October 14, 1889|
Baltimore, Maryland, U.S.
|Died||October 13, 1979
Perris, California, U.S.
|Spouse(s)||Irene Ena (1952-1979) (his death)
Willabelie (?-?) (divorced) 3 children
Clarence Muse (October 14, 1889 – October 13, 1979) was an actor, screenwriter, director, composer, and lawyer. He was inducted in the Black Filmmakers Hall of Fame in 1973. Muse was the first African American to "star" in a film. He acted for more than sixty years, and appeared in more than 150 movies.
Life and career
Born in Baltimore, Maryland, the son of Alexander and Mary., and was married with at least one child, Mae. He studied at Dickinson College, Carlisle, Pennsylvania, and received an international law degree in 1911. Muse was acting in New York by the 1920s, during the Harlem Renaissance with two Harlem theatres, Lincoln Players and Lafayette Players. Muse moved to Chicago for a while, and then moved to Hollywood and performed in Hearts in Dixie (1929), the first all-black movie. For the next fifty years, he worked regularly in minor and major roles. While with the Lafayette Players, Muse worked under the management of producer Robert Levy on productions that helped black actors to gain prominence and respect. In regards to the Lafayette Theatre's staging of Dr. Jekyll and Mr. Hyde, Muse said the play was relevant to black actors and audiences "because, in a way, it was every black man's story. Black men too have been split creatures inhabiting one body.". Muse appeared as an opera singer, minstrel show performer, vaudeville and Broadway actor; he also wrote songs, plays, and sketches.
Muse was also the co-writer of several notable songs. In 1931, with Leon René and Otis René, Muse wrote "When It's Sleepy Time Down South", also known as "Sleepy Time Down South". The song was sung by Nina Mae McKinney in the movie Safe in Hell (1931), and later became a signature song of Louis Armstrong.
He was the major star in Broken Earth (1936), related the story of a black sharecropper whose son miraculously recovers from fever through the father's fervent prayer. Shot on a farm in the South with nonprofessional actors (except for Clarence Muse), the film's early scenes focused in a highly realistic manner on the incredible hardship of black farmers, with plowing scenes. Muse and Langston Hughes wrote the script for Way Down South (1939). The film was notable for its casting of African-American actors in central roles, and for tackling racial issues in the South. Muse also performed in Broken Strings (1940), as a concert violinist who opposes the desire of his son to play "swing". From 1955 to 1956, Muse was a regular on the weekly TV version of Casablanca, playing Sam the pianist (a part he was under consideration for in the original Warner Brothers film), and in 1959, he played Peter, the Honey Man, in the film Porgy and Bess, with Sidney Poitier, Dorothy Dandridge and Sammy Davis Jr. He appeared on Disney's TV miniseries The Swamp Fox. Other film credits include Buck and the Preacher (1972), The World's Greatest Athlete (1973) and as Gazenga's Assistant, "Snapper" in Car Wash (1976). His last acting role was in The Black Stallion (1979), with Mickey Rooney and Teri Garr.
He received an honorary doctor of humanities degree from Bishop College, Dallas, Texas, in 1972, and was a member of Phi Beta Sigma fraternity, Omega Chapter. Muse died in Perris, California, on October 13, 1979, one day before his 90th birthday and the same day that his final film was released.
- My Forbidden Past (1951)
- Sampson, Henry T. Blacks in Black and White, The Scarecrow Press, Inc., 1995 – ISBN 0-8108-2605-4
- social column, California Eagle, 1934-05-18, p.3
- Peterson, Bernard L. The African American Theatre Directory, 1816-1960: A Comprehensive Guide to Early Black Theatre, Greenwood Press, 1997 - ISBN 0-313-29537-9
- Hearts in Dixie (1929)
- Penn, Arthur S
- Broken Earth (1936)
- Belton, John. Movies and Mass Culture, Rutgers University Press, 1996 – ISBN 0-8135-2228-5
- Gabbard, Krin. Jammin' at the Margins: Jazz and the American Cinema, University of Chicago Press, p. 109, 1996 – ISBN 0-226-27788-7
- Sampson, Henry T. Ghost Walks: A Chronological History of Blacks in Show Business, 1865–1910, Scarecrow Press, Incorporated, 1988 – ISBN 0-8108-2070-6
- Wintz, Cary D. Encyclopedia of the Harlem Renaissance, Routledge, 2004 – ISBN 1-57958-389-X
- Penn, Arthur S. Before the Harlem Renaissance. Collodion Press: New York, NY. 2010.
|Wikimedia Commons has media related to Clarence Muse.|
- Clarence Muse at the Internet Movie Database
- Clarence Muse at the Internet Broadway Database
- Clarence Muse at Find a Grave