Bernard Seigal

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Bernard Seigal
Also known as Buddy Blue
Born December 30, 1957
Origin Syracuse, New York
Died 2 April 2006(2006-04-02) (aged 48)
La Mesa, California
Genres Rock and roll, rockabilly
Occupation(s) Musician, music critic, writer
Instruments Guitar
Years active 1975–2006
Labels Rhino
Associated acts The Beat Farmers
Buddy Blue Band

Bernard R. "Buddy Blue" Seigal (December 30, 1957 – April 2, 2006) was a San Diego musician, music critic and writer who performed and often wrote under his stage name Buddy Blue. He was a founding member of The Beat Farmers, a Southern California rock band that blended country roots music and rock 'n' roll. As a music critic, he was known for his straightforward style of critique that often used colorful language and original metaphors to either praise or lambaste musicians whom Seigal liked or disliked.

Early life and education[edit]

Born in Syracuse, New York, Seigal moved to San Diego in 1973 and played in several unknown bands while working as a clerk at a record store and attending community college. In 1979, he joined the Grossmont College student newspaper as a writer and was later promoted to editor.



In 1981, Seigal, a singer and guitarist, formed the rockabilly band, the Rockin' Roulettes.

In 1983, he quit the Roulettes after he was invited to join the Beat Farmers with Jerry Raney and Country Dick Montana. He took musician Rolle Love with him.[1] The Beat Farmers eventually signed with Rhino records and became known regionally and nationally with their performances of songs such as "Happy Boy," "Riverside" and "Gun Sale at the Church."

Seigal left the Beat Farmers in 1986 to start a new band, The Jacks. A year later, he was hired as a music critic for the San Diego Reader. He would later be fired from the paper when his editors suggested he write negative reviews about local musicians whom Seigal felt did not deserve bad press.

Recording as Buddy Blue, Seigal began performing again in 1991. He released the CD Guttersnipes and Zealots in 1991, which included vocals from Southern California rockers Dave Alvin and Mojo Nixon, it featured the songs, "Duke of J Street," "Someone You Knew," and "Gun Sale at the Church." The albums Dive Bar Casanovas, Greasy Jazz, Dipsomania, Pretend It's Okay (which included a guest spot from Chris Gaffney), and Sordid Lives followed. All were recorded by either Buddy Blue or the Buddy Blue Band.

Throughout his musical career, Seigal performed jump blues, a form of jazzy blues focused on uptempo rhythms and loud, boisterous vocals.

Seigal's impact on the San Diego music scene was diverse. As a critic, he promoted those who he thought were worthy and viciously degraded musicians who he perceived as faking it or contrived. As a musician, he proliferated different styles of jazz and blues and periods in his bands often gave performers a crash course in tight songs and sets and exposed them to a myriad of musical styles and canvasses.Shortly before his death, Seigal reunited with Jerry Raney and Rolle Love of the Beat Farmers (Country Dick Montana[2] died onstage of a heart attack in 1995) playing shows as The Farmers. He had previously played in Raney-Blue (circa 1996) but left when the band became Powerthud.


By 1990, Seigal's irreverent style of writing led him to writing assignments with a variety of Southern California newspapers, including The San Diego Union-Tribune, Los Angeles Times, The Orange County Weekly, San Jose Mercury News and a full-time writing position with the weekly La Jolla Light[3] At the time of Seigal's death, he had been writing for several years for the OC Weekly alternative paper.

In March 2002, The Union-Tribune issued a memo to its staff stating that one of Seigal's articles, which had run in the paper, used words like "old fart," "crapola" and "pooh-butts" that were unsuitable for readers.

Seigal died of a heart attack on April 2, 2006 at age 48.[4]


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