Johann Matthias von der Schulenburg

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Count Johann Matthias von der Schulenburg: portrait with the marshal's baton by Gian Antonio Guardi, 1741

Reichsfreiherr and Reichsgraf Marshal Johann Matthias von der Schulenburg (8 August 1661 - 14 March 1747) was a German aristocrat and general of Brandenburg-Prussian descent who served in the Saxon and Venetian armies in the early 18th century and found a second career in retirement in Venice, as a grand collector and patron. His sister was Melusine von der Schulenburg, Duchess of Kendal. His father was Gustavus Adolphus Baron von der Schulenberg.[1]

Schulenburg as mercenary[edit]

Schulenburg was born in Emden near Magdeburg.

Between 1687 and 1688 Schulenburg fought with the Imperial troops against the Turks in Hungary. On his return he rose in the ranks of the army of the Duchy of Brunswick-Lüneburg. In 1699 he became a Colonel in the German regiment in the service of Victor Amadeus II of Savoy, and was severely wounded in 1701. In 1702 he joined the Saxon Army and fought in the Great Northern War against Charles XII of Sweden and suffered defeats in the Battle of Klissow and the Battle of Fraustadt. In 1707 he returned to Western Europe and fought under Prince Eugene at the Battle of Oudenaarde and the Battle of Malplaquet in the wars of Spanish Succession.

The latter service brought him to the attention of Venice. He was recruited by Venice into the successful defence of Corfu during the 1716 siege against the invading Ottoman Turks; he was decorated by the Serenissima for his outstanding success with a statue and a pension of 5000 ducats a year. A Vivaldi opera, Juditha triumphans, was commissioned in celebration of the victory.

Count Johann Matthias von der Schulenburg: marble statue in Corfu.

Schulenburg as art collector[edit]

In his retirement in Venice from 1718, Schulenburg proved a remarkable collector of art while residing in the Palazzo Loredan on the Grand Canal of Venice.[2] He began as a serious collector in 1724, at the age of sixty-three, with a purchase of eighty-eight paintings and a bas-relief by Pierre Puget from a Venetian picture-dealer, Santi Rota, who had obtained them from the collection of Ferdinando Carlo Gonzaga, the last ruler of the Duchy of Mantua, deposed by Habsburg Austrian empire; Gonzaga's works of art included works by Raphael, Correggio, Giorgione, Giulio Romano, and Castiglione. In addition Schulenburg had access to many royal families, including the Hanoverians, Bourbons, and Habsburgs; and served them as an intermediary and bon-vivant host in the Venetian republic. His portrait was painted by Bartolomeo Nazari, Giuseppe Nogari, Giacomo Ceruti, Gian Antonio Guardi (in Ca' Rezzonico), Francesco Simonini, and Piazzetta, and he was sculpted by Antonio Corradini and Gian Maria Morlaiter.

Schulenburg supported Gian Antonio Guardi with a monthly salary, 1730–36, and on a commission basis thereafter.[3] In general, Guardi worked at making portraits of the foreign aristocracy and royalty to impressively fill the walls at Ca' Loredan, and at copying masterpieces of the Venetian past including works of Paolo Veronese and Tintoretto. Francesco Simonini was commissioned to produce a series of paintings commemorating Schulenburg's battles. Canaletto painted a view of Corfu, the site of his victories.

He also employed Giambattista Pittoni, 1733–38, for history paintings, and as advisor and restorer.[4] Finally, Giovanni Battista Piazzetta had a close relationship with the Marshal, both as painter[5] as an agent for buying both Flemish and genre paintings, two types of works popular with Schulenburg; Piazzetta made an inventory of the collection in 1739.

Schulenburg's paintings were mainly Italian works of the sixteenth and seventeenth centuries, with some Flemish and Dutch paintings. He owned six paintings by Giacomo Ceruti. He owned vedute by Michele Marieschi, Luca Carlevaris, Giovanni Battista Cimaroli, Antonio Joli, Marco Ricci, and Francesco Zuccarelli; thus he overlapped to some degree with the collecting of the contemporary British ambassador, Joseph Smith. Many of his works were transferred to his estates in Germany, like Emden, Hehlen and Beetzendorf. Schulenburg did not have children, and, though he willed his collection en bloc to his nephew Reichsgraf Adolf Friedrich von der Schulenburg-Beetzendorf with the stipulation that they be kept together, in the Palais Schulenburg in Berlin, his will was not honoured, and after his death his collection was dispersed. A distinguished customer was Frederick II of Prussia. A group of 150 were sold at auction in London in April 1775.[6]

Notes[edit]

  1. ^ thepeerage.com Retrieved August 3, 2010
  2. ^ Alice Binion, "From Schulenburg's Gallery and Records" The Burlington Magazine 112 No. 806 (May 1970:297-303); a rich archive documenting Schulenburg's collection is deposited in the Niedersächsische Staatsarchiv, Hanover.
  3. ^ His patronage of Guardi is discussed by Antonio Morassi, "Antonio Guardi ai servigi del Feldmareschiallo Schulenburg", Emporium 131 (1960:147-64, 199-212).
  4. ^ Binion 1970:301.
  5. ^ Schulenburg had the largest contemporary collection of Piazzetta's works, thirteen paintings and at least nineteen drawings (Binion 1970:301).
  6. ^ Binion 1970:298.

Sources[edit]

  • Fr. Albr. v. d. Schulenburg: Leben und Denkwürdigkeiten des Johann Matthias v. d. Schulenburg (Leipzig 1834, 2 vols.). (Life and facts about Johann Matthias Schulenburg (Leipzig 1834, 2 Vol.))
  • Werner v. d. Schulenburg: Der König von Korfu 1950. A novelistic account of the siege of Corfu.Roman über die Verteidigung Korfus gegen die Türken); 1950. (The King of Corfu. An account of the defense of Corfu against the Turks. (1950)).
  • Haskell, Francis (1993). "Chapter 11". Patrons and Painters: Art and Society in Baroque Italy. 1980. Yale University Press. pp. 311–13. 

External links[edit]