Paul Jordan-Smith, from a lecture brochure ca. 1914 (before he hyphenated his last name)
|Born||October 14, 1885|
|Died||June 17, 1971(aged 85)|
Life and ministry
Paul Jordan Smith (his name was not hyphenated until later in life; see below) was born in Virginia and raised in Chattanooga, Tennessee. A secret and troubled marriage drove him from Tennessee,:315 and he decided to become a Unitarian-Universalist minister. He moved to Illinois, where he received a bachelor of divinity degree in 1908 from Ryder Divinity School in Galesburg. He served for brief periods in ministerial posts around the Midwest, lectured on religious topics, and ran the Humanist Lyceum Bureau. He ended up in Chicago around 1910, where he got a job as a minister and ran a settlement house. He also enrolled part-time in graduate classes at the University of Chicago and developed a broad acquaintance among both literary and social activist circles, including lawyer Clarence Darrow, activist Emma Goldman, novelist John Cowper Powys, editor and publisher Margaret Anderson, writer Floyd Dell, Chicago Little Theatre founder Maurice Browne, and bookseller George Millard. In the process, he became a passionate book collector and decided on a career in literature. Jordan Smith also developed an interest in art through visits to the Art Institute of Chicago.
In late 1913—in the midst of an unhappy divorce from his then-wife Ethel Sloan Park—Jordan Smith obtained a new job through his University of Chicago connections. He got a position at First Unitarian Church in Berkeley, California, as a substitute minister and enrolled as a doctoral student in the English Department at the University of California, Berkeley.  Jordan-Smith then became romantically involved with the writer Sarah Bixby Smith, whose husband Arthur Maxson Smith headed up First UnitarianAr. It was around this time that Paul assumed the hyphenated Jordan-Smith as his last name, in part to disguise his liaison with Sarah, which he feared might damage his academic career. Despite this precaution, the English Department—then headed by Charles Mills Gayley—voted not to renew his fellowship, putting an end to his plans for an academic career.:316
Jordan-Smith married Sarah on March 30, 1916, immediately after her divorce came through. The couple then moved with Sarah's children to her former home in Claremont, California, which had in the meantime been turned into a school for boys. In 1917, the school's lease ended and they began renovating the house back into a private residence, which they named Erewhon on completion. Around this time, they met and subsequently became friends with one of Sarah's cousins, the photographer Edward Weston, who made several photographic portraits of Jordan-Smith. Eventually, the couple moved to a mansion on Los Feliz Boulevard in Los Angeles, where Jordan-Smith had a detached library and writing studio on the property.:318
Though Jordan-Smith did not have to work (thanks to Sarah's inherited wealth), he lectured around southern California, at women's clubs such as the Friday Morning Club (of which Sarah was later president), at the Ebell Club, and elsewhere. He also taught courses on English and American literature at the new University of California Extension program in Los Angeles. Encouraged by some of the philanthropists who attended his talks, he took on leadership of the recently formed People’s Council of America for Peace and Democracy, an antiwar organization.:315 The group did well until its leaders came under attack when the U.S. government began to crack down on antiwar opposition through the Espionage Act of 1917. To avoid prosecution, Jordan-Smith was obliged to give up making antiwar speeches and to swear that he did not have any German affiliations or friends. :315–322
Jordan-Smith had several children. His son Wilbur Jordan Smith was head of UCLA Library's Department of Special Collections from 1951 to 1971, and Wilbur's son Paul Jordan-Smith helped D.M. Dooling found Parabola magazine and served as its Epicycle editor.
Jordan-Smith was a great admirer of the 17th-century British author and scholar Robert Burton. He co-edited an all-English translation of Burton's magnum opus, The Anatomy of Melancholy, following it up with Bibliographica Burtoniana, which included both a study of Burton and a scholarly key to the sources Burton used in The Anatomy of Melancholy. He collected books relating to Burton, and after Sarah died, he gave the core of his collection to the Claremont Colleges Library in her memory. The Robert Burton Collection, as it is called, includes copies of the first six editions of Burton’s Anatomy of Melancholy, a copy of the 1927 edition edited by Smith and Floyd Dell, and editions of various Renaissance Latin authors and others cited by Burton.
Jordan-Smith also wrote one of the first books on James Joyce, A Key to the Ulysses of James Joyce. He dedicated this book to Powys, who had persuaded him in 1922 to buy a then-rare and expensive first edition of Ulysses during one of Powys's stays at Erewhon, which they then read together.
Inspired by Sarah's ideas, Jordan-Smith collaborated with her on a feminist manifesto entitled The Soul of Woman: An Interpretation of the Philosophy of Feminism. It was published under his name in 1916.
He also served for a time in the 1940s as the literary critic for the Los Angeles Times.
His autobiography, The Road I Came, was published in 1960. His papers are housed in the UCLA Library of Special Collections.
Jordan-Smith may be best known today for a hoax that he initiated in 1924, in part out of a dislike of modern art that was evident as far back as 1913, when he saw (and largely rejected) the traveling version of the notorious Armory Show at the Art Institute of Chicago.:220 Giving himself the Russian-sounding pseudonym Pavel Jerdanowitch, Jordan-Smith painted a small group of crudely Postimpressionist canvases that he then entered in art exhibitions around the country as exemplars of a new art movement known as Disumbrationism. His canvases were well received on the whole until he got tired of sustaining the role and outed himself to a Los Angeles Times reporter in 1927. 
- (as editor, with Floyd Dell) The Anatomy of Melancholy by Robert Burton. New York: Farrar & Rinehart, 1927. (English translation of the original Latin text.)
- Burton's Anatomy of Melancholy and Burtoniana. Oxford University Press, 1959. (A catalogue.)
- A Key to the Ulysses of James Joyce. 1927. Republished in 1968 by Haskell House, New York.
- Bibliographia Burtoniana: A Study of Robert Burton's "The Anatomy of Melancholy" with a Bibliography of Burton's Writings. Oxford University Press and Stanford University Press, 1931.
- Cables of Cobweb. New York: Lieber & Lewis, 1923.
- For the Love of Books: The Adventures of an Impecunious Collector. Oxford University Press, 1934.
- Nomad. Minton, Balch, 1925.
- On Strange Altars: A Book of Enthusiams. 1923. Republished by Gordon Press Publishers, 1972.
- The Road I Came: Some Recollections and Reflections Concerning Changes in American Life and Manners Since 1890. Caldwell, Idaho: Caxton Printers, 1960.
- The Soul of Woman: An Interpretation of the Philosophy of Feminism. San Francisco: Paul Elder Company, 1916.
- Starr, Kevin. Material Dreams: Southern California Through the 1920s. Oxford University Press, 1990.
- Crosse, John. "The Schindlers and Westons and the Walt Whitman School and Connections to Sarah Bixby Smith and Paul Jordan-Smith". Southern California Architectural History website, August 23, 2012.
- “Minister’s Wife Gets Decree on Cruelty Plea.” Chicago Examiner, November, 18, 1913, p. 3.
- “Divorced Wife of Pastor Weds Successor in Pulpit.” Los Angeles Times, May 31, 1916, p. II-8
- Jordan-Smith, Paul. The Road I Came. Caxton Printers, 1960.
- "Sarah Bixby Smith: Author's Work Included a Book on Americanization", The New York Times, September 14, 1935).
- "Ex-Times Book Editor Paul Jordan-Smith Dies", Los Angeles Times, June 18, 1971.
- Robert Burton Collection at the Claremont Colleges Library
- In the Spirit of Powys: New Essays by Denis Lane. Associated University Presses, 1990, p. 40.
- “His Place is Doubly Taken.” Los Angeles Times, March 31, 1916, p. II-8.
- Whitaker, Alma. “International Art Hoax Bared by Los Angeles Writer.” August 14, 1927.
- "Pictures Painted to 'Show Up' the Critics Bring Fame to Mythical Modernistic Artist", Lawrence Journal-World, January 27, 1931.)
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