|Cover artist||Edward Gorey|
Victor Gollancz (UK)
Lucky Jim is a novel by Kingsley Amis, published in 1954 by Victor Gollancz. It was Amis' first novel, and won the Somerset Maugham Award for fiction. Set sometime around 1950, Lucky Jim follows the exploits of the eponymous James (Jim) Dixon, a reluctant medieval history lecturer at an unnamed provincial English university (based in part on the University of Leicester). The tone is often truculent and plain-spoken, but diction and style are wide-ranging and finely modulated. The novel pioneers the characteristic subject-matter of the time: a young man making his way in a post-war world that combines new and moribund attitudes.
The book's preliminary pages quote an "old song": "Oh, lucky Jim, How I envy him...". It is supposed that Amis arrived at Jim Dixon's surname from 12 Dixon Drive, Leicester, the address of Philip Larkin from 1948 to 1950, while he was a librarian at the university. Lucky Jim is dedicated to Larkin, who helped inspire the main character, and who also contributed significantly to the structure of the novel.
The year in which the novel is set is never made explicit, but cannot be later than 1951. Jim Dixon is a medieval history lecturer at a redbrick university in the English Midlands. The comic dynamic of the novel is Dixon's rebellion against the cant and pretension he meets in academic life, and the uncontrolled escalation of this from private fantasy to public display. It seems a disastrous trajectory, but Jim is 'lucky', and the novel ends with possession of relative affluence, the London life he craves, and the girl. Dixon is a northern, grammar school-educated, lower middle class young man, and not a natural fit with the pseudo-intellectual values he meets in academic society. The action takes place towards the end of the academic year. Because Dixon made an unsure start in the department, he is concerned about losing his position at the end of his probationary first year. In his attempt to be awarded tenure, he tries to maintain a good relationship with his head of department, Professor Welch, an absent-minded and gauche pedant. He must also, to establish his credentials, ensure the publication of his first scholarly article, despite having little time remaining.
Dixon struggles with an on-again off-again "girlfriend" Margaret Peel (a fellow lecturer and possibly based on Monica Jones, the sometime muse and companion of Amis' friend Philip Larkin), who is recovering from a failed suicide attempt in the wake of an unsuccessful relationship with a previous boyfriend. Margaret employs emotional blackmail to appeal to Dixon's sense of duty and pity to keep him in an ambiguous and sexless relationship. Professor Welch holds a musical weekend that seems to be an opportunity for Dixon to advance his standing amongst his colleagues, but this goes dreadfully wrong when Dixon gets drunk and burns his host's bedclothes. At the weekend, Dixon meets Christine Callaghan, a young Londoner and the latest girlfriend of Professor Welch's son, Bertrand, an amateur painter whose affectedness particularly infuriates Dixon. After a bad start, Dixon realises he is attracted to Christine, who is far less pretentious than she initially appears. Dixon's obvious attempts to court Christine upset Bertrand who is using his relationship with her to reach her well-connected Scottish uncle, who is seeking an assistant in London. Dixon rescues Christine from the university's annual dance when Bertrand treats her badly. The pair kiss and make a tea date, but, during the date, Christine admits she feels guilty about seeing Dixon behind Bertrand's back and because Dixon is supposed to be seeing Margaret. The two decide not to continue seeing each other.
Meanwhile, Margaret's ex-boyfriend telephones Dixon and asks to see him to discuss Margaret.
The novel reaches its climax during Dixon's public lecture on "Merrie England," which goes horribly wrong as Dixon, having attempted to calm his nerves with an excess of alcohol, uncontrollably begins to mock Welch and everything else that he hates; he finally passes out. Welch, not unsympathetically, informs Dixon his employment will not be extended.
However, Christine's uncle, who reveals a tacit respect for Dixon's individuality and attitude towards pretension, offers Dixon the coveted assistant job in London that pays much better than his lecturing position. Dixon then meets Margaret's ex-boyfriend, who reveals that he was not exactly Margaret's boyfriend at all, and the two realise that the suicide attempt was faked to emotionally blackmail both men. Dixon feels he is free of Margaret. Dixon finally has the last laugh when Christine decides to pursue her relationship with Dixon because she discovered that Bertrand was also pursuing an affair with the wife of one of Dixon's former colleagues. The two decide to leave the town in favour of London. On their way to the train station, Dixon and Christine see the Welches on the street; Dixon cannot help walking past them, with Christine on his arm, and collapsing in laughter at how ridiculous they truly are.
Place in the campus novel genre
In the 1957 British movie version directed by John Boulting, Jim Dixon was played by Ian Carmichael. In the made-for-TV remake of 2003 directed by Robin Shepperd, the role was taken by Stephen Tompkinson.
- Philip Larkin, Letters to Monica, p.6, note 3, Faber 2010
- "Lucky Jim". Archived from the original on 22 November 2011. Retrieved 23 November 2011.
- Letters to Monica, p. 447 Faber 2010
- Rossen, Janice. "Philip Larkin and Lucky Jim."
- "Hitchens". Archived from the original on 6 January 2012. Retrieved 7 January 2012.
- "All Time 100 Novels". Time. 16 October 2005. Retrieved 11 May 2010.
- "Time list". 16 October 2005. Retrieved 6 January 2012.
- A Good Read, BBC Radio 4, 11:00PM Fri, 25 March 2011
- Sutherland, John (2012). Introduction to the Folio Society's edition of Lucky Jim.
- Lucky Jim (1957 film) at the Internet Movie Database
- Lucky Jim (2003 TV film) at the Internet Movie Database