|Osun-Osogbo Sacred Grove|
|Name as inscribed on the World Heritage List|
|Criteria||ii, iii, vi|
|Inscription||2005 (29th Session)|
The Osun-Osogbo Grove is among the last of the sacred forests which usually adjoined the edges of most Yoruba cities before extensive urbanization. In recognition of its global significance and its cultural value, the Sacred Grove was inscribed as a UNESCO World Heritage Site in 2005.
The 1950s saw the desecration of the Osun-Osogbo Grove: shrines were neglected, priests abandoned the grove as customary responsibilities and sanctions weakened. Prohibited actions like fishing, hunting and felling of trees in the grove took place until Austrian, Susanne Wenger, came and stopped the abuse going on in the grove.
With the encouragement of the Ataoja and the support of the local people, "Wenger formed the New Sacred Art movement to challenge land speculators, repel poachers, protect shrines and begin the long process of bringing the sacred place back to life by establishing it, again, at the sacred heart of Osogbo."
Every year, the Osun-Osgogbo festival is celebrated in the month of August at the grove. Yearly, the festival attracts thousands of Osun worshippers, spectators and tourists from all walks of life.
For the people of Osogbo Land, August is a month of celebration, traditional cleansing of the city and cultural reunion of the people with their ancestors and founders of the Osogbo Kingdom.
The Osun-Osogbo Festival is a two-week-long programme. It starts with the traditional cleansing of the town called 'Iwopopo', which is followed in three days by the lighting of the 500-year-old sixteen-point lamp called 'Ina Olojumerindinlogun'.
Then comes the 'Ibroriade', an assemblage of the crowns of the past ruler, Ataojas of Osogbo, for blessings. This event is led by the sitting Ataoja of Osogbo and the Arugba, Yeye Osun and a committee of priestesses.
- Peter Probst. Osogbo and the Art of Heritage. Monuments. Deities, and Money. Bloomington: Indiana University Press, 2011.
- Peter Probst. "Modernism against Modernity. A Tribute to Susanne Wenger." Critical Interventions, Journal of African Art History and Visual Culture, 2009, No.3/4, 245-255. Peter Probst. "From Iconoclasm to Heritage. The Osogbo Art Movement and the Dynamics of Modernism in Nigeria." A Companion to Modern African Art. Edited by Gitti Salami and Monica Blackmun Visona (eds.) Malden, MA: Wiley-Blackwell, 2013, pp. 294-310.
- Sacred Orisa Gardens of the West
- Osun Osogbo Sacred Grove- UNESCO
- Ijele: Art Ejournal of the African World
- Osun Osogbo, the film
- Lady from Osogbo, long feature film
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