Zamor (artist): Difference between revisions
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{{Infobox artist |
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| name = Zamor |
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| bgcolour = Silver 100px |
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| image = Zamor_y_yamaho.jpg |
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| imagesize = 240px |
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| caption = Zamor en 1994 |
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| birth_name = Guillerm Zamor |
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| birth_date = {{Birth date|df=yes|1951|3|8|df=no}} |
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| birth_place = [[Colombia]] |
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| death_date = |
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| death_place = |
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| nationality = {{flag|Colombia}}</br>{{flag|France}} |
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| spouse = Soizik Philippe |
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| field = [[Painting|Painter]], [[Sculptor]], Writer |
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| training = Universidad Javeriana; Université Sorbonne Paris IV |
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| movement = Suprarealism |
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| works = ''The Black Christ'' (1980),</br>''Saint Jean Eudes''(1989), </br> ''Soberbio'' (2007) |
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| influenced by =[[Mannerism]], </br> [[Trompe-l'oeil]],<br>[[visual art]],</br> [[Italian Renaissance]], |
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| website = www.zamor.com [http://www.zamor.com] |
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}} |
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'''Zamor''', born in March 8, 1951 in [[Colombia]], is a Colombian and French [[painting|painter]], [[sculptor]] and writer. He became known by his big paintings and the treatment from his male and female subjects with a technique that was neither Realism nor [[Hyperrealism]]. |
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Influenced by the Italians Mannerists, the Impossible figures and the Anamorphosis, and the [[trompe-l'oeil]], his techniques borrow from the [[Renaissance]]. Creating his own and unique tendency that he calls “Suprarealism”. The artists describes Suprarealism as, “in the surrealism the absurd elements are evident, but in the suprarealism the absurd go into the logic of seeing, being in fact unnoticed”.{{fact|date=January 2013}} |
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Zamor has lived in Europe since 1974, doing the longs stages in Rome, [[Florence]], Paris, Amsterdam, Zürich, Stockholm and Madrid to develop and finish his humanistic studies before creating his own artistic style. |
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== Biography == |
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=== Education=== |
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As well as he was decided to be un artist painter and sculptor, ZAMOR guillermo did not want to study in the Art Academy, because he considered priority to have a humanistic and literature education to be better prepared for an artistic career. |
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Initially he obtains his Architecture’s Deug at the [[Pontifical Xavierian University]] in Bogotá, Colombia, where he deeply learned the fundaments of descriptive, perspective, draw, etc. |
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Then he decides to orient his studies in Letters. He start with a licentiate degree in Philosophy and Letters then a Master's degree in History at the Javeriana’s University from Bogotá.<ref>Pontificia Universitas Javeriana, Licentiati in philosophia et litteris, Historia in specie, bogotá 12 décembre 1972</ref> After that he leaves his country to go to Paris in 1974 where he continues his humanistic studies and he gets a Master's degree in Literature at the [[Sorbonne]] University, Paris IV.<ref>Université de Paris-Sorbonne (Lettres et Civilisations), dossier Nº 220, 16 décembre 1975, Titulaire de la Maîtrise sans mention de spécialité avec les certificats d'études supérieures de maitrise suivants: C2 "Littérature des nations hispano-américaines" - novembre 1975, et un mémoire sur le sujet suivant: "La violencia en Colombia a través de la literatura", avec mention très bien et félicitations du jury</ref> Then a Ph.D degree in History at the Sorbonne, Paris IV<ref>Université de Paris-Sorbonne (Lettres et civilisations) Paris IV,Dossier Nº A 737, Inscription du sujet de thèse en vue du doctorat du troisième cycle "Recherche sur les présidents d'Audience en Nouvelle Grenade de 1565 à 1605", Rapporteur: Monsieur le Professeur LAFAYE, Paris, 17 juin 1977)</ref> and finally, a licentiate degree in Art History at the [[Grenoble University]] in France. In 1976, after traveling and studying all the Europe's museums, he decides to consecrate his life to painting and sculpture in Paris. |
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== Artistic career == |
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=== Exhibitions in France, 1970s === |
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It’s in Grenoble, France, in the Café Bayard, a place for artist’s meetings, actors and intellectuals from the town, that Zamor will do his first exhibition in 1978. From his beginning he was remarked by the press with his first individual interview.<ref>[http://www.zamor.com/ind/presse/phd/images/Presse/1978/Cafe_bayard_interview.htm ''Dauphiné Libéré'', Grenoble, France, 1978]</ref> |
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His very personal style is inspired from men and women nudes,<ref>[http://www.zamor.com/ind/presse/phd/Images/Presse/1979/Galerie_Madeleine2.htm Magazine ''Rhône-Alpes'', Grenoble 23 mars 1979]</ref> although the practice of a very classical technique in oil paintings, recognized by the critiques <ref>[http://www.zamor.com/ind/presse/phd/Images/Presse/1979/Galerie_Madeleine1.htm Newspaper ''Dauphiné Liberé, Grenoble 19 Mars 1979]</ref> |
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After that it begins a serial of individual exhibitions : Galerie Madeleine, Grenoble, 1979,<ref>[http://www.zamor.com/ind/presse/phd/html/p/a/1979/1979.htm Newspaper ''Rhône-Alpes'', 23 mars 1979 ]</ref> Galerie d’Art Moderne, Orange, France en 1979, où M. Ph. Chabro <ref>[http://www.zamor.com/ind/presse/phd/images/Presse/1979/Galerie_Orange1.htm Newspaper ''Le Provençal'', Orange, 1979 ]</ref> at the last word, the Baron Olivier de Serres<ref>[http://www.zamor.com/ind/presse/phd/images/Presse/1979/Galerie_Orange2.htm Newspaper ''Le Provençal'', Orange, 1979 ]</ref> writing the very eulogize articles about this new artist in the newspaper ''Le Provençal'' ; and for this decade the last one exhibition is in the Galerie du Musée, Nernier, France, 1979. |
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In 1980, the journalists from the Rhône-Alpes region, chose Zamor to represent the region to the 91º Independents Salon in the Grand Palais in Paris.<ref>[http://www.zamor.com/ind/presse/phd/images/Presse/1980/Paris1.htm 91º Salon des Independents, Catalogue, Paris, Grand Palais, mars 1980 ]</ref> |
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=== Exhibitions in Venezuela and Colombia === |
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After these success like artist in France, Zamor travel to Colombia to spend his winter Holydays 1979. Very soon after he arrived, he meets that one who will be his model for the “Saint Sebastian”. He opens a studio and starts to paint inspired by this model and the nature he discovers. He thought to remains for three months, instead he stayed one year and half, giving the occasion to exhibit in different places. The first one in his natal town, Cúcuta, in the “Culture house”, then in Venezuela, in the San Cristobal’s town, at the Galerie J.M. Oliveros.<ref>[http://www.zamor.com/ind/presse/phd/html/p/p/Venezuela/Venezuela.htm (Presse sur Zamor au Venezuela)]</ref> |
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After one year he met in Bogota the National Advisory Gustavo Humberto Rodríguez who discovers the Zamor’s work and invites him to a great individual exhibition in the San Carlos House, before Presidential house, in January 1981. The same exhibition is immediately reclaimed by the Contemporary Art’s Museum. The national press from Colombia discovered a new artist.<ref>[http://www.zamor.com/ind/presse/phd/html/p/a/1981/1981.htm (Presse Nationale colombienne)]</ref> |
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At the end of 1981, Zamor travel back to Paris. He leaves all his Art Works from these two years in the Contemporary Art’s Museum’s depository. |
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=== Exhibitions and press releases, 1980s === |
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Back from Colombia, Zamor stay in Paris. For one year and a half he frequency the Louvre's Museum, studying in a systematic way, and with his historical formation, all the art works from the Museum. |
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The Grenoble’s Mayor gives to Zamor a place to set up his Art Studio. Here he confirme his style getting in new elements in his draws and pictures: the Anamorphosis and the Tromple l’oeil. In 1985 Zamor do another exhibition in the Grenoble’s Theater, with just only one picture on canvas and all the draws and studies around the same subject.<ref>[http://www.zamor.com/ind/presse/phd/html/p/a/1985/1985.htm (Presse exposition Théâtre de Grenoble)]</ref> </br> |
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The Art critic and History Art’s teacher in Florence (Italy) and in Grenoble (France), Philippe Renard, invite Zamor to the la Pieve a Elici, in Lucca, Italy, to know him for to write an interview that will appear in the magazine ''Connaissances des Hommes'' in Paris in 1985 <ref>(Revue ''Connaissances des Hommes'', Par Philippe Renard, Paris, janvier 1985) |
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[http://www.zamor.com/ind/presse/phd/images/Presse/1985/Connais_des_hommes.htm]</ref> and then his Greek translation in the literary magazine ΠΟΔΙΟΡΚΙΑ, appears in Athens in 1985.<ref>[http://www.zamor.com/ind/presse/phd/images/Presse/1985/revue_grecque.htm (Literary magazine ''ΠΟΔΙΟΡΚΙΑ'', Athens, 1985)]</ref> |
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The Eolia’s Gallery, 10 rue de Seine in Paris, put his eyes on his art works and takes him under exclusivity en 1986. It organize different exhibitions with Zamor’s draws that will be commented by the presse release from Paris: in the arts magazine ''L'Œil''<ref>(Revue l'Œil, Paris, 30 janv.fév.1988) [http://www.zamor.com/ind/presse/phd/images/Presse/1988/Paris_L_0eil.htm],</ref> the newspaper ''Le Figaro'',<ref>[http://www.zamor.com/ind/presse/phd/images/Presse/1988/Paris_Drouot.htm (Journal "Le Figaro, Paris, 30 December 1986)]</ref> the weekly ''Le Point''<ref>[http://www.zamor.com/ind/presse/phd/images/Presse/1987/Paris_2.htm (Weekly "Le Point", Paris, 5 January 1987)]</ref> and in the Art’s Anthology book written by the Art critics Gérard Xuriguera at the Mayer’s editions.<ref>(''Le Dessin dans l'art contemporain'', Gérard Xuriguera, Paris, Éditions Mayer, 1987) |
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[http://www.zamor.com/ind/presse/phd/images/Presse/1987/Paris_3.htm]</ref> Then he is sold out in the auction market at the « Salle Drouot, Cabinet Catherine Charbonneaux”,in Paris the 24 April 1988.<ref>[http://www.zamor.com/ind/presse/phd/images/Presse/1988/Paris_Drouot.htm (Catalogue de Ventes aux enchères Salle Drouot, Paris, 1988)]</ref> |
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=== Exhibitions and travels in 1990s === |
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Zamor travel and works a lot, founding a new place of inspiration by everywhere. He goes from Ardèche to Paris, then to Grenoble, before to arrives to the tropical sea, then from the country side to the great hills of the Andes’s Cordillera to Porto Rico |
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And, every travel gives the reason to the news exhibitions. |
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A Bogotá, in Colombia, he does one at the “Galerie d'Art” in the World Trade Center in 1991 and 1992<ref>[http://www.zamor.com/ind/presse/phd/images/Presse/1992/Bogota_2.htm (Lecturas Dominicales del Tiempo, 27 sept. 1992)]</ref> et <ref>[http://www.zamor.com/ind/presse/phd/images/Presse/1992/Bogota_1.htm (Newspaper "El Nuevo Siglo", Bogotá, Colombie, 24 sept. 1992)]</ref> then he exhibit in Barranquilla, Colombia, in December 1992.<ref>(Newspaper ''El Heraldo'', Barranquilla, Colombia, déc. 1992) |
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[http://www.zamor.com/ind/presse/phd/images/Presse/1992/Barranquilla_1.htm Barranquilla]</ref> After that he decides to stay to live the entire 1993 year in Cartagena, Colombia, and then in the high plateau from the Andes’s Cordillera since the end of 1993 to May 1996, when he decides to return to France. At the beginning of the 1997 year he was invited to exhibit his Art works in San Juan de Puerto Rico,<ref>[http://www.zamor.com/ind/presse/phd/html/p/a/1997/1997.htm (Presse sur Zamor à Porto Rico en 1997)]</ref> and, another time whit Carolina Herrera in 2000.<ref>(Presse sur Zamor à Porto Rico en 2000) |
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[http://www.zamor.com/ind/presse/phd/html/p/a/2000/2000.htm 2000]</ref> |
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==Style== |
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[[image:Zamor2011.jpg|thumb|<center>Zamor en 2011.</center>]] |
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{{cleanup|reason=A lot of POV nonsense that should be translated at the very least.|date=January 2013}} |
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The best way to describe the Zamor Style may be through the different commentaries from the international press release as long as his career. Since de first exhibitions we found that Zamor «…nous propose un monde à la fois érotique, fantastique et superbement alangui, dans ces marécages du corps où s’architecturent les émotions les plus éclectiques … » <ref>[http://www.zamor.com/ind/presse/phd/images/Presse/1979/Galerie_Orange2.htm (Olivier de Serres- Le Provençal (Avignon, France) September 1979)]</ref> and, from the other side of the ocean they saids that the Zamor’s subject: ” …es absolutamente contemporánea… su forma artística está inspirada en los lineamientos clásicos, y el argumento de su pintura, casi helenísticamente, se sumerge en la filosofía y la cultura griega …”.<ref>[http://www.zamor.com/ind/presse/phd/images/Presse/1980/San_Cristobal3.htm (J.J. Villamizar Molina -Diario Católico (Venezuela) september 1980)]</ref> Later, in France, they recall him by « … les très beaux dessins de Zamor… dessins d’une telle qualité qu’ils font espérer que le talent de leur auteur sera un jour plus largement reconnu. »<ref>[http://www.zamor.com/ind/presse/phd/images/Presse/1985/Grenoble_3.htm (Newspaper « Le Dauphiné Libéré » (Grenoble, France) January 1985)]</ref> and then they touch the source of his inspiration when they saids : « …ses recherches apparentent son art à la grande époque du maniérisme. Avec lui, naissent les certitudes plastiques modernes dont Rodin a donné le nom : « un art digne de ce nom ne suit pas le passé, il le prolonge » <ref>(Philippe Renard, Magazine « Connaissance des hommes » (Paris, France), January February 1985) |
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[http://www.zamor.com/ind/presse/phd/images/Presse/1985/Connais_des_hommes.htm]</ref> so about his poetry « … Zamor nous surprend avec des dessins d’une musicalité aérienne, chantant sous son crayon en le laissant vibrer… » <ref>(Magazine « Les Affiches », (Grenoble, France) january 1985 )</ref> and his quality « … Sofia Vari et Zamor, qui, eux sont des dessinateurs chevronnés… » <ref>[http://www.zamor.com/ind/presse/phd/images/Presse/1987/Paris_2.htm (Jean-Louis Ferrier, Weekly « Le Point » (Paris, France) January 1987)]</ref> |
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It’s in Paris where the critiques from well-known journalists confirm his talent « … imaginaire que Zamor, le colombien devenu grenoblois, excite aussi avec ses corps drapés ou ses frontons si minutieusement et si monumentalement dessinés qu’on en a le vertige… » <ref>[http://www.zamor.com/ind/presse/phd/images/Presse/1987/Paris_3.htm (Newspaper « Le Figaro », (Paris, France) 30 December 1986)]</ref> and « ... Zamor est sûr de ses moyens: il façonne avec un futurisme imaginaire la vraisemblance plus que la ressemblance… » wrote in the book of artistc anthology from Xuriguera.<ref>(« Le dessin, le pastel, l’aquarelle Dans l’Art contemporain » par Gérard Xuriguera (Paris, France) Decembre 1987) |
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[http://www.zamor.com/ind/presse/phd/images/Presse/1987/Paris_3.htm]</ref> |
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Later Zamor integrate a new element in his picture, the trompe-l’œil and its quickly rewarded by the critics: « … sus acrílicos poseen una magia ilusionista lograda a partir de la técnica del “trompe-l’œil” en una estrecha combinación con personajes desnudos que dan cuenta de su maestría en el dibujo… »,<ref>[http://www.zamor.com/ind/presse/phd/images/Presse/1992/Bogota_1.htm (Newspaper « El nuevo siglo », (Bogota, Colombia) September 1992)]</ref> be confirmed almost immediately in France by Sylvie Perrard : « … ses œuvres s’imposent par le jeu incessant entre le rêve et la réalité… »<ref>(Sylvie PERRARD- Newspaper « Le Dauphiné Libéré » (Grenoble, France) 28 December 1998) |
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[http://www.zamor.com/ind/presse/phd/images/Presse/1998/Grenoble_1.htm]</ref> and then a new dimension is discovered in the Zamor pictures with the comment donne in an American Island about his portraits : «A través de sus pinturas, el artista Zamor interpreta el alma, el interior de cada persona… No se sabe dónde termina la obra y comienza el marco…” <ref>[http://www.zamor.com/ind/presse/phd/images/Presse/2000/Hotel_San_Juan.htm (Lucy Rodrìguez-Bacrdi - Vanidades (Miami, USA) June 2000)]</ref> |
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== Public collections == |
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When Zamor was working with the Eolia Galery in Paris, this one put his artworks in auction sales in Drouot, Paris on 24 April 1988; At he same time in Colombia, the corporation “El Minuto de Dios” from Eudists community commands him a picture from “Saint Jean Eudes” for the Contemporary Art’s Museum in Bogotá; The Colombia’s president, Belisario Betancur, ask toZamor, in 1984, “The black Christ” to be part of the Collection Betancur in the Presidential “Nariño’s House “ from Colombia, with Botero and other remarked Colombian painters.;<ref>(Donation du ''Christ Noir'' à la Collection Betancur du Palais Présidentiel de Colombie) |
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[http://www.zamor.com/ind/presse/phd/images/Presse/1984/Donation_Colombie.htm]</ref> Others artworks are in public collections like « Eve » in the “Museo de la Memoria”, in Cucuta, Colombia; some draws were bought by an Aviation company in Bogota, for the Avianca’s Collection, open to the public. |
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== Historian career == |
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During his History studies at the University in Bogotá he was the monitor from his teacher, Ph.D. Manuel Lucena Salmoral <ref>Biography and publications of the Spanish historian Ph.D. Manuel Lucena Salmoral [http://www.manuellucenasalmoral.com/blog/?page_id=20]</ref> and he publish, as historian, in the ''Universitas Humanísticas'' from the Xavierian University in Bogotá, Colombia, many articles between 1971 to 1974 : ''Elementos decorativos del arte Muisca en los volantes de huso'' (50 pages). Other-ones based in the paléographies original’s documents from the 16th century, conserved by the National Archives from Colombia : ''Catálogo de documentos existentes en el Archivo Histórico Nacional para el período 1564 - 1580'' (80 pages) ; ''Ordenanças del Señor Doctor Antonio Gonzalez y del Señor Miguel de Ybarra'' (20 pages) ; ''Catálogo de documentos existentes en el Archivo Histórico Nacional para el período 1580- 1597'' (110 pages) ; ''Encomiendas en el Nuevo Reino de Granada durante el período presidencial del Doctor Antonio Gonzalez (1590-1597)'' (100 pages) ; ''Catálogo de documentos existentes en el Archivo Histórico Nacional para el período 1597 - 1605'' (90 pages) ; Then he writes the a part of the history from his natal town, ''El sitio de Cúcuta'', published by the Institute of Culture and Arts from Cúcuta (50 pages). |
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Then, in France, at the Sorbonne University in Paris, Zamor is chosen by Professor Jacques Lafaye as his assistant while he does his Ph.D. thesis in History <ref>Université de Paris-Sorbonne (Lettres et civilisations) Paris IV,Dossier Nº A 737, Inscription du sujet de thèse en vue du doctorat du troisième cycle "Recherche sur les présidents d'Audience en Nouvelle Grenade de 1565 à 1605", Rapporteur: Monsieur le Professeur LAFAYE, Paris, 17 juin 1977)</ref> but Zamor leave his studies in 1976 to work entirely in his art’s works. |
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== Writer career== |
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With the Internet's arrival, Zamor learns informatics, in order to arrive and put in line the whole collection of his art works. |
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From 1998 to 2004 he creates and develops his website www.zamor.com that he puts in line in 2004. |
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In 2011 he imagines and creates another website, www.zamor.fr, in order to publish his unpublished books in format E-books, written at the same time as he did his carreer of painter. |
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First of all he publish a philosophical and biographical book, ''Le Quêteur d'âmes'' ("The soul's seeker"?), in French (640 pages, 1999–2004). |
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Then, he writes in french another philosophical essai for, and about, the Sensible be, between 2010 and 2011 called " L'être Sensible ou Lettres sans cible aux êtres sensibles, (285 pages). |
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Next he publish a novel, wrote in 2002, who continues the subject of "The Quêteur d'âmes", but under different litterature's style. It's "A l'ombre des manguiers" (285 pages) |
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==External links== |
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*[http://www.zamor.com COMPLETE CATALOGUE OF HIS WORKS] |
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*[http://www.zamor.fr ZAMOR'S WRITTENS IN FRENCH] |
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*[http://www.zamor.org PROJECT FOR THE ZAMOR'S FOUNDATION] |
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*[http://www.colarte.com/colarte/conspintores.asp?idartista=12835 THE ART IN COLOMBIA] |
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*[http://web.artprice.com/artistdetails.aspx?src=0&idarti=OTYwNDQwMDkzNzk4OTkxLQ==&artist=Guillermo+ZAMOR THE ART IN FRANCE]) |
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*[http://www.zamor.com/ind/zamor/english/html/d/d.htm SCANDAL ABOUT "THE BLACK CHIRST" FROM ZAMOR] |
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==References== |
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{{reflist}} |
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{{Persondata <!-- Metadata: see [[Wikipedia:Persondata]]. --> |
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| NAME = ZAMOR |
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| ALTERNATIVE NAMES = Zamor, Guillerm |
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| SHORT DESCRIPTION = French-Colombian Artist, Philosopher, Historian, Writer |
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| DATE OF BIRTH = March 8, 1951 |
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| PLACE OF BIRTH =[[Colombia]] |
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| DATE OF DEATH = |
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| PLACE OF DEATH = |
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}} |
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{{DEFAULTSORT:Zamor}} |
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[[Category:1951 births]] |
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[[Category:Colombian painters]] |
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[[Category:French painters]] |
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[[Category:Colombian sculptors]] |
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[[Category:French sculptors]] |
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[[Category:Colombian historians]] |
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[[Category:Colombian writers]] |
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[[Category:French writers]] |
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[[Category:Living people]] |
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{{Link GA|en}} |
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[[es:Zamor]] |
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[[fr:Zamor]] |
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[[it:Zamor]] |
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