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|Birth name||William Henry Duffy|
12 May 1961 |
Hulme, Manchester, England
|Genres||Hard rock, rock, alternative rock, post-punk, heavy metal|
|Labels||Virgin, Situation Two, Beggars Banquet, Atlantic|
|Associated acts||The Cult, Coloursound, Theatre Of Hate, The Nosebleeds|
|Gibson Les Paul
Gretsch White Falcon
Early days 
He grew up in Manchester, where he began playing guitar at the age of fourteen. Duffy got his start playing in different punk line-ups in the late 1970s, but these earlier years were more notable for his introducing Johnny Marr (The Smiths) to the guitar and encouraging Morrissey to make his singing debut with Duffy in The Nosebleeds.
When the initial punk rock movement (led by the Sex Pistols) died out, Duffy eventually settled as guitarist for the moodier and more arty Theatre of Hate. He eventually met Ian Astbury (the frontman for gothic rock band Southern Death Cult) who was impressed with Duffy's playing and abandoned Southern Death Cult to start a new band with him. Together, they exploited the Southern Death Cult's success by calling themselves Death Cult. After initial fanfare and a couple of singles, Duffy, following a trip to New York, convinced Astbury to shorten the band's name to The Cult in 1984.
As early as The Cult's debut single "Spiritwalker", Duffy began establishing a distinctive flanged sound with an offbeat choice of guitar, a mid 1970s Gretsch White Falcon.
Late 1980s and 1990s 
Duffy helped change The Cult's sound into metal-blues for their third album, 1987's Electric, the credit for this change goes to producer and AC/DC fan Rick Rubin. Fresh from his work producing the Beastie Boys' debut album Licensed to Ill, Rubin gave both Duffy and The Cult a new musical direction.
Duffy moved to Los Angeles in 1988 with Astbury, where both remain. There, the two writing partners (with longtime bassist Jamie Stewart) turned to stadium rock and recorded Sonic Temple. The Cult reached a larger, mainstream audience, but the public's attention could not be sustained with their next album, Ceremony, at the dawn of the grunge age.
Following the 'Ceremonial Stomp' tour of 1992, Astbury pressured Duffy to return to their roots, with The Cult's The Cult album. This would ultimately lead to Astbury's departure from Duffy and The Cult in 1995.
Duffy plays on the title track from Japanese musician J's 1997 debut album, Pyromania.
Cult reformation 
Duffy reformed The Cult with Astbury in 1999, which led to a new recording contract with Atlantic Records. This was capped off by a show at Atlanta's Music Midtown Festival in May 2001, where over 60,000 people watched them perform, leading up to the release of Beyond Good and Evil.
Their single to promote it, "Rise", which reached No.41 in the US and No.2 on the mainstream rock chart, was removed from radio rotation a week after the album's release. Disappointing sales, reviews, and tour attendance ensued, and in 2002 Astbury sent The Cult onto a hiatus once more, when an offer to sing with The Doors came his way.
2006 onwards 
In early 2006 Duffy recorded a debut album with his new band, Circus Diablo. The album was recorded with Duffy playing lead guitar and former Cult touring bass player Billy Morrison handling lead vocals and bass guitar duties. Former The Almighty frontman, Ricky Warwick, played rhythm guitar on the CD. The former Cult, current Velvet Revolver drummer, Matt Sorum also played on the record.
After the completion of the album, former Fuel member Brett Scallions was added to be the bassist, so Morrison could focus on being the lead singer. Then, Jeremy Colson formerly with Steve Vai, was brought in to be the full-time drummer for the band. Duffy's involvement ended in 2007.
In 2007 he was a judge on Bodog Music's Battle Of The Bands.
In 2010 Billy Duffy appeared on the TV-series Married to Rock, which starred his girlfriend AJ Celi.
2011 – He is currently on tour with The Cult
10/9/2012 - Performed with Sammy Hagar and Michael Anthony at the Cabo Wabo Cantina for Sammy Hagar's Birthday Bash in Cabo San Lucas, Mexico.
Guitars and Equipment