Lady Caroline Lamb (film)
|Lady Caroline Lamb|
Theatrical release poster
|Directed by||Robert Bolt|
|Produced by||Fernando Ghia|
|Written by||Robert Bolt|
|Music by||Richard Rodney Bennett|
|Distributed by||MGM-EMI (UK)
United Artists (US)
Lady Caroline Lamb is a 1972 film based on the life of the notorious Lady Caroline Lamb (1785-1828), lover of Lord Byron and wife of William Lamb, 2nd Viscount Melbourne (later Prime Minister). The film was written and directed by Robert Bolt and starred his wife, Sarah Miles, as Lady Caroline.
Other stars included Jon Finch as the long-suffering Mr Lamb (a role first offered to Timothy Dalton), Laurence Olivier as the Duke of Wellington, Richard Chamberlain as Byron, and Ralph Richardson as King George IV. The film is also notable because it is the last film in which Michael Wilding appeared, in an uncredited, non-speaking cameo with his last wife, Margaret Leighton, who played Lady Melbourne.
- Sarah Miles as Lady Caroline Lamb
- Jon Finch as William Lamb
- Richard Chamberlain as Lord Byron
- John Mills as Canning
- Margaret Leighton as Lady Melbourne
- Pamela Brown as Lady Bessborough
- Silvia Monti as Miss Millbanke
- Ralph Richardson as King George IV
- Laurence Olivier as Duke of Wellington
- Michael Wilding as Lord Holland
- Peter Bull as Minister
- Charles Carson as Potter
- Sonia Dresdel as Lady Pont
- Nicholas Field as St. John
- Caterina Boratto
- Felicity Gibson as Girl in Blue
The film was given a major international release based upon its stellar cast, but received mixed critical reviews, and was a box-office failure; it was criticized both for its historical inaccuracies (the timing of William Lamb's political career, the portrayal of Byron as a tall, handsome man who lacked his characteristic limp) and for its histrionic qualities and interpolations, such as an incoherent episode at night in some Italian ruins where beggars seem to attack Lady Caroline and her husband. Consistent with feminist developments of the early 1970s, the film characterizes Byron overly negatively and elevates Lady Caroline to a quasi-heroic status.
Positive reviews praised Miles' performance and Bolt's direction, which was clearly inspired by his frequent collaborator David Lean. Praise also came for Laurence Olivier's cameo as the Duke of Wellington, with Philip French of The Times writing that "... Olivier's brief appearance as the Duke of Wellington is a beautifully witty and rounded characterisation that is worth the price of the admission in itself". This was Michael Wilding's final film before his death 1979.
The film's failure dissuaded Bolt from further directorial work, and may have contributed to his breakup with Sarah Miles in 1976, although he remarried Miles in 1988, a marriage which lasted until his death in 1995.
The film had an atmospheric music score composed by Richard Rodney Bennett, who later based a concert work, Elegy for Lady Caroline Lamb for viola and orchestra, on some of the material. Oswald Morris's cinematography was praised for its beauty and clarity.
- The Films of Laurence Olivier, by Margaret Morley, Citadel, 1977, p 176