William Gilmore Simms

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William Gilmore Simms
William Gilmore Simms, circa 1860
William Gilmore Simms, circa 1860
BornApril 17, 1806
Charleston, South Carolina, United States
DiedJune 11, 1870 (1870-06-12) (aged 64)
Charleston, South Carolina, United States
OccupationPoet, Novelist, Historian


William Gilmore Simms (April 17, 1806 – June 11, 1870) was a poet, novelist and historian from the American South. His writings achieved great prominence during the 19th century, with Edgar Allan Poe pronouncing him the best novelist America had ever produced.[1] He is still known among literary scholars as a major force in antebellum Southern literature.[2] He is also remembered for his strong support of slavery and for his opposition to Uncle Tom's Cabin, in response to which he wrote reviews and a pro-slavery novel.[3]

Life and work[edit]

Simms was born on April 17, 1806,[4] in Charleston, South Carolina,[5] of Scots-Irish ancestors. His mother died during his infancy; his father failed in business and joined Coffee's Indian fighters; as a result, Simms was brought up by his grandmother, Mrs. Jacob Gates, who had lived through the American Revolutionary War and who told Simms stories about it.[6] In his teen years, Simms worked as a clerk in a drugstore; he began to study law at the age of eighteen.[7] He married Anna Malcolm Giles in 1826.[7] After her death, he married Chevillette Eliza Roach (pronounced "Roche"). The bar of Charleston admitted him to practice in 1827; however, he soon abandoned this profession for literature.[6]

Early writings[edit]

Drawing of Simms

Simms first wrote poetry at the age of eight. In his 19th year, he produced a monody on General Charles Cotesworth Pinckney (Charleston, 1825). Two years later, in 1827, he published Lyrical and Other Poems and Early Lays. In 1828 he became a journalist as well as editor and part owner of the City Gazette, a position he held until 1832 when the publication failed.[5]

Simms devoted his attention entirely to writing and in rapid succession published The Vision of Cortes, Cain, and Other Poems (1829); The Tricolor, or Three Days of Blood in Paris (1830); and his strongest long poem, Atalantis, a Tale of the Sea (1832). Atalantis established his fame as an author.[6] His novel Martin Faber, the Story of a Criminal, an expanded version of an earlier short story called "The Confessions of a Murderer", was published in 1833.[7] This gained Simms a national audience.[6]

Novels about the South[edit]

Simms wrote a number of popular books between 1830 and 1860, sometimes focusing on the pre-colonial and colonial periods of Southern history. These included such titles as The Yemassee (1835); The Lily and the Totem, or, The Huguenots in Florida (1850); Vasconselos (1853); and The Cassique of Kiawah (1859). Many critics believe The Cassique of Kiawah to be Simms's finest novel. At first, Southern readers, especially those in his home town of Charleston, did not support Simms's work because he lacked an aristocratic background. Eventually, however, he was referred to as the Southern version of James Fenimore Cooper, and Charleston residents invited him into their prestigious St. Cecilia Society.[5]

Simms also wrote eight novels set in South Carolina during the American Revolutionary War, beginning with The Partisan (1835), which was perhaps Simms's most-read novel,[5] and Katharine Walton (1851). Other titles included Mellichampe (1836), The Kinsmen (1841), Woodcraft (1854), The Forayers (1855), Eutaw (1856), and Joscelyn (1867).

Finally, Simms wrote ten novels dealing with the expansion into the frontier territory from Georgia to Louisiana, such as Richard Hurdis; or, the Avenger of Blood. A Tale of Alabama (1838) and Border Beagles: A Tale of Mississippi (1840). In 1852, Simms published As Good as A Comedy; Or, The Tennessean’s Story. It and "Paddy McGann" (1867) constitute his two full-length works of Southern humor; he also wrote "Sharp Snaffles" and "Bill Bauldy," two tall tales. He also wrote poetry and, in a letter to literary critic and poet Rufus Wilmot Griswold, Simms said that he was not interested in form as much as content, torn "between the desire to appear correct, and the greater desire to be original and true".[8]

As historian[edit]

Simms was one of the most respected historians of his day. His History of South Carolina (1842) served for several generations as the standard school textbook on the state's history. He also wrote highly popular biographies of Revolutionary War heroes Francis Marion, Nathanael Greene, and John Laurens, as well as John Smith and the Chevalier Bayard. Additionally, Simms was a popular lecturer on American history; he accumulated one of the largest collections of Revolutionary War manuscripts in the country. Most of this collection was lost when stragglers from Sherman's army burned his plantation home Woodlands near the Georgia border .[9]

Pro-slavery writings[edit]

William Gilmore Simms as he appears at the National Portrait Gallery in Washington, D.C.

Simms is also remembered today for his strong support of slavery; he was part of a "sacred circle" of southern intellectuals including Edmund Ruffin, James Henry Hammond, Nathaniel Beverley Tucker, and George Frederick Holmes. Together they published numerous articles calling for moral reform of the South, including a stewardship role of masters in relation to slavery.[10] He strongly protested against Harriet Beecher Stowe's abolitionist novel Uncle Tom's Cabin, in response to which he wrote reviews and a book.[3] His Anti-Tom novel was The Sword and the Distaff.

Even though The Sword and the Distaff was published only a few months after Stowe's novel, it contains a number of sections and discussions that are clearly debating Stowe's book and view of slavery. The novel focuses on the Revolutionary War and its aftermath through the lives of Captain Porgy and one of his slaves. Many of Simms's other writings took a similar pro-slavery viewpoint.[11]

Simms's book was one of between twenty and thirty novels containing Anti-Tom elements published after Stowe's book. These novels tended to feature a benign white patriarchal master and pure wife, both of whom presided over childlike slaves in a benevolent extended-family-style plantation. Simms' novel was popular enough that it was reprinted in 1854 under the title Woodcraft.[12]

Later life[edit]

In Simms's later years, he became part of the Southern planter class and firmly supported slavery and Southern secession. He served in the state House of Representatives in 1844–1846, after which he was defeated in the election for lieutenant governor by only one vote.[9] Recognizing Simms's stature as an important cultural figure, in 1842 the University of Alabama conferred upon him the honorary degree of Doctor of Law [LLD].

During the American Civil War, Simms espoused the side of the Secessionists in a weekly newspaper. His plantation home Woodlands along with 10,000 books were burnt & destroyed by stragglers from Sherman's army when it entered South Carolina,[13] although Sherman had explicitly told his troops not to harm Simms's home.[citation needed] Save for "Paddy McGann," he wrote little after the Civil War, though he compiled an anthology of Southern war poems in 1866.[14] Simms died of cancer at his home at 13 Society Street in Charleston on June 11, 1870. He is buried in Magnolia Cemetery.[5]

Critical response and legacy[edit]

Simms's bust, unveiled in 1879, in The Battery in Charleston, South Carolina

By the mid-1840s, Simms's fame for his novels was so great that Edgar Allan Poe declared Simms to be "The best novelist which this country has, on the whole, produced"[15] and "immeasurably the greatest writer of fiction in America".[16] Simms's story collection, The Wigwam and the Cabin, was singled out by Poe as "decidedly the most American of American books".[17]

Simms scholar Dr. David Aiken, a founding member of the pro-secessionist group The League of the South, has observed that Simms was purged from the canon of American literature because of the "unpardonable sin Simms committed when he published an account of Columbia, South Carolina's destruction in which he dared to deny the North a righteous victory."[18] Simms asserted of the North's tactics in the Civil War, "whatever might have existed in virtue of their cause, is forfeit by the processes which they have taken for its maintenance."[19] Donald Davidson claimed, "The neglect of Simms's stature is nothing less than a scandal when it results....in the disappearance of his books from the common market and therefore from the readers' bookshelf. This is literary murder".[20]

He continues to be known, however, among literary scholars and historians as a major force in Antebellum literature and a leading intellectual. Many of Simms's novels are available as print on demand books and the bulk of his works and papers have been digitized by the University of South Carolina.[21] In fact, during recent years, a "Simms Renascence" has begun to take place. Scholars such as Dr. James E. Kibler, Dr. Mary Ann Wimsatt, Dr Sean Busick, the late Charles S. Watson, and the late John C. Guilds have produced important books about Simms. Kibler is currently the leading authority on Simms's poetry; Guilds produced the major biography of the prolific author; Busick has concentrated on Simms's work as a historian; Wimsatt has published "The Major Fiction of William Gilmore Simms" as well as an edited version of his short stories, titled "Tales of the South" (a writer for "The Virginia Quarterly Review" calls Wimsatt's introduction to the tales "magisterial"). Contributing to the renascence is a handsome journal titled "The Simms Review." Issued annually, it contains recent articles about the author.[2][10]

A large bust of Simms is centrally located in Charleston's Battery Park.

List of works[edit]

  • Monody, on the Death of Gen. Charles Cotesworth Pinckney (1825)
  • Lyrical and Other Poems (1827)
  • Tile Vision of Cortes, Cain, and Other Poems (1829)
  • The Tricolor, or Three Days of Blood in Paris (1830)
  • Atalantis, a Tale of the Sea (1832).
  • Martin Faber, the Story of a Criminal (1833)
  • Guy Rivers: A Tale of Georgia (1834)
  • The Yemassee (1835)
  • The Partisan (1835)
  • Pelayo: a Story of the Goth (1838)
  • Mellichampe (1836)
  • Richard Hurdis; or, the Avenger of Blood. A Tale of Alabama (1838)
  • Border Beagles: A Tale of Mississippi (1840)
  • The Kinsmen (1841)
  • History of South Carolina (1842)
  • The Lily and the Totem, or, The Huguenots in Florida (1850)
  • Katharine Walton (1851)
  • The Tennessean's Story (1852)
  • The Golden Christmas (1852)
  • Vasconselos (1853)
  • Southward Ho! A Spell of Sunshine (1854)
  • Woodcraft (1854)
  • The Forayers (1855)
  • Eutaw (1856)
  • The Cassique of Kiawah (1859)
  • Simm's poems: Areytos Songs and Ballads of the South (1860)
  • A City Laid Waste: The Capture, Sack, and Destruction of the City of Columbia (1865)
  • Joscelyn (1867)

See also[edit]


  1. ^ Review by Edgar Allan Poe in Broadway Journal, September 20, 1845.
  2. ^ a b "Review of From Nationalism to Secessionism: The Changing Fiction of William Gilmore Simms by Charles S. Watson," reviewed by Richard J. Calhoun, South Atlantic Review 60.1 (1995), pp. 149-151.
  3. ^ a b "Woodcraft: Simms's First Answer to Uncle Tom's Cabin" by Joseph V. Ridgely, American Literature, Vol. 31, No. 4 (Jan., 1960), pp. 421-433; "Simms's Review of Uncle Tom's Cabin" by Charles S. Watson, American Literature, Vol. 48, No. 3 (Nov., 1976), pp. 365-368
  4. ^ Nelson, Randy F. The Almanac of American Letters. Los Altos, California: William Kaufmann, Inc., 1981: 41. ISBN 0-86576-008-X
  5. ^ a b c d e Ehrlich, Eugene and Gorton Carruth. The Oxford Illustrated Literary Guide to the United States. New York: Oxford University Press, 1982: 249. ISBN 0-19-503186-5
  6. ^ a b c d 1911 Britannica.
  7. ^ a b c Hubbell, Jay B. The South in American Literature: 1607-1900. Durham, North Carolina: Duke University Press, 1954: 573.
  8. ^ Parks, Edd Winfield. Ante-Bellum Southern Literary Critics. Athens, GA: University of Georgia Press, 1962: 114.
  9. ^ a b Busick, Sean R. A Sober Desire for History: William Gilmore Simms as Historian., 2005. ISBN 1-57003-565-2.
  10. ^ a b Drew Gilpin Faust, A Sacred Circle: The Dilemma of the Intellectual in the Old South, 1840-1860, University of Pennsylvania Press, 1977
  11. ^ "An Overview of Southern Literature by Genre" by Lucinda MacKethan, North Carolina State University, originally published in Southern Spaces, 2004, accessed Feb. 17, 2007.
  12. ^ "Caroline Lee Hentz's Long Journey" by Philip D. Beidler. Alabama Heritage, Number 75, Winter 2005. Accessed 2/7/2006.
  13. ^ Dowling, Linda, C. Charles Eliot Norton: The Art of Reform in Nineteenth-century America. New Hampshire, 2008:80-ISBN 1584656786
  14. ^ Coulter, E. Merton. The South During Reconstruction, 1865–1877. Louisiana State University Press, 1947: 280. ISBN 0-8071-0008-0
  15. ^ Review by Edgar Allan Poe in Broadway Journal, September 20, 1845.
  16. ^ Nelson, Randy F. The Almanac of American Letters. Los Altos, California: William Kaufmann, Inc., 1981: 164. ISBN 0-86576-008-X
  17. ^ Widmer, Edward L. Young America: Flowering of Democracy in New York City. New York: Oxford University Press, 1999: 108. ISBN 0-19-514062-1
  18. ^ Aiken, David. Introduction to A City Laid Waste: The Capture Sack and Destruction of the City of Columbia, Columbia, South Carolina: University of South Carolina Press, 2005: 41. ISBN 1-57003-596-2
  19. ^ Simms, William G. A City Laid Waste, p. 110
  20. ^ Mary C. Simms Oliphant, Alfred Taylor Odell, and T.C. Duncan Eaves, eds., The Letters of William Gilmore Simms, 6 vols. Columbia, South Carolina: University of South Carolina Press, 1952-1956, 1983: vol. I, xxxii
  21. ^ "The Simms Initiatives - Main Page". simms.library.sc.edu. Retrieved 2018-06-12.

Further reading[edit]

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