Come (Prince album)

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Come
Studio album by Prince
Released August 16, 1994
Recorded 1991–1994
Paisley Park Records, Chanhassen, MN; The Record Plant, Los Angeles; Larrabee Sound Studios, Los Angeles
Genre Soul, funk, new jack swing, urban, pop rock[1]
Length 48:43
Label Warner Bros.
45700
Producer Prince
Prince chronology
Love Symbol Album
(1992)
Come
(1994)
The Black Album
(1994)
Singles from Come
  1. "Come"
    Released: 1994 (promo only)
  2. "Letitgo"
    Released: August 9, 1994
  3. "Space"
    Released: November 1, 1994
Professional ratings
Review scores
Source Rating
Allmusic 2/5 stars [1]
Robert Christgau (3-star Honorable Mention) [2]
Melody Maker (favorable) [3]
Mojo (mixed) [4]
Mojo (favorable) [5]
NME (7/10) [3]
Rolling Stone 2/5 stars [6]
Village Voice (unfavorable) [7]

Come is the fifteenth studio album by Prince, released during his public dispute with his then-record company, Warner Bros.

Evolution of the album[edit]

Most of the songs from the Come album were recorded in early 1993 during a highly prolific time for Prince. An early collection of tracks included: "Come," "Endorphinmachine," "Space," "Pheromone," "Loose," "Papa," "Dark," and "Poem." It was unknown at this time if these tracks were indeed intended for an album. In late May 1993, Prince's then band member, Mayte Garcia, sent a letter to a Prince fanzine listing the above tracks, plus a few others: "Interactive," "Peach," "Pope," "Solo," and "Race." Most of these songs were newly written, except "Peach" (written in 1992), and "Race" (written in 1991 during the Love Symbol Album sessions - it uses a scratching sound effect similar to Love Symbol Album's "The Continental").

After Prince's name change to an unpronounceable symbol, he intended to release new songs under that moniker in formats other than albums. He would fulfill his contract to Warner Bros. by delivering unreleased material from his music vault. Prince conceived an "interactive musical experience" called Glam Slam Ulysses - a musical loosely based on Homer's Odyssey. Thirteen tracks were selected and premiered as the first new material from Prince. These songs and many others would travel back and forth between different concepts of albums in a relatively short frame of time. The Dawn was a triple-album concept. The track listing is unknown, but the idea was scrapped for single album releases. Some of these ended up on Come, and some on a new album called The Gold Experience. There was also an idea floating around for The Beautiful Experience that took on various forms before its final release as a maxi single.

On March 6, 1994, Prince submitted a tape of eight songs to Dutch radio stations which included the song "Pheromone." Five days later, he submitted the first version of the Come album to Warner Bros. The album consisted of: "Poem," "Interactive," "Endorphinemachine," "Space," "Pheromone," "Loose," "Papa," "Race," "Dark," "Solo," and "Strays of the World." This version of the album is exactly 45 minutes in length, has been leaked, and is known as the Come Test Pressing. Interestingly, the title track was absent. Warner Bros. rejected this version, and asked for the title track along with some other new material, such as the recent hit "The Most Beautiful Girl in the World." Prince went back into the studio and tooled with the title track, creating an 11-minute horn-boosted sexual romp. He added it to the album and resubmitted it to Warner Bros., and they agreed to it.

Prince changed the album once again, removing the more rock-oriented tracks "Interactive," "Endorphinemachine," and "Strays of the World." He broke up "Poem" into segues throughout the album, with the remainder retitled as "Orgasm," and also included the newly written track "Letitgo." This final version was submitted to Warner Bros. on the same day as a configuration of The Gold Experience. Prince wanted them to release both albums simultaneously, so the Prince material would compete with the one released under the symbolic moniker in the charts (with the latter having more commercial material). Warner Bros. accepted both albums, but refused to release them both at the same time fearing the market would have too much Prince material in stock.

The guitar sound on "Orgasm" is a sample of a feedback guitar solo from a previous Prince track, "Private Joy" from his 1981 album Controversy. The moaning on "Orgasm" is that of Vanity, recorded in 1983 for the unreleased track "Vibrator." In the liner notes, Vanity is credited as "she knows."

Upon release, Come received little support from Prince, who derided the album as "old material," despite the fact that many of the tracks had been recorded during the same sessions that produced The Gold Experience. Since Prince placed the more up-tempo and commercial material from these sessions on The Gold Experience, the overall tone of Come is somewhat dark and experimental in nature. As it stands, the album is an interesting look inside Prince's mind, and one of his most sensual and foreboding albums; perhaps more so than The Black Album.[original research?] Despite Prince's apparent marketing neglect, Come performed moderately well, reaching #15 in the U.S., going gold and receiving heavy R&B airplay with the single "Letitgo." In the UK, the album was a huge hit, debuting at #1. Prince also released two maxi singles in support of the album.

In 1993, a funkier instrumental version of the song "Pheromone" was used as the theme music for the BET music video program, Video LP.

The album cover proclaims "Prince: 1958–1993," indicating that Prince had "died" in 1993, and was reborn under his Love Symbol alias. The church depicted in the background of the record's cover is the Sagrada Família in Barcelona. The outtakes from the photoshoot for the cover of the album were released a year before in The Sacrifice of Victor, Prince's first book.

Track listing[edit]

  1. "Come" – 11:13
  2. "Space" – 4:28
  3. "Pheromone" – 5:08
  4. "Loose!" – 3:26
  5. "Papa" – 2:48
  6. "Race" – 4:28
  7. "Dark" – 6:10
  8. "Solo" – 3:48
  9. "Letitgo" – 5:32
  10. "Orgasm" – 1:39

All songs written by Prince, except #8, lyrics written by David Henry Hwang. [8]

Promotional vinyl bonus tracks:

  1. "Space" (Universal Love Remix) – 6:10
  2. "Space" (Funky Stuff Remix) – 5:42
  3. "Letitgo" (QDIII Instrumental Mix) – 5:00 (retitled "Instrumental" for single release)
  4. "Letitgo" (JH. Swift #3 Instrumental) – 5:43 (retitled "(-) Sherm Stick Edit" for single release)

Personnel[edit]

  • Tommy Barbarella, Mr. Hayes - keyboards (on #2,7)
  • Sonny T. - bass (2,5,7)
  • Michael B. - drums (2,5,7)
  • Brian Gallagher - tenor saxophone (1,6,7,9)
  • Kathy J. - baritone saxophone (1,6,7,9)
  • Joseph Robinson, Steve Strand, Dave Jensen - trumpet (1,6,7,9)
  • Michael B. Nelson - trombone (1,6,7,9)
  • Ricky Peterson - keyboards (9)
  • Eric Leeds - flute (9)
  • Mayte - backing vocals (6)
  • Kathleen Bradford - backing vocals (9)
  • Jearlyn Steele Battle - "Face the music" looped sample (6)
  • Vanity - partner (10)
  • All other vocals and instruments performed by Prince.

[9]

Hot 100 chart placings[edit]

References[edit]

  1. ^ a b Erlewine, Stephen Thomas. "Prince: Come" at AllMusic. Retrieved 25 October 2009.
  2. ^ Christgau, Robert. "Prince". robertchristgau.com. Retrieved 16 September 2011. 
  3. ^ a b "Prince - Come CD Album". CDUniverse.com. Retrieved 16 September 2011. 
  4. ^ Hoskyns, Barney (September 1994). "Prince: Come" (paywall). Mojo (Bauer Media Group). Retrieved 16 September 2011. 
  5. ^ Simmons, Sylvie (1996). "Prince: The Best of the Patchy Years" (free registration required). Mojo (Bauer Media Group). Retrieved 16 September 2011. 
  6. ^ Moon, Tom (8 September 1994). "Prince: Come". Rolling Stone (Wenner Media). ISSN 0035-791X. Retrieved 16 September 2011. 
  7. ^ Cooper, Carol (30 August 1994). "Prince: Come / 1-800-New-Funk" (paywall). The Village Voice. ISSN 0042-6180. Retrieved 16 September 2011. 
  8. ^ http://princevault.com/index.php/Solo
  9. ^ http://princevault.com/index.php/Come
Preceded by
End of Part One: Their Greatest Hits by Wet Wet Wet
UK number one album
August 27, 1994 – September 2, 1994
Succeeded by
End of Part One: Their Greatest Hits by Wet Wet Wet