Betty Compson

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For the actress who married NYC Mayor Jimmy Walker, see Betty Compton.
Betty Compson
Born Eleanor Luicime Compson
March 19, 1897(1897-03-19)
Beaver, Utah, United States
Died April 18, 1974(1974-04-18) (aged 77)
Glendale, California, United States
Occupation Actress
Years active 1915–1948
Spouse James Cruze (1925–1930)
Irving Weinberg
Silvius Jack Gall (?-1962) (his death)

Betty Compson (March 19, 1897 – April 18, 1974) was an American actress. Born Eleanor Luicime Compson in Beaver, Utah, she had an extensive film career. Her father died when she was young, and she was forced to drop out of school and earn a living for herself and her mother. She obtained employment as a violinist in a Salt Lake City, Utah, theater.

Contents

[edit] Silent films

Compson made 25 films in 1916 alone, although most of them are shorts. She completed The Miracle Man (1919) for George Loane Tucker. Compson's rise as a star in motion pictures began with her portrayal of Rose in this production.

Compson in Photoplay Magazine (July 1920)

In 1920, she began to head her own company. She worked at the Hollywood Brunton studio and acquired three stories for films. Compson returned from New York City where she obtained financial backing for her motion picture productions.

Her first movie as producer was Prisoners of Love (1921). She played the role of Blanche Davis, a girl born to wealth and cursed by her inheritance of physical beauty. Compson selected Art Rosson to direct the feature. The story was chosen from a work by Catherine Henry.

Compson worked for the Christie Company as a newcomer in films, followed by Famous Players-Lasky. After completing The Woman With Four Faces (1923) she signed with a London, England motion picture company. There she starred in a series of four films directed by Graham Cutts, a well-known English filmmaker. The first of these was a movie version of an English play called Woman to Woman (1924), the screenplay for which was co-written by Cutts and Alfred Hitchcock.

In 1928, she appeared in Court-Martial as Belle Starr, and in The Barker, a silent movie which contained some talking scenes. Compson was nominated for the Academy Award for Best Actress for her performance in The Barker. Mainly due to this success, she became one of the busiest actors in the new talking cinema. Unlike a number of other female stars of silent film, it was felt that her voice recorded exceptionally well. Although she was not a singer, she appeared in a number of early musicals, in which her singing voice was dubbed.

[edit] Later career

One of her most revered films remains The Docks of New York (1928), noted for its dark visual ambiance and superb performances. In 1930, she made a version of The Spoilers in which she played the role later portrayed by similar-looking Marlene Dietrich in the 1942 remake, while Gary Cooper played the part subsequently acted in the later film by John Wayne, perhaps the only time that Cooper and Wayne played precisely the same role. One major film in which she did not appear was Gone With the Wind; although she shot a Technicolor screen test for the role of Belle Watling, she was not cast in the role. Unfortunately, most of her later films were low-budget, even exploitation, efforts, though her acting was always competent.

Compson's last film was Here Comes Trouble (1948). She retired following that film and helped her husband run a business called "Ashtrays Unlimited".

[edit] Private life

Lobby card from The Docks of New York

Compson wed three times and produced no children. From 1924 to 1930 she was married to film director James Cruze. Later she married and divorced agent-producer Irving Weinberg. Her third husband was Silvius Jack Gall. He died in 1962.

Betty Compson died in 1974, of a heart attack, at her home in Glendale, California. She was 77. She was interred in San Fernando Mission Cemetery in San Fernando, California. She left no surviving relatives.

[edit] Partial Filmography

Silent

  • The Miracle Man (1919)
  • Prisoners of Love (1921)
  • For Those We Love (1921)
  • At the End of the World (1921)
  • Ladies Must Live (1921)
  • The Little Minister (1921)
  • The Law and the Woman (1922)
  • The Green Temptation (1922)
  • Over the Border (1922)
  • Always the Woman (1922)
  • The Bonded Woman (1922)
  • To Have and to Hold (1922)
  • Kick In (1922)
  • Woman to Woman (1923) directed by Alfred Hitchcock
  • The White Shadow (1923) directed by Graham Cutts
  • The Royal Oak (1923)
  • The White Flower (1923)
  • The Rustle of Silk (1923)
  • The Woman With Four Faces (1923)
  • The Stranger (1924)
  • Miami (1924)
  • Dangerous Virtue (1924) screenplay by Alfred Hitchcock
  • The Enemy Sex (1924)
  • The Female (1924)
  • Ramshackle House (1924)
  • The Fast Set (1924)
  • The Garden of Weeds (1924)
  • Locked Doors (1925)
  • New Lives for Old (1925)
  • Eve's Secret (1925)
  • Beggar on Horseback (1925)
  • Paths to Paradise (1925)
  • The Pony Express (1925)
  • Counsel for the Defense (1925)
  • The Palace of Pleasure (1926)
  • Wise Guy (1926)
  • The Belle of Broadway (1926)
  • The Ladybird (1927)
  • Say It with Diamonds (1927)
  • Temptations of a Shop Girl (1927)
  • Love Me and the World Is Mine (1927)
  • Cheating Cheaters (1927)
  • The Big City (1928)
  • The Desert Bride (1928)
  • The Masked Angel (1928)
  • Life's Mockery (1928)
  • Court-Martial (1928)
  • The Docks of New York (1928)(*her last pure silent film)

Sound

[edit] References

  • Los Angeles Times, Betty Compson Has Film Unit, February 15, 1920, Page III1.
  • Los Angeles Times, Betty Compson Star, January 2, 1921, Page III20.
  • Los Angeles Times, Flashes; Star To Travel Betty Compson Signs For London Films, April 5, 1923, Page II7.
  • Los Angeles Times, Ex-Film Star Betty Compson, April 23, 1974, Page A4.
  • Ogden, Utah Standard-Examiner, Closeup and Comedy, Monday Evening, May 25, 1934, Page 7.

[edit] External links

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