Damien Thorn

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Damien Thorn
Damien Thorn
Date of Birth: June 6, 1971 (original film)
June 6, 1966 (Damien: Omen II)
June 6, 1950 (Omen III: The Final Conflict)
June 6, 2001 (Remake)
Gender: Male
Race Caucasian
Appears in The Omen series
Location Fulham, England
Weapons of Choice: Satanic Powers
Family Satan (father)
Female jackal (mother, deceased)
Kathy Thorn (adoptive mother, deceased)
Robert Thorn (adoptive father, deceased)
Richard Thorn (adoptive uncle, deceased)
Ann Thorn (adoptive aunt, deceased)
Mark Thorn (adoptive cousin, deceased)
Delia York (daughter)
Alexander York (son/reincarnation)
Enemies Jesus Christ
God the father
All pure souls
Portrayed by: Harvey Spencer Stephens (The Omen)
Jonathan Scott-Taylor (Damien: Omen II)
Sam Neill (Omen III: The Final Conflict)
Seamus Davey-Fitzpatrick (remake)

Damien Thorn is a fictional character and the primary antagonist of The Omen series. He is the Antichrist and the son of the Devil. The character has been portrayed by Harvey Spencer Stephens, Jonathan Scott-Taylor, Sam Neill, and Seamus Davey-Fitzpatrick.


Name etymology[edit]

Main article: Damien

The name "Damien" sounds vaguely like the English "demon", but is not at all etymologically related (meaning "he subdues").[1] Damien is the French form of the English name Damian (Greek Damao, meaning "to tame"), popular as the name of a martyred Christian saint of the third century (see Saints Cosmas and Damian). Another prominent Damien was Father Damien of Hawaii, who died while establishing leper colonies there. Damien is also the first name of Father Karras in The Exorcist.

Fictional biography[edit]

In the first film and its 2006 remake, Damien was born on the sixth day of June at six in the morning from a jackal which died giving birth to him and was buried in Chervet under the alias Maria Avedici Santoya. The orphaned Damien is then adopted by the future American ambassador to Great Britain Robert Thorn, who was told his child was stillborn with his wife Katherine unaware of the replacement. It would be five years later, after Thorn becomes US ambassador of the Court of St. James's, that Damien's powers begin to manifest when his nanny mysteriously hangs herself at his birthday party, claiming to have done it for him. The strange events continue with new nanny Ms. Baylock, who is later revealed to be one of the satanists who have been waiting for the boy and acting on his behalf from the shadows, as Damien's true nature starts to manifest from his violent reaction to church to most animals reacting at the sight of him save the black dog that Ms. Baylock adopted.

Father Brennan, a priest from Italy who was present at Damien's birth, warns Robert about his son being the Antichrist and that he would eventually kill him and his wife. But Robert refuses to accept it until Katherine, revealed to be pregnant with another child, is hospitalized after Damien knocked her off a balcony with his tricycle that kills the unborn baby. Accompanied by photojournalist Keith Jennings, who is eventually decapitated in a freak accident, Robert learns the truth of Damien's heritage and that his own child was actually murdered to ensure Damien could be placed in his care to rise up through the world of politics. An exorcist in Megiddo, Israel named Karl Bugenhagen gives Robert seven ancient daggers he had inherited that could kill the Antichrist. Robert was initially against killing the boy until finding the 666 birthmark that confirms his identity. But when Robert brings Damien to a church to commit the deed, he is killed before Damien is harmed as he is in the company of the President of the United States before adopted by his uncle Richard Thorn. To ensure the last of his enemies are dealt with, Damien's subconscious will kills off Bugenhagen as he attempted to have his Michael Morgan deliver a box containing the Daggers of Meggido to Richard before the two were buried alive in the ruins.

In the second film, set seven years after the first movie, the twelve-year-old Damien lives with his uncle's family: Richard's second wife Ann and his son from his first marriage, Mark. Originally, as with the first film, Damien is unaware of his powers as he unconsciously killed any who learn his secret and would be a threat to him. Furthermore, besides Ms. Baylok, Damien is supported by other Satanic acolytes who eventually help him learn his true nature during his time in military school. Though frightened at first, Damien accepts his unholy lineage and his destiny as he reluctantly kills Mark when he learns the truth and refuses to help him. While refusing to believe Damien's lineage at first, Richard learned the truth and attempted to set a trap for Damien to kill him with the Daggers of Megiddo. But Ann, revealed to a Satanist, kills Richard before Damien incinerates her out of disgust while burning the Thorn museum to the ground. From there, as revealed in the third film, Damien eventually took over his uncle's company and turned it into a global business corporation

By the events of Omen III: The Final Conflict, revealed to have attended Oxford, the adult Damien arranges his appointment as Ambassador to Great Britain and overseer of theUnited Nations Youth Associations. But Damien's reason for taking on his father's position is as England would be where the Second Coming would occur during an alignment in the Cassiopeia constellation and needed to find and kill the Christ-child before his power completely waned. While dealing with assassins under Father DeCarlo who each possess a dagger of Meggido salvaged from the ruins of the Thorn museum, Damien has his numerous followers kill every male English child born on the morning of March 24. But the Christ-child is revealed to eluded have Damien's followers. But another hinderance to Damien's dominion came from journalist Kate Reynolds and her preteen son Peter, his fascination with them proving to be his undoing as he eventually killed when Reynold stabs Damien in the back while he attempted to kill DeCarlo after using Peter as a shield. Damien lived long enough to see a vision of Christ and dies telling him that he won nothing, his spiritual essence revealed to have endured his physical demise since only one dagger was used rather then all seven in a cross formation to ensure his complete death.

In Omen IV: The Awakening, Damien is revealed to have a biological child in Delia who was originally assumed to be the Antichrist reborn. However, the Satanists who are responsible for orchestrating Delia's birth reveal that she is actually the protector of the new Antichrist, who is her embryonic twin brother that was inside her body before being transfered into Delia's adopted mother Karen. Once born, the newborn Alexander York survived his mother's death as he, Delia, and their father Gene attain Karen's funeral.

The Omen remakes[edit]

Main article: The Omen (2006 film)

A Hollywood remake was made in 2006 starring Liev Schreiber, Julia Stiles and Seamus Davey-Fitzpatrick. The plot of the remake closely follows that of the original film.

The Omen was also remade in Tamil in 1991 under the title Jenma Natchathiram.


George Ochoa in his book Deformed and Destructive Beings: The Purpose of Horror Films, identifies Damien Thorn from The Omen films as a "deformed and destructive being". Ochoa writes that horror film audiences possess an ambivalence of horror and delight over the continued existence of the film's "monster". He says of Damien, "It is horrifying to realize that the boy survived the final battle with his adoptive father... but it is also pleasing, because Damien—in company with... [the] ever-present Satan—is a well-realized DDB." He says the presentation of Damien as a character in the original The Omen is accentuated his defeating of the adoptive father, who is played by Gregory Peck, known for leading man and heroic roles. In the remake, however, Damien defeats his adoptive father, played by Liev Schreiber, who is "not associated with playing heroes". Ochoa concludes, "The result was that [Schreiber's character's] defeat by the little boy was neither exceptional nor horrifying, just forgettable."[2]

James F. Iaccino analyzed Damien in The Omen with Jungian psychology, "To paraphrase Jung, his psyche is animalistic, primordial, and monstrous to behold. It further contains within its very core an awesome supernatural element, setting the bearer apart from all others." Since Damien is an orphan on Earth, his survival means he has "accomplished something truly godlike". When Damien uses his powers, Iaccino says "they are typically accompanied by a fierceness and rage" that reflects the Jungian interpretation of "the primordial child's being depicted as an inhuman". Damien has a relationship with wild dogs that indicates "his mystical link with the barbaric world of the primitive". Iaccino says that Damien's life (in the original film) is spared because Damien "can appear angelic and pure to those around him while concealing his depraved nature", which is why his adoptive father hesitates to kill him. In Omen II, Iaccino notes Damien's relationship with the raven, which "is one of the devil's common guises" in fairy tales. When satanists help educate Damien "in the ways of evil", the growing boy becomes fully conscious of his true nature. Iaccino explains, "He is able to detach himself somewhat from the instinctual sphere of the beast (as well as the innocence of the child) in order to develop a stronger, more liberating identity." After Damien's realization, the raven no longer appears in the film, indicating that it has been "integrated into Damien's conscience". In The Omen III: The Final Conflict, Damien is an adult with an empire that thrives "on the misfortunes of others". He lacks faith or trust in others and does not want to admit needing anyone to survive. When he questions the Christ replica, he is "the Jungian image of archaic man" who believes that any action "must produce a significant reaction in the world", which is why he forces the crown of thorns on the replica's head.[3]

See also[edit]


  1. ^ Mike Campbell. "Meaning, Origin and History of the Name Damian". Behind the Name. Retrieved 2013-06-21. 
  2. ^ Ochoa, George (2011). Deformed and Destructive Beings: The Purpose of Horror Films. McFarland. pp. 49–52. ISBN 978-0-7864-6307-7. 
  3. ^ Iaccino, James F. (1998). "The Omen Trilogy: The Growth of the Demon Child Archetype". Jungian Reflections within the Cinema: A Psychological Analysis of Sci-Fi and Fantasy Archetypes. Praeger. pp. 147–165. ISBN 978-0-275-95048-4. 

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