Theatrical release poster
|Directed by||Scott Coffey|
|Produced by||Scott Coffey
|Written by||Scott Coffey|
|Editing by||Matt Chesse|
|Distributed by||Strand Releasing|
|Release dates||November 11, 2005|
|Running time||95 mins.|
Ellie Parker is a 2005 American comedy film, written and directed by Scott Coffey. The title character, played by Naomi Watts, is a young woman struggling as an actress in Los Angeles. The movie centers on a quote from the prologue to Shakespeare's Henry V:
O for a Muse of fire, that would ascend
The brightest heaven of invention,
A kingdom for a stage, princes to act
And monarchs to behold the swelling scene!
Ellie Parker began as a short that was screened at the 2001 Sundance Film Festival. Using a handheld digital camera, writer-director Scott Coffey expanded it into a feature-length film over the next four years. It was released in 2005.
Ellie Parker is a semi-autobiographical story of an Australian actress struggling to make it in Hollywood. Ellie is young enough to still go to auditions back and forth across L.A., changing wardrobes and slapping on makeup en route, but just old enough that the future feels "more like a threat than a promise". She lives with her vacuous musician boyfriend (Mark Pellegrino), who leaves her just about as dissatisfied as any other part of her life, and has a loose definition of the word "fidelity". Helping make sense of their surreal and humiliating Hollywood existence is her best friend Sam (Rebecca Rigg), another out-of-work actress trying her hand at design, who attends acting classes with Ellie to stay sharp. When Ellie gets into a fender bender with a guy who claims he's a cinematographer (Scott Coffey), her perspective on her work and the dating world starts to change. Chevy Chase also makes an appearance in this series of Hollywood vignettes, playing Ellie's agent.
Watts, Coffey, and Pellegrino all worked together on David Lynch's Mulholland Drive, where Watts had her breakout performance, and Ellie Parker grew out of the friendship forged between Watts and director/screenwriter Coffey. It was shot on digital video over the course of five years, having begun its life as a series of shorts featuring Watts' character.