Near Dark

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Near Dark
Theatrical poster
Directed by	Kathryn Bigelow
Produced by	Steven-Charles Jaffe
Written by	Eric Red Kathryn Bigelow
Starring	Adrian Pasdar Jenny Wright Lance Henriksen Jenette Goldstein Bill Paxton
Music by	Tangerine Dream
Cinematography	Adam Greenberg
Editing by	Howard E. Smith
Distributed by	Anchor Bay Entertainment
Release date(s)	October 2, 1987
Running time	95 minutes
Country	United States
Language	English
Budget	$5,000,000
Gross revenue	$3,369,307

Near Dark is an American vampire/Western horror film, written by Eric Red and Kathryn Bigelow, and directed by Bigelow. Starring then little-known actors Adrian Pasdar and Jenny Wright, the movie was released in 1987, part of a revival of serious vampire movies in the late 1980s. It did poorly at the box office upon release, but was viewed favourably by critics subsequently and has a sizable cult following.^[1]

Contents 1 Plot 2 Production 3 Reaction 4 Remake 5 Further reading 6 See also 7 References 8 External links

[edit] Plot

One night, Caleb Colton (Adrian Pasdar), a young man in a small Oklahoma town, meets Mae (Jenny Wright), an attractive young drifter. Just before sunrise, she bites him on the neck then runs off. The rising sun causes Caleb's flesh to begin to burn. Mae comes with a group of roaming vampires and takes him away. The most dissocial of all the vampires, the callous and sociopathic Severen, wants to kill him, but Mae reveals she has turned him into a vampire. Their charismatic leader, Jessie Hooker (Lance Henriksen), reluctantly agrees to allow Caleb to remain with them for a week to see if he can learn to hunt and become a trusted member of their group. Caleb is unwilling to kill to feed, which alienates him from the others. To protect him, Mae kills for him then has him drink from her wrist. After Caleb endangers himself to help them during a daylight police raid on their motel, Jesse and the others are temporarily mollified.

Meanwhile, Caleb's father (Tim Thomerson) has begun searching for the group while the police are also investigating. A young vampire in the group, Homer (Joshua John Miller), meets Caleb's sister Sarah (Marcie Leeds) and wants to transform her into his companion, but Caleb objects. While the group argues, Caleb's father arrives and holds them at gunpoint, demanding Sarah be released. Jesse taunts him into shooting, but regurgitates the bullet then wrestles the gun away. In the confusion, Sarah opens the door letting in the sunlight and forcing the vampires back. Burning, Caleb escapes with his family and suggests they try doing a blood transfusion to attempt to cure him. The transfusion successfully reverses Caleb's transformation. That night the vampires search for Caleb because he knows their identity, and Homer still wishes to have Sarah for his mate. Mae distracts Caleb by trying to convince him to return to her while the others kidnap Sarah.

After Mae leaves, Caleb discovers the kidnapping and gives chase on horseback after finding his tires slashed. Along the way, he commandeers a tractor-trailer and encounters Severen, whom he runs over. The injured vampire manages to get into the truck's cab, so Caleb jackknifes the vehicle and jumps out as the truck explodes and kills Severen. Seeking revenge, Jesse and Diamondback pursue him, but are forced to flee in their car as dawn breaks.

Not wanting Sarah to become another child-like monster, Mae breaks out of the back of the car with Sarah, getting badly burned by the sun as she runs with Sarah into Caleb's arm. Homer follows her, but is destroyed in a fiery explosion by the sun. Jesse and Diamondback, now having no shelter from the sun, are beginning to burn. They attempt to run Caleb and Sarah over with the car but it veers off the road and they are killed as it explodes.

Mae, her burns now healed, is given a transfusion and is also cured, and watches the sun rise with Caleb.

[edit] Production

Kathryn Bigelow wanted to film a Western movie that departed from cinematic convention, which at the time was strongly identified with the films of John Wayne and John Ford. When she and co-writer Eric Red found financial backing for a Western difficult to obtain, it was suggested to them that they try mixing a Western with another, more popular genre. Her interest in revisionist interpretation of cinematic tradition led her and Red to the idea of combining two genres that they regarded as ripe for reinterpretation: the Western movie, and the vampire movie, whose conventions largely derived from Bela Lugosi's performance in Dracula. The film was scored by the German electronic music group Tangerine Dream, who also created the soundtracks for Risky Business and Legend.

[edit] Reaction

Part of a late 1980s revival of serious (as opposed to comedic) vampire depictions on the big screen,^[2] Near Dark was released on October 2, 1987 in 262 theaters, grossing USD $635,789 on its opening weekend. It went on to make $3.4 million, below its $5 million budget.^[3] It received mostly positive reviews for its mix of the western, biker and vampire movie genres.

In her review for the New York Times, Caryn James wrote, "Ms. Bigelow's too-studied compositions - Caleb in silhouette riding a horse toward the camera - clash with her unstudied approach to the characters' looks".^[4]

Jonathan Rosenbaum of the Chicago Reader, conversely, was impressed by Bigelow's first foray into big budget films with the "hillbilly vampire" movie, describing it as "beautifully shot".^[5]. As well, Hal Honson of the Washington Post said the intermixing of vampire legends, westerns and biker movies has an end result that's "both outrageous and poetic; it has extravagant, bloody thrills plus something else - something that comes close to genuine emotion."^[6]

Jay Scott in his review for the Globe and Mail wrote, "Bill Paxton as the undead sex symbol - is exceptional, but not exceptional enough to put across the cop-out that concludes the film".^[7]

In his book, Monster Show: Cultural History of Horror, Film critic David J. Skal highly praises the film's mix of western and horror genres, and homeless wanderings and undeath.^[8] Richard Corliss, of Time Magazine calls Near Dark "weird (and) beautiful "^[9] and "the all-time teenage vampire love story".^[10] Likewise, Richard Schickel (also of Time) considers the film a clever variant of the vampire film genre.^[11]. Peter Travers, of Rolling Stone concurs, calling it "gory and gorgeous".^[12]

Near Dark is ranked 34 on Rotten Tomatoes' "Top 50 Horror Movies" list of the 50 best reviewed horror movies of all time.^[13]

[edit] Remake

A remake from Platinum Dunes film production company was originally planned^[14] but has since been put on hold thanks to the vampire romance film Twilight. Producer Brad Fuller opines, “I think that Twilight was the same type of thing we were going for although Near Dark was a much darker, sexier, rated R version of that. But I’m concerned that, conceptually, that Near Dark and Twilight are too similar in terms of a vampire movie. For now, that movie is on hold.”^[15]

[edit] Further reading

• Auerbach, Nina. Our Vampires, Ourselves. University of Chicago Press, 1995. p. 137. ISBN 0226032019

[edit] See also

• Near Dark (soundtrack)

[edit] References

[edit] External links

• Near Dark at the Internet Movie Database
• Near Dark at Allmovie
• Near Dark at Rotten Tomatoes
• Near Dark at Box Office Mojo
• Bright Lights Film Journal essay

v • d • e Films directed by Kathryn Bigelow The Set-Up (1978) · The Loveless (1982) · Near Dark (1987) · Blue Steel (1990) · Point Break (1991) · Strange Days (1995) · The Weight of Water (2000) · K-19: The Widowmaker (2002) · The Hurt Locker (2008)