George Washington Cable
George Washington Cable (October 12, 1844 – January 31, 1925) was an American novelist notable for the realism of his portrayals of Creole life in his native New Orleans, Louisiana. He has been called "the most important southern artist working in the late 19th century, as well as the first modern southern writer." In his treatment of racism, mixed-race families and miscegenation, his fiction has been thought to anticipate that of William Faulkner.
He also wrote articles critical of contemporary society. Due to hostility against him after two 1885 essays encouraging racial equality and opposing Jim Crow, Cable moved with his family to Northampton, Massachusetts. He lived there for the next thirty years, then moved to Florida.
Cable was born in 1844 in New Orleans, Louisiana, the son of George W. Cable, Sr. and Rebecca Boardman Cable. They were wealthy slaveholders who were part of the Presbyterian Church and city society, whose families had moved there after the Louisiana Purchase. First educated in private schools, the younger Cable had to get work after his father died young. He had lost investments and the family struggled financially. Cable later learned French on his own. He served in the Confederate Army during the American Civil War, in which he took part in support of the Southern cause.
His experiences changed his ideas about Southern and Louisiana society, and he began writing during a two-year bout with malaria. In 1870 Cable went into journalism, writing for the New Orleans Picayune. He worked for them from 1865-1879, by which time he had become an established writer. In 1869, he married Louisa Stewart Bartlett, with whom he had several children.
He was invited to submit stories in Scribner's Monthly, where his story "Sieur George", published in 1873, was a critical and popular success. He published six more stories of Creole life with Scribner's in the following three years. The stories were collected and published in a book in 1879 as Old Creole Days. While romantic in plot, the stories revealed the multi-cultural and multi-racial nature of antebellum New Orleans society, with ties among French, Spanish, African, Native American and Caribbean Creoles. He also addressed conflicts that arose following the Louisiana Purchase, when traditional New Orleans Creoles of color had to confront Anglo-Americans, who ultimately asserted their concept of a biracial society, rather than acknowledging the multiracial class of free people of color.
In 1880 Cable published his first novel, The Grandissimes: A Story of Creole Life, portraying multiracial members and different classes of society in the early 1800s shortly after the Louisiana Purchase. It had first been serialized in Scribner's. The plot follows the adventures and romances of several members of the Grandissime family, a French Creole family with mixed-race members. He used this historical romance as a way to explore society and its racial injustice, as he addressed European Creoles, the mixed-race class, plaçage, slavery and lynchings. Also in 1880, the United States Census Bureau commissioned Cable to write a "historical sketch" of pre-Civil War New Orleans for a special section of the 10th United States census' "Social statistics of cities". He submitted a well-researched 313-page history. It was sharply reduced for publication in 1884.
His novella Madame Delphine (1881), expanded from a short story, featured the issue of miscegenation, in which a woman of partially African descent tries to arrange the marriage of her daughter, who has more European ancestry, to one of the French Creole elite. In 1884 he published a work, Dr. Sevier, on prison reform.
After these works, Cable seemed to split his efforts between romantic novels and non-fiction articles, in which he expressed his sympathy for racial equality and opposition to Jim Crow, such as "The Freedman's Case in Equity" and "The Silent South," both published in 1885. His essays were resented by many white Southerners and generated much controversy.
After the end of the war, whites had worked to re-establish political and social supremacy over freedmen and those who were free people of color in the antebellum years. The Ku Klux Klan and paramilitary groups had practiced racial intimidation and other efforts to dissuade blacks from voting. After Reconstruction, when Democrats regained control of the state legislature, they worked to disranchise blacks, and imposed legal racial segregation and other measures against them.
So much hostility was expressed against Cable in 1885 that he decided to leave the South. That year, he moved with his family to Northampton, Massachusetts, where he continued to write about the South in novels and critical essays. In 1888, he published Bonaventure, described as an "Acadian pastoral." In total, he published 14 novels and collections of short fiction. His last novel was Lovers of Louisiana (1918).
His wife Louise died in 1904 and Cable married Eva Stenson in 1906. After the death of his second wife Eva in 1923 he married his third wife Hanna Cowing in 1923. Cable himself died in St. Petersburg, Florida in 1925.
Response and legacy
Cable was friends with Mark Twain, and the two writers did speaking tours together. Twain said of him that "when it comes down to moral honesty, limpid impotence, and utterly blameless piety, the Apostles were mere policemen [compared] to Cable," despite his dark, "indelicate" depictions of society. Twain also mentions Cable in his book Life on the Mississippi:
The party had the privilege of idling through this ancient quarter of New Orleans with the South's finest literary genius, the author of "the Grandissimes." In him the South has found a masterly delineator of its interior life and its history. In truth, I find by experience, that the untrained eye and vacant mind can inspect it and learn of it and judge of it more clearly and profitably in his books than by personal contact with it.
With Mr. Cable along to see for you, and describe and explain and illuminate, a jog through that old quarter is a vivid pleasure. And you have a vivid sense as of unseen or dimly seen things—vivid, and yet fitful and darkling; you glimpse salient features, but lose the fine shades or catch them imperfectly through the vision of the imagination: a case, as it were, of ignorant near-sighted stranger traversing the rim of wide vague horizons of Alps with an inspired and enlightened long-sighted native.
Modern literary historians have said that Cable's treatment of racism in his fiction influenced the later work of William Faulkner and Robert Penn Warren. He has been called "the most important southern artist working in the late 19th century, as well as the first modern southern writer."
In 2008 a new edition of his history of the South, including footnotes and research, was published by Louisiana State University Press under the title, The New Orleans of George Washington Cable: The 1887 Census Office Report, edited and with an introduction by Lawrence N. Powell.
|Wikisource has original works written by or about:
George Washington Cable
- Old Creole Days (1879).
- The Grandissimes: A Story of Creole Life (1880).
- Madame Delphine (1881).
- Dr. Sevier (1882).
- The Creoles of Louisiana (1884).
- Bonaventure (1888).
- The Silent South (1889).
- The Negro Question (1890).
- Strange True Stories of Louisiana (1890).
- The Busy Man's Bible and How to Study and Teach It (1891).
- A Memory of Roswell Smith (1892).
- Famous Adventures and Prison Escapes of the Civil War (1893).
- John March, Southerner (1894).
- Strong Hearts (1899).
- The Cavalier (1901).
- Bylow Hill (1902).
- Kincaid's Battery (1908).
- Possen Jone' and Pere Raphael (1909).
- The Amateur Garden (1914).
- Gideon's Band (1914).
- The Flower of the Chapdelaines (1917).
- Lovers of Louisiana (1918).
- Andrews, William L., Minrose Gwin, Trudier Harris and Fred Hobson, eds., The Literature of the American South: A Norton Anthology, New York: W. W. Norton & Company, 1998, p. 275-276
- Cleman, John, George Washington Cable Revisited, Ed. Nancy Walker, New York: Twayne Publishers, 1996, pp. 1–19
- Harrison, Suzan, "The Grandissimes: A Story of Creole Life," Masterplots, Revised Second Edition, Salem Press, 1996
- Lauter, Paul, ed., The Heath Anthology of American Literature, 4th edition, Boston, MA: Houghton Mifflin Co., 2002
- Pizer, Donald and Earl N. Harbert, eds., Dictionary of Literary Biography: American Realists and Naturalists, volume 12, Detroit: Gale Research Company, 1982
- Rubin, Louis D., Writers of the Modern South: The Faraway Country, Seattle: University of Washington Press, 1966
- Wilson, Edmund, Patriotic Gore: Studies in the Literature of the Civil War, New York: Oxford University Press, 1962
- "George Washington Cable", Encyclopedia of Southern Culture, 1989, hosted at Documenting the American South, University of North Carolina, accessed 8 August 2012
- Bond Thompson, Armistead Lemon, "Summary: George Washington Cable (1844-1925)/ The Grandissimes: A Story of Creole Life, Documenting the American South, University of North Carolina, accessed 8 August 2012
- Bond Thompson, "GW Cable, Summary: Old Creole Days", Documenting the American South, University of North Carolina, accessed 8 August 2012
- Richardson TJ, ed. (1981). The Grandissimes: Centennial essays. University Press of Mississippi, ISBN 0-87805-149-X
- The New Orleans of George Washington Cable: The 1887 Census Office Report, ed. and introduction by Lawrence N. Powell
|Wikimedia Commons has media related to George Washington Cable.|
- Works by George Washington Cable at Project Gutenberg
- Works by or about George Washington Cable at Internet Archive
- Works by George Washington Cable at LibriVox (public domain audiobooks)
- Works by George Washington Cable, at Hathi Trust
- Works by George Washington Cable, at Unz.org
- "George Washington Cable: resources", American Authors (hosted by Washington State University)
- Bond Thompson, Armistead Lemon, "Summary: George Washington Cable (1844-1925)/ The Grandissimes: A Story of Creole Life, Documenting the American South, University of North Carolina
- "George Washington Cable", Encyclopedia of Southern Culture, 1989, hosted at Documenting the American South, University of North Carolina