Arrow of God

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Arrow of God
ArrowOfGod.jpg
First edition
Author Chinua Achebe
Country United States
Language English
Publisher Heinemann
London
Publication date
1964
Media type Print (Hardback)
Pages 287 pp
Preceded by No Longer at Ease
Followed by A Man of the People

Arrow of God is a 1964 novel by Chinua Achebe, his third novel after No Longer at Ease. These two books, along with the first book, Things Fall Apart, are sometimes called The African Trilogy, as they share similar settings and themes. The novel centers on Ezeulu, the chief priest of several Igbo villages in Colonial Nigeria, who confronts colonial powers and Christian missionaries in the 1920s.[1]

The phrase "Arrow of God" is drawn from an Igbo proverb in which a person, or sometimes an event, is said to represent the will of God.[2] Arrow of God won the first ever Jock Campbell/New Statesman Prize for African writing.[3]

Plot summary[edit]

The novel is set amongst the villages of the Igbo people in British Nigeria during the 1920s. Ezeulu is the chief priest of the god Ulu, worshipped by the six villages of Umuaro. The book begins with Ezeulu and Umuaro fighting against a nearby village, Okperi. The conflict is abruptly resolved when T.K. Winterbottom, the British colonial overseer, intervenes.

After the conflict, a Christian missionary, John Goodcountry, arrives in Umuaro. Goodcountry begins to tell the villages tales of Nigerians in the Niger Delta who abandoned (and battled) their traditional "bad customs" in favor of Christianity.

Ezeulu is called away from his village by Winterbottom and is invited to become a part of the colonial administration, a policy known as indirect rule. Ezeulu refuses to be a "white man's chief" and is thrown in prison. In Umuaro, the people cannot harvest the yams until Ezeulu has called the New Yam Feast to give thanks to Ulu. When Ezeulu returns from prison, he refuses to call the feast despite being implored by other important men in the village to compromise. Ezeulu reasons to the people and to himself that it is not his will but Ulu's; Ezeulu believes himself to be half spirit and half man. The yams begin to rot in the field, and a famine ensues for which the village blames Ezeulu. Seeing this as an opportunity, John Goodcountry proposes that the village offer thanks to the Christian God instead so that they may harvest what remains of their crops with "immunity".

Many of the villagers have already lost their faith in Ezeulu. One of Ezeulu's sons dies during a traditional ceremony, and the village interprets this as a sign that Ulu has abandoned their priest. Rather than face another famine, the village converts to Christianity.

The title "Arrow of God" refers to Ezeulu's image of himself as an arrow in the bow of his god.[4]

Themes[edit]

Ulu, the villages of Umuaro and Okperi, and the colonial officials are all fictional. But Nigeria in the 1920s was controlled by British Colonial authorities, indirect rule was tested as a governing strategy, and many of the Igbo people did abandon their traditional beliefs for Christianity. The novel is considered a work of African literary realism.

Achebe's first novel, Things Fall Apart, tells the tale of Okonkwo, a leader in his community until colonialism enters. Arrow of God similarly describes the downfall of a traditional leader at the hands of colonialism. The central conflicts of the novel revolve around the struggle between continuity and change, such as Ezeulu refusing to serve Winterbottom, or between the traditional villagers and Ezeulu's son who studies Christianity.[4]

References[edit]

  1. ^ "Arrow of God by Chinua Achebe". Time Magazine. November 10, 1967. Retrieved 2007-09-19. 
  2. ^ Smith, Daniel Jordan (September 22, 2001). "'The arrow of God' pentecostalism, inequality, and the supernatural in South-Eastern Nigeria.". Africa (Edinburgh University Press) 71 (4): 587. doi:10.2307/1161581. ISSN 0001-9720. JSTOR 1161581. 
  3. ^ Ezenwa-Ohaeto Chinua Achebe: A Biography __:James Currey Ltd ISBN 0-85255-545-8 page 105
  4. ^ a b Mathuray, Mark (2003). "Realizing the Sacred: Power and Meaning in Chinua Achebe's Arrow of God". Research in African Literatures 34 (3): 46. doi:10.1353/ral.2003.0071. 

External links[edit]