19 June 1909|
Kanagi, Aomori, Japan
|Died||13 June 1948
|Genre||Novels, short stories|
|Literary movement||I novel, Buraiha|
|“||The year before last I was expelled from my family and, reduced to poverty overnight, was left to wander the streets, begging help for various quarters, barely managing to stay alive from one day to the next, and just when I'd begun to think I might be able to support myself with my writing, I came down with a serious illness. Thanks to the compassion of others, I was able to rent a small house in Funabashi, Chiba, next to the muddy sea, and spent the summer there alone, convalescing. Though battling an illness that each and every night left my robe literally drenched with sweat, I had no choice but to press ahead with my work. The cold half pint of milk I drank each morning was the only thing that gave me a certain peculiar sense of the joy in life; my mental anguish and exhaustion were such that the oleanders blooming in one corner of the garden appeared to me merely flicking tongues of flame...||”|
—Seascape with Figures in Gold (1939), Osamu Dazai
Dazai was born Shūji Tsushima (津島修治 Tsushima Shūji?), the eighth surviving child of a wealthy landowner in Kanagi, a remote corner of Japan at the northern tip of Tōhoku in Aomori Prefecture. His father was a member of the House of Peers and was thus often away from home, and his mother was chronically ill after having given birth to 11 children, so he was brought up mostly by the family's servants.
Tsushima was sent to Aomori Prefectural Aomori High School and Hirosaki University for higher school. An excellent student and an able writer even then, he edited student publications and contributed some of his own works. After his idol, the writer Ryūnosuke Akutagawa committed suicide in 1927, Tsushima started to neglect his studies. Instead, he spent his allowance on clothes, alcohol and prostitutes and dabbled with Marxism, at the time heavily suppressed by the government. He frequently expressed guilt in his earliest writing about having been born into what he thought of as the incorrect social class. On 10 December 1929, the night before year-end exams that he was ill-prepared for, Tsushima attempted to commit suicide by taking an overdose of sleeping pills, but he survived and managed to graduate the following year.
Tsushima enrolled in the French Literature Department of the Tokyo Imperial University and promptly stopped studying again. In October, he ran away with a geisha named Hatsuyo Oyama (小山初代 Oyama Hatsuyo) and was formally expelled from his family. Nine days after the expulsion, Tsushima attempted suicide by drowning off a beach in Kamakura with another woman (whom he barely knew), 19-year-old bar hostess Shimeko Tanabe (田部シメ子 Tanabe Shimeko). Shimeko died, but Tsushima lived, having been rescued by a fishing boat, leaving him with a strong sense of guilt. Shocked by the events, Tsushima's family intervened to drop a police investigation, his allowance was reinstated and in December Tsushima and Oyama were married.
Soon after, Tsushima was arrested for his involvement with the banned Communist Party of Japan and, upon learning this, his elder brother Bunji promptly cut off his allowance again. Tsushima went into hiding, but Bunji managed to get word to him that charges would be dropped and the allowance reinstated yet again if he solemnly promised to graduate and swear off any involvement with the party, and Tsushima took up the offer.
Early literary career
Tsushima kept his promise and settled down a bit. He managed to obtain the assistance of established writer Masuji Ibuse, whose connections enabled him to get his works published, and who helped establish his reputation.
The next few years were productive for Tsushima. He wrote at a feverish pace and used the pen name "Osamu Dazai" for the first time in a short story called Ressha (列車 Train 1933): his first experiment with the first-person autobiographical style that later became his trademark. But in 1935, it started to become clear to Dazai that he would not graduate, and he failed to obtain a job at a Tokyo newspaper as well. He finished The Final Years, which was intended to be his farewell to the world, and tried to hang himself on 19 March 1935 - failing yet again.
Less than three weeks after his third suicide attempt Dazai developed acute appendicitis and was hospitalized, during which time he become addicted to Pabinal, a morphine-based painkiller. After fighting the addiction for a year, in October 1936 he was taken to a mental institution, locked in a room and forced to quit cold turkey. The treatment lasted over a month, during which time Dazai's wife Hatsuyo committed adultery with his best friend Zenshirō Kodate. This eventually came to light and Dazai attempted to commit double suicide with his wife. They both took sleeping pills, but neither one died, so he divorced her. He quickly remarried, this time to a middle school teacher named Michiko Ishihara (石原美知子 Ishihara Michiko). Their first daughter, Sonoko (園子), was born in June 1941.
In the 1930s and 1940s, Dazai wrote a number of subtle novels and short stories that are frequently autobiographical in nature. His first story, Gyofukuki (魚服記 1933), is a grim fantasy involving suicide. Other stories written during this period include Dōke no hana (The Flowers of Buffoonery, 1935), Gyakkō (逆行 Against the Current, 1935), Kyōgen no kami (狂言の神 The God of Farce, 1936), and those published in his 1936 collection Bannen (Declining Years), which describe his sense of personal isolation and his debauchery.
Japan entered the Pacific War in December, but Dazai was excused from the draft because of his chronic chest problems (he was diagnosed with tuberculosis). The censors became more reluctant to accept Dazai's offbeat work, but he managed to publish quite a bit anyway, remaining one of the very few authors who managed to turn out this kind of material in those years. A number of the stories, which Dazai published during World War II were retellings of stories by Ihara Saikaku (1642–1693). His wartime works included Udaijin Sanetomo (Minister of the Right Sanetomo, 1943), Tsugaru (1944), Pandora no hako (Pandora's Box, 1945–46), and the delightful Otogizōshi (Fairy Tales, 1945) in which he retold a number of old Japanese fairy tales with vividness and wit.
His house was burned down twice in the American air raids against Tokyo, but Dazai's family escaped unscathed, with a son, Masaki (正樹), born in 1944. His third child, daughter Satoko (里子), later became a famous writer under the pseudonym Yūko Tsushima (津島佑子), was born in May 1947.
In the immediate post-war period, Dazai reached the height of his popularity.
He depicted a dissolute life in postwar Tokyo in Viyon no Tsuma (Villon's Wife, 1947). The narrator is the wife of a poet, who has abandoned her. She takes a job for a tavern keeper from whom her husband has stolen money. Her determination to survive is tested by hardships, rape and her husband's self-delusion, but her will is not broken.
In July 1947 Dazai's best-known work, Shayo (The Setting Sun, translated 1956) depicting the decline of the Japanese nobility after World War II was published, propelling the already popular writer into a celebrity. This work was based on the diary of Shizuko Ōta (太田静子). Ōta was one of the fans of Dazai's works and first met him in about 1941. She bore him a daughter Haruko (治子) in 1947.
Always a heavy drinker, he became an alcoholic; he had already fathered a child out of wedlock with a fan, and his health was also rapidly deteriorating. At this time Dazai met Tomie Yamazaki (山崎富栄), a beautician and war widow who had lost her husband after 10 days of married life. Dazai effectively abandoned his wife and children and moved in with Tomie, writing his quasi-autobiography Ningen Shikkaku (人間失格, No Longer Human, 1948, translated. 1958) at the hot-spring resort Atami.
Ningen Shikkaku deals with a character hurtling headlong towards self-destruction, all the while despairing of the seeming impossibility of changing the course of his life. The novel is told in a brutally honest manner, devoid of all sentimentality. The book is one of the classics of Japanese literature and has been translated into several foreign languages.
In the spring of 1948, he was working on a novelette scheduled to be serialized in the Asahi Shimbun newspaper, titled Guddo bai (Goodbye). On 13 June 1948, Dazai and Tomie finally succeeded in killing themselves, drowning in the rain-swollen Tamagawa Canal near his house. Their bodies were not discovered until June 19, which coincided with his 39th birthday. His grave is at the temple of Zenrin-ji, in Mitaka, Tokyo.
Major works by Dazai include:
|Year||Japanese Title||English Title||Comments|
|1933||思い出 Omoide||Memories||in 'Bannen'|
|1935||道化の華 Dōke no Hana||Flowers of Buffoonery||in 'Bannen'|
|1936||晩年 Bannen||The Late Years||Collected short stories|
|1937||二十世紀旗手 Nijusseiki Kishu||A standard-bearer of the twentieth century|
|1939||富嶽百景 Fugaku Hyakkei||One hundred views of Mount Fuji|
|1940||女の決闘 Onna no Kettō||Women's Duel|
|駈込み訴え Kakekomi Uttae||An urgent appeal|
|走れメロス Hashire Merosu||Run, Melos!|
|1941||新ハムレット Shin-Hamuretto||New Hamlet|
|1942||正義と微笑 Seigi to Bisho||Right and Smile|
|1943||右大臣実朝 Udaijin Sanetomo||Minister of the Right Sanetomo|
|1945||パンドラの匣 Pandora no Hako||Pandora's Box|
|新釈諸国噺 Shinshaku Shokoku Banashi||A new version of countries' tales|
|惜別 Sekibetsu||A farewell with regret|
|お伽草紙 Otogizōshi||Fairy Tales|
|1946||冬の花火 Fuyu no Hanabi||Winter's firework||Play|
|1947||ヴィヨンの妻 Viyon No Tsuma||Villon's Wife|
|斜陽 Shayō||The Setting Sun|
|1948||如是我聞 Nyozegamon||I heard it in this way||Essay|
|桜桃 Ōtō||A Cherry|
|人間失格 Ningen Shikkaku||No Longer Human|
Selected bibliography of English translations
- The Setting Sun (斜陽 Shayō), translated by Donald Keene. Norfolk, Connecticut, James Laughlin, 1956. (Japanese publication: 1947).
- No Longer Human (人間失格 Ningen Shikkaku?), translated by Donald Keene. Norfolk, Connecticut, New Directions Publishers, 1958.
- Dazai Osamu, Selected Stories and Sketches, translated by James O’Brien. Ithaca, New York, China-Japan Program, Cornell University, 1983?
- Return to Tsugaru: Travels of a Purple Tramp (津軽), translated by James Westerhoven. New York, Kodansha International Ltd., 1985.
- Run, Melos! and Other Stories. Trans. Ralph F. McCarthy. Tokyo: Kodansha International, 1988. Tokyo: Kodansha English Library, 1988.
- Crackling Mountain and other stories, translated by James O’Brien. Rutland, Vermont, Charles E. Tuttle Company, 1989.
- Blue Bamboo: Tales of Fantasy and Romance, translated by Ralph F. McCarthy. Tokyo and New York, Kodansha International, 1993.
- Schoolgirl (女生徒 Joseito), translated by Allison Markin Powell. New York: One Peace Books, 2011.
- Otogizōshi: The Fairy Tale Book of Dazai Osamu (お伽草紙 Otogizōshi), translated by Ralph F. McCarthy. Fukuoka, Kurodahan Press, 2011.
- Blue Bamboo: Tales by Dazai Osamu (竹青 Chikusei), translated by Ralph F. McCarthy. Fukuoka, Kurodahan Press, 2012.
- Lyons, Phyllis. The Saga of Dazai Osamu: A Critical Study With Translations. Stanford University Press (1985). ISBN 0-8047-1197-6
- O'Brien, James A. Dazai Osamu. New York: Twayne Publishers, 1975.
- O'Brien, James A., ed. Akutagawa and Dazai: Instances of Literary Adaptation. Cornell University Press, 1983.
- Ueda, Makoto. Modern Japanese Writers and the Nature of Literature. Stanford University Press, 1976.
- Wolf, Allan Stephen. Suicidal Narrative in Modern Japan: The Case of Dazai Osamu. Princeton University Press (1990). ISBN 0-691-06774-0
- "Nation and Region in the Work of Dazai Osamu," in Roy Starrs Japanese Cultural Nationalism: At Home and in the Asia Pacific. London: Global Oriental. 2004. ISBN 1-901903-11-7.
|Wikimedia Commons has media related to Osamu Dazai.|
- e-texts of Osamu's works at Aozora bunko
- Osamu's short story "Waiting" at the Wayback Machine (archived December 11, 2007)
- Osamu Dazai's grave
- Synopsis of Japanese Short Stories (Otogi Zoshi) at JLPP (Japanese Literature Publishing Project) (English)
- Osamu Dazai at the Internet Speculative Fiction Database