Jump to content

Lotte Lenya: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
Off-Broadway -> Off Broadway
Line 19: Line 19:


==The early years==
==The early years==
Lenya was born as '''Karoline Wilhelmine Charlotte Blamauer''' to [[working class]] [[Roman Catholic]] parents in Vienna. She moved to study in [[Zürich]] in 1914, taking up her first job at the [[Schauspielhaus Zürich|Schauspielhaus]] using the stage name Lotte Lenja. She moved to [[Berlin]] to seek work in 1921.
Lenya was born as '''Karoline Wilhelmine Charlotte Blamauer''' to [[working class]] [[Roman Catholic]] parents in Vienna. Lenya had [[Jews|Jewish]] ancestry. She moved to study in [[Zürich]] in 1914, taking up her first job at the [[Schauspielhaus Zürich|Schauspielhaus]] using the stage name Lotte Lenja. She moved to [[Berlin]] to seek work in 1921.


==Career==
==Career==

Revision as of 11:41, 3 February 2011

Lotte Lenya
photographed by Carl Van Vechten, 1962
Born
Karoline Wilhelmine Charlotte Blamauer

(1898-10-18)October 18, 1898
DiedNovember 27, 1982(1982-11-27) (aged 84)
OccupationActor
Years active1922-1982
Spouse(s)Kurt Weill (1926-1933, 1937-1950)
George Davis (1951–57)
Russell Detwiler (1962-1969)

Lotte Lenya (18 October 1898–27 November 1982) was an Austrian singer and actress.[1] In the German-speaking and classical music world she is best remembered for her performances of the songs of her husband, Kurt Weill. In English-language film she is remembered for her Academy Award-nominated role in The Roman Spring of Mrs. Stone (1961) and as the sadistic Rosa Klebb in the James Bond movie From Russia with Love (1963).

Lotte Lenya garnered a personal mention in the Louis Armstrong and Bobby Darin versions of the song "Mack the Knife".

The early years

Lenya was born as Karoline Wilhelmine Charlotte Blamauer to working class Roman Catholic parents in Vienna. Lenya had Jewish ancestry. She moved to study in Zürich in 1914, taking up her first job at the Schauspielhaus using the stage name Lotte Lenja. She moved to Berlin to seek work in 1921.

Career

In 1922 Lenya was seen by her future husband, the German composer Kurt Weill, during an audition for his first stage score Zaubernacht, but because of his position behind the piano, she did not see him. She was cast, but owing to her loyalty to her voice teacher who was not, she declined the role. She accepted the part of Jenny in the first performance of The Threepenny Opera (Die Dreigroschenoper) in 1928 and the part became her breakthrough role. During the last years of the Weimar Republic, she was busy in film and theatre, and especially in Brecht-Weill plays. She also made several recordings of Weill's songs..[citation needed]

Lenya summered at Pine Brook Country Club which was the summer rehearsal headquarters of the Group Theatre.[2][3] During the summer of 1936, Lenya, Paul Green, Cheryl Crawford and her husband rented an old house at 277 Trumbull Avenue in Nichols, Connecticut, about two miles from Pine Brook. It was here that Green and Weill wrote the screenplay and music for the controversial Broadway play Johnny Johnson, which was titled after the most frequently occurring name on the American casualty list of World War I. It was also during this time that Lenya had her first American love affair with playwright Paul Green.[4][5]

With the rise of Nazism in Germany, she left the country, having become estranged from Weill. (They would later divorce and remarry.) In March 1933, she fled to Paris, where she sang the leading part in Brecht-Weill's "sung ballet", The Seven Deadly Sins.

During World War II, Lenya did a number of stage performances, recordings and radio performances, including for the Voice of America. After a badly received part in her husband's musical The Firebrand of Florence in 1945 in New York, she withdrew from the stage. [citation needed] After Weill's death she was coaxed back to the stage. She appeared on Broadway in Barefoot in Athens and married influential American editor George Davis.

Late career

In 1956 she won a Tony Award for her role as Jenny in Marc Blitzstein's English version of The Threepenny Opera, the only time an Off Broadway performance has been so honored. Lenya went on to record a number of songs from her time in Berlin, as well as songs from the American stage. Her voice had grown deeper with age. When she was to sing the soprano part in Rise and Fall of the City of Mahagonny and opera, the part needed transposition to substantially lower keys. [citation needed]

Sprechstimme was used in some famous songs in the Brecht-Weill plays, but now Lenya used it even more to compensate for the shortcomings of her voice. Lenya was aware of this as a problem; in other contexts she was very careful about fully respecting her late husband's score. [citation needed] She founded the Kurt Weill Foundation for Music, to administer incomes and issues regarding rights, and to spread knowledge about Weill's work. She was present in the studio when Louis Armstrong recorded Brecht-Weill's Mack the Knife. Armstrong improvised the line "Look out for Miss Lotte Lenya!" and added her name to the list of Mack's female conquests in the song.

Her role as Vivien Leigh's earthy friend Contessa Magda Terribili-Gonzales in the screen version of Tennessee Williams' The Roman Spring of Mrs. Stone (1961) brought Lenya an Academy Award nomination as Best Supporting Actress. In 1963, she was cast as the SPECTRE agent Rosa Klebb in the James Bond movie From Russia with Love, starring, among others, Sean Connery and Robert Shaw. In the final scene in the film, she wore a pair of shoes with switchblade knives that could be opened to stick out the front of the shoe. She later said in interviews that when she met new people, the first thing they looked at was her shoes.

In 1966, Lenya originated the role of Fräulein Schneider in the original Broadway cast of the musical Cabaret. Kander's and Ebb's score was inspired by Weill's music, so Lenya was considered a particularly appropriate casting choice.

Personal life

Lenya and Weill did not meet properly until 1924 through a mutual acquaintance, the writer Georg Kaiser. They married in 1926, and later divorced in 1933, only to reconcile in September 1935 after emigrating to the United States. They remarried in 1937. In 1941, the couple moved to a house of their own in New City, Rockland County, New York, roughly 50 km north of New York City. Their second marriage lasted until Weill's death in 1950.

Her second husband was the American editor George Davis (1951–57). After Davis's death in 1957, she married the artist Russell Detwiler in 1962. He was 26 years her junior, but died at the age of 44 in 1969.

Death

Lenya died in New York of cancer in 1982, aged 84. She is buried next to Weill in Haverstraw, New York.

Legacy

In 2007, the musical Lovemusik, based on Lenya's relationship with Weill, opened on Broadway. Lenya was portrayed by Donna Murphy. Also, Bobby Darin sings her name in the song, "Mack the Knife".

Filmography

References

  1. ^ Obituary Variety, December 2, 1981.
  2. ^ Pinewood Lake website retrieved on 2010-09-10
  3. ^ Images of America, Trumbull Historical Society, 1997, p. 123
  4. ^ Speak Low (when you speak of love): The Letters of Kurt Weill and Lotte Lenya
  5. ^ A Southern Life: Letters of Paul Green, 1916-1982, p. 258

Template:Persondata