Maria Altmann

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Maria Altmann
Altmann in 2010.jpg
Altmann at her home in 2010
Born Maria Victoria Bloch
(1916-02-18)February 18, 1916
Vienna, Austria-Hungary (present day Vienna, Austria)
Died February 7, 2011(2011-02-07) (aged 94)
Cheviot Hills, California, U.S.
Nationality American (1945–2011)
Austrian (1916–1945)
Known for The recovery of five family-owned paintings by Gustav Klimt, stolen by the Nazis during WWII
Spouse(s) Fredrick "Fritz" Altmann (m. 1937)
Children 4

Maria Altmann (February 18, 1916 – February 7, 2011) was a Jewish refugee from Nazi Austria, noted for her ultimately successful legal campaign to reclaim five family-owned paintings by the artist Gustav Klimt, stolen by the Nazis during World War II, from the Government of Austria.

Early Life[edit]

She was born Maria Victoria Bloch, in Vienna. The family name was changed to Bloch-Bauer the following year.[1] She was a niece of Adele Bloch-Bauer, a wealthy Jewish patron of the arts who served as the model for some of Klimt's best-known paintings.

In 1937, Maria married Fredrick ("Fritz") Altmann. Not long after their Paris honeymoon, the 1938 Anschluss incorporated Austria into Nazi Germany. Under the Nazis, Fredrick was arrested in Austria and held hostage at the Dachau concentration camp to force his brother Bernhard, by then safely in France, to transfer the Bernhard Altmann textile factory into German hands. Fredrick was subsequently released and the couple fled for their lives. They made a harrowing escape, leaving behind their home, loved ones, and property, including jewelry that later found its way into the collection of Hermann Göring. Many of their friends and relatives were either killed by the Nazis or committed suicide. Traveling by way of Liverpool, England, they reached the United States and settled first in Fall River, Massachusetts, and eventually in Los Angeles, California.

She became a naturalized American citizen in 1945.

Background to the Klimt case[edit]

Maria's uncle, Czech sugar magnate Ferdinand Bloch-Bauer, owned a small collection of artwork by the Austrian master Gustav Klimt, including two portraits of his wife, Adele Bloch-Bauer. In her will, Adele, who died in 1925, well before the rise of the Nazis, had asked her husband to leave the Klimts to the Austrian State Gallery upon his own death; a much-debated point in more recent years has been whether this request should or should not be considered legally binding upon her husband, who was himself the owner of the paintings. In any event, following the Nazi Anschluss of 1938 and Ferdinand's flight from Austria, the paintings were looted, initially falling into the hands of a Nazi lawyer. Ferdinand Bloch-Bauer died on 13 November 1945, soon after World War II, leaving his estate to a nephew and two nieces, including Maria Altmann. By this time, five of these paintings had made their way into the possession of the Austrian government.[2]

With Austria under pressure in the 1990s to re-examine its Nazi past, the Austrian Green Party helped pass a new law in 1998 introducing greater transparency into the hitherto murky process of dealing with the issue of restitution of artworks looted during the Nazi period. Inter alia, by opening the archives of the Ministry of Culture for the first time, the new law enabled the Austrian investigative journalist Hubertus Czernin to discover that, contrary to what had been generally assumed, Ferdinand Bloch-Bauer had never in fact donated the paintings to the state museum.[3]

Poster in Vienna, bidding goodbye to the painting Adele Bloch-Bauer

On learning of Czernin's findings, Altmann at first sought to negotiate with the Austrian government about receiving some of the paintings back. At this stage she asked them only for the Klimt landscapes belonging to her family, and was willing to allow Austria to keep the portraits. Her proposal was not, however, treated seriously by the Austrian authorities, and no common ground was reached. In 1999 she sought to sue the government of Austria in an Austrian court. Under Austrian law, however, the filing fee for such a lawsuit is determined as a percentage of the recoverable amount. At the time, the five paintings were estimated to be worth approximately US$135 million, making the filing fee over $1.5 million. Although the Austrian courts later reduced this amount to $350,000, this was still too much for Altmann, and she dropped her case in the Austrian court system.

In 2000 Altmann filed a lawsuit in the United States District Court for the Central District of California under the Foreign Sovereign Immunities Act (FSIA). The case, Republic of Austria v. Altmann, ended up in the Supreme Court of the United States, which ruled in 2004 that Austria was not immune from such a lawsuit. After this decision, Altmann and Austria agreed to binding arbitration by a panel of three Austrian judges.[4] On 16 January 2006, the arbitration panel ruled that Austria was legally required to return the art to Altmann and the other family heirs, and in March of the same year Austria returned the paintings.

The paintings were estimated to be collectively worth at least US$150 million when returned. In monetary terms this represented the largest single return of Nazi-looted art in Austria. The paintings left Austria in March 2006 and were on display at the Los Angeles County Museum of Art until June 30, 2006. Months after the Austrian government returned Altmann's family's belongings, she consigned the Klimt paintings to the auction house Christie's, to be sold on behalf of her family. The sale of the painting Portrait of Adele Bloch-Bauer I (1907) to cosmetics heir Ronald Lauder for allegedly $135 million (it was a private sale, the actual selling price never has never been officially confirmed by either party) was at the time the highest sum ever paid for a painting. Since July 13, 2006, the painting has been temporarily on public display in the Neue Galerie in New York City, which was established by Lauder in 2001. The four additional works by Klimt were also exhibited at the Neue Gallerie for several weeks in 2006.[5]

In November 2006, Adele Bloch-Bauer II (1912) was sold at auction at Christie's in New York fetching almost $88m. In total the four remaining paintings sold for $192.7 million and the proceeds were divided up among several heirs.

Gallery of Klimt artworks[edit]

Death[edit]

Altmann died on 7 February 2011, shortly before her 95th birthday. Obituaries appeared in The New York Times, The Guardian, and many other publications internationally.[6]

Legacy[edit]

Her story has been recounted in three documentary films. Adele's Wish, released in 2008 by filmmaker Terrence Turner, features interviews with Altmann, her lawyer E. Randol Schoenberg, and leading experts from around the world. Stealing Klimt, released in 2007, features interviews with Altmann and others who were closely involved with the case. The Rape of Europa, a documentary about the Nazi plunder, also included material about Altmann. Her life story and battle to reclaim the family Klimt collection is recounted in detail in "The Lady in Gold, the Extraordinary Tale of Gustav Klimt's Masterpiece, Portrait of Adele Bloch-Bauer," by journalist Anne-Marie O'Connor.

She is also portrayed in a memoir by Gregor Collins, called The Accidental Caregiver: How I Met, Loved, and Lost Legendary Holocaust Refugee Maria Altmann. It was published on August 15, 2012,[7] and documents Collins' and Altmann's happenstance meeting and unusual three-year relationship ending in her death in 2011.

See also[edit]

References[edit]

  1. ^ See the article on Altmann at the German-language version of Wikipedia.
  2. ^ Grimes, William. "Maria Altmann, Pursuer of Family's Stolen Paintings, Dies at 94". The New York Times, 9 February 2011. Accessed on 22 February 2011 at: http://www.nytimes.com/2011/02/09/arts/design/09altmann.html. See also ruling of US Supreme Court (External links, below).
  3. ^ Grimes, William. "Maria Altmann, Pursuer of Family's Stolen Paintings, Dies at 94". The New York Times, 9 February 2011. Accessed on 22 February 2011 at: http://www.nytimes.com/2011/02/09/arts/design/09altmann.html.
  4. ^ Grimes, William. "Maria Altmann, Pursuer of Family's Stolen Paintings, Dies at 94". The New York Times, 9 February 2011. Accessed on 22 February 2011 at: http://www.nytimes.com/2011/02/09/arts/design/09altmann.html. McNay, Michael. Maria Altmann Obituary. The Guardian, 11 February 2011. Accessed on 5 March 2011 at: http://www.guardian.co.uk/artanddesign/2011/feb/11/maria-altmann-obituary?INTCMP=SRCH.
  5. ^ See Neue Galerie's announcement of the exhibition of all five of the works, accessed on 22 February 2011 at: http://www.neuegalerie.org/exhibitions/gustav-klimt-five-paintings-from-the-bloch-bauer-collection.
  6. ^ Grimes, William. "Maria Altmann, Pursuer of Family's Stolen Paintings, Dies at 94". The New York Times, 9 February 2011. Accessed on 22 February 2011 at: http://www.nytimes.com/2011/02/09/arts/design/09altmann.html. McNay, Michael. Maria Altmann Obituary. The Guardian, 11 February 2011. Accessed on 5 March 2011 at: http://www.guardian.co.uk/artanddesign/2011/feb/11/maria-altmann-obituary?INTCMP=SRCH.
  7. ^ http://www.seattlepi.com/lifestyle/blogcritics/article/Book-Review-The-Accidental-Caregiver-by-Gregor-3834960.php
  8. ^ de:Bloch-Bauer
  9. ^ de:Adele Bloch-Bauer
  10. ^ de:Ferdinand Bloch-Bauer

Anne-Marie O'Connor. The Lady in Gold: The Extraordinary Tale of Gustav Klimt's Masterpiece, Portrait of Adele Bloch-Bauer. Alfred A. Knopf, New York 2012, ISBN 0-307-26564-1

External links[edit]