothels, and will feature an American lady evangelist with her choir of female angels. The party is crashed by Simon Balcairn, a friend of Adam's who is a gossip columnist, but Simon is kicked out and in despair gasses himself.
Simon's job is offered to Adam, who initially devotes much of his column to the exploits of his friends but finds he can only broaden the scope by invention. A dim childhood friend of Nina is transformed in dashing man-about-town Ginger Littlejohn. Still unable to marry, Nina suggests another attempt at her father. Adam finds the old man involved in the shooting of a historical film on his estate and comes away empty-handed.
While he was away, he got Nina and other friends to write his column, for which he is sacked. With friends, Adam goes to some motor races where he sees the drunk major, who says he has got Adam's winnings but then disappears. A drunk Agatha takes off in a racing car and crashes with serious injuries, from which she later dies.
Nina announces that she is engaged to Ginger, to which the jobless and penniless Adam reluctantly agrees if Ginger pays him 100 pounds. The nuptial pair fly off to France for their honeymoon, but Ginger is unable to join Nina for Christmas at the house of her father, who he has not yet met. Adam steps into the breach, sharing a bedroom as Nina's husband and watching her father's maladroit film.
War breaks out, in which Adam finds himself alone on a devastated battlefield in France. He comes across the drunk major, now a general, who still has his winnings and invites him to champagne in his staff car. There they find one of the evangelist's angels, back in Europe after her experiences in the South American entertainment industry. While general and angel flirt, an exhausted Adam falls asleep.
- Adam Fenwick-Symes, an aspiring novelist
- Nina Blount, his on-and-off fiancée
- Ginger Littlejohn, eventual husband of Nina
- Colonel Blount, eccentric father of Nina
- The Drunken Major
- Lottie Crump, owner of a private hotel
- Agatha Runcible, wild party girl
- Simon Balcairn, depressive gossip columnist
- Miles Malpractice, predatory gay partygoer
- Margot Metroland, society hostess and people trafficker
- Mrs Melrose Ape, American evangelist
Heavily influenced by the cinema and by the disjointed style of T. S. Eliot, Vile Bodies is Waugh's most ostentatiously "modern" novel. Fragments of dialogue and rapid scene changes are held together by the dry, almost perversely unflappable narrator. Waugh said it was the first novel in which much of the dialogue takes place on the telephone. The book shifts in tone from light-hearted romp to bleak desolation (Waugh himself later attributed it to the breakdown of his first marriage halfway through the book's composition). Some have defended the novel's downbeat ending as a poetically just reversal of the conventions of comic romance.
- Waugh Vile Bodies, p. 104.
- The name seems to come from the Latin phrase Fiat experimentum in corpore vili ("Let the experiment be done upon a worthless body"), which is cited by James Boswell, Thomas De Quincey, William Makepeace Thackeray and others. The phrase 'vile body' also appears in the King James Bible: "...who shall change our vile body, that it may be fashioned like unto his glorious body..." (Epistle to the Philippians 3:21).
- "Obituary: Lady Diana Mosley". BBC. 13 August 2003. Retrieved 26 May 2013.
- Frick "Style and Structure".
- Waugh, Evelyn, Vile Bodies, p. 146. A good example is the death of Simon Balcairn, a declining earl whose gossip columnist name is "Mr. Chatterbox"; his death forms a bridge between chapters VI and VII. ("He shut the door and the window and opened the door of the gas-oven. Inside it was very black and dirty and smelled of meat. He spread a sheet of newspaper on the lowest tray and lay down, resting his head on it. Then he noticed that by some mischance he had chosen Vanburgh's gossip-page in the Morning Despatch. He put in another sheet. At first he held his breath. Then he thought that was silly and gave a sniff. The sniff made him cough, and coughing made him breathe, and breathing made him feel very ill; but soon he fell into a coma and presently died ... Then Adam became Mr. Chatterbox.")
- Waugh Preface to the 1965 edition.
- Hollis Evelyn Waugh.
- O'Dea "What's in a Name?".
- Circus magazine, July 1973
- "Vile Bodies". Warwick Arts Centre. Archived from the original on 16 June 2012. Retrieved 1 January 2019.
- "Evelyn Waugh's Vile Bodies". Evelyn Waugh's Vile Bodies.
- Frick, Robert (Fall 1992). "Style and Structure in the Early Novels of Evelyn Waugh". Papers on Language and Literature. 28 (4). ISSN 0031-1294. OCLC 2449428.
- Hastings, Selina (1994). Evelyn Waugh: A Biography. London: Sinclair-Stevenson. ISBN 1-85619-223-7. OCLC 34721492.
- Hollis, Christopher (1971). Evelyn Waugh. London: Longman. ISBN 0-582-01046-2. OCLC 1159162.
- McDonnell, Jacqueline (1998) . Evelyn Waugh. London: Macmillan. ISBN 0-312-01618-2. OCLC 16900955.
- Meyers, William (1991). Evelyn Waugh and the Problem of Evil. London: Faber & Faber. ISBN 0-571-14094-7. OCLC 23594793.
- O'Dea, Denise (August 2004). "What's in a Name? Or, Vile Bodies Revisited". Philament: An Online Journal of the Arts and Culture. 4. ISSN 1449-0471. OCLC 56720065.
- DJ Taylor (29 September 2007). "The beautiful and the damned". The Guardian Review, adapted from DJ Taylor's "Bright Young People: The Rise and Fall of a Generation 1918–1940". Retrieved 8 October 2007.