|Born||Madan Mohan Guglani
January 8, 1925
Amritsar, Undivided India
|Died||January 3, 1972
Mohan Rakesh (मोहन राकेश; January 8, 1925 – January 3, 1972) was one of the pioneers of the Nai Kahani ("New Story") literary movement of the Hindi literature in the 1950s. He wrote the first modern Hindi play, Ashadh Ka Ek Din (One Day in Aashad) (1958), which won a competition organized by the Sangeet Natak Akademi. He made significant contribution to novel, short story, travelogue, criticism, memoirs and drama.
Early life and education
He started his career as a teacher, and he taught in two colleges and a school, edited a short story magazine before deciding to write full-time. His noted novels are "Andhere Band Kamare" (Closed Dark Rooms) and Na Aane Wala Kal. His plays Ashadh Ka Ek Din (One Day in Aashad) (1958), play a major role in reviving Hindi theatre in 1960s and Adhe Adhure (The Incomplete Ones or Halfway House) (1959) are highly regarded. His debut play Ashadh Ka Ek Din was first performed by Kolkata-based Hindi theatre group Anamika, under director, Shyamanand Jalan (1960) and subsequently by Ebrahim Alkazi at National School of Drama Delhi in 1962, which established Mohan Rakesh as the first modern Hindi playwright. His plays continue to be performed and receive acclaim worldwide. One Day in the Season of Rain, Aparna Dharwadker and Vinay Dharwadker's authorized English translation of Ashadh Ka Ek Din, premiered at Carthage College in Kenosha, WI, USA in 2010 and traveled to the Kennedy Center American College Theatre Festival (Region 3) in 2011.
"Leheron Ke Raj Hans' (The Swans of the Waves), the most noted play of Mohan Rakesh,an ancient Buddhist tale on the renunciation of the Buddha, and its after affects on his close family, was first written as short story and later turned it into a radio play for All India Radio Jalandhar, and broadcast under the title "Sundri", though his struggle over different versions of the play lasted for nearly 20 years, before creating his masterpiece. Prominent Indian directors Om Shivpuri, Shyamanand Jalan, Arvind Gaur and Ram Gopal Bajaj directed this play. In 2005, this very writing process of the play, and Mohan Rakesh’s diary, writings, letters about the play, was recreated in play titled “Manuscript”, by a Delhi theater group.
- Na Aane Wala Kal
- Andhere Band Kamre
- Bakalama khuda (1974)
- Aadhe Adhure (Halfway House)
- Leheron Ke Raj Hans
- Ashadh Ka Ek Din (One Day in Ashadha)
- Mohan Rakesh ke Sampurn Natak, 1993, Rajpal. ISBN 81-7028-152-0.
- Rata bitane taka tatha anya dhvani nataka, 1974, Radhakrishna Prakashan. ISBN 81-7119-332-3. (Radio plays)
- Mrichchkatikam, (Sanskrit play)
- Shakuntalam (Sanskrit play)
Story anthologies (Kahani Sangrah)
- 10 Pratinidhi Kahaniyan (Mohan Rakesh)
- Rat ki Bahon Mein
- Mohan Rakesh ki Sampurn Kahaniyan
- Gabrielle H. Cody; Evert Sprinchorn (2007). The Columbia encyclopedia of modern drama, Volume 2. Columbia University Press. p. 1116. ISBN 0-231-14424-5.
- Drama - Playwriting Awards[dead link] Sangeet Natak Akademi Official listings.
- Mohan Rakesh Biography and Works
- Mohan Rakesh bio and books
- Mohan Rakesh
- Asha Kasbekar (2006). Pop culture India!: media, arts, and lifestyle. ABC-CLIO. p. 73. ISBN 1-85109-636-1.
- Simona Sawhney (2008). The modernity of Sanskrit. Univ. of Minnesota Press. p. 73. ISBN 0-8166-4996-0.
- More than just a manuscript![dead link] Romesh Chander, The Hindu,November 18, 2005.
- Uski Roti (1971) New York Times
- Aadhunik Hindi Natak Ka Agradoot: Mohan Rakesh
- Mohan Rakesh’s Halfway House: Critical Perspectives, edited by Subhash Chandra. New Delhi, Asia Book, 2001, ISBN 81-7851-004-9. (Aadhe Adhure)
- Miss Pal by Mohan Rakesh