Gustave Moreau
| Gustave Moreau | |
|---|---|
 Self-portrait of Gustave Moreau, 1850 |
|
| Born | 6 April 1826 Paris |
| Died | 18 April 1898 (aged 72) Paris |
| Nationality | French |
| Field | Painting |
| Training | François-Édouard Picot |
| Movement | Symbolism |
| Influenced by | Théodore Chassériau |
Gustave Moreau (6 April 1826 – 18 April 1898) was a French Symbolist painter whose main emphasis was the illustration of biblical and mythological figures. As a painter, Moreau appealed to the imaginations of some Symbolist writers and artists.
Contents |
Biography [edit]
Moreau was born in Paris. His father, Louis Jean Marie Moreau, was an architect, who recognized his talent. His mother was Adele Pauline des Moutiers. Moreau initially studied under the guidance of François-Édouard Picot and became a friend of Théodore Chassériau, whose work strongly influenced his own. Moreau had a 25-year personal relationship, possibly romantic, with Adelaide-Alexandrine Dureux, a woman whom he drew several times.[1] His first painting was a Pietà which is now located in the cathedral at Angoulême. He showed A Scene from the Song of Songs and The Death of Darius in the Salon of 1853. In 1853 he contributed Athenians with the Minotaur and Moses Putting Off his Sandals within Sight of the Promised Land to the Great Exhibition.
Oedipus and the Sphinx, one of his first symbolist paintings, was exhibited at the Salon of 1864. The painting currently resides in the permanent collection at the New York Metropolitan Museum of Art.[2]
Moreau became a professor at Paris' École des Beaux-Arts in 1891 and among his many students were the fauvist painters, Henri Matisse and Georges Rouault. Jules Flandrin, Theodor Pallady and Léon Printemps also studied with Moreau.
Moreau died in Paris and was buried there in the Cimetière de Montmartre.
During his lifetime, Moreau produced more than 8,000 paintings, watercolors and drawings, many of which are on display in Paris' Musée national Gustave Moreau at 14 rue de la Rochefoucauld (IXe arrondissement). The museum is in his former workshop, and began operation in 1903. André Breton famously used to "haunt" the museum and regarded Moreau as a precursor of Surrealism.
Gallery [edit]
-
Pietà (1852).
-
Orpheus (1865).
-
Prometheus (1868).
-
Europa and the Bull (1869).
-
Salomé (1876).
-
Jupiter and Semele (1894-95)
.jpg)
References [edit]
- ^ Kaplan, Julius (1974). Gustave Moreau. Little Brown & Company. pp. 7, 55. ISBN 0-8212-0628-1.
- ^ Winkfield, Trevor (April 2012). "A Letter to Bryan Osburn from Trevor Winkfield". The Brooklyn Rail.
External links [edit]
 |
Wikiquote has a collection of quotations related to: Gustave Moreau |
 |
Wikimedia Commons has media related to: Gustave Moreau |
 |
Wikisource has the text of the 1911 Encyclopædia Britannica article Moreau, Gustave. |
- GustaveMoreau.com- Tribute site to Gustave Moreau.
- Musée National Gustave-Moreau
- An Eye on Art: Salomé Dansant
- Ten Dreams Galleries
- Brief biography at the Artchive.com
- Moreau at Boston College
- Moreau at Artonline
- Moreau at Insecula
- Moreau at Art Renewal Center
- Moreau at CGFA
- Moreau at the WebMuseum
- Moreau at Peter Nahum At The Leicester Galleries
- Moreau links at World Wide Arts Resources
- Moreau links at the Artcyclopedia
- Review of a Moreau exhibition
|
