|Born||Peter James Yates
24 July 1929
Aldershot, Hampshire, England, UK
|Died||9 January 2011
London, England, UK
|Occupation||Film director, producer|
|Spouse(s)||Virginia Pope (m. 1960–2011)|
|Children||Son and daughter|
|Parents||Robert and Constance Yates|
Life and career
The son of an army officer, he attended Charterhouse School as a boy, graduated from the Royal Academy of Dramatic Art and worked for some years as an actor, director and stage manager. In the 1950s he started in the film industry as a dubbing assistant and later an assistant director for Tony Richardson and J. Lee Thompson (his 1961 The Guns of Navarone).
Summer Holiday (1963), his first film as director, was a "lightweight" vehicle for Cliff Richard. Yates had directed the original Royal Court production of N.F. Simpson's play One Way Pendulum and was chosen to make the film version released in 1964. Robbery (1967), a crime thriller, is a fictionalised version of the Great Train Robbery of 1963. This led to Bullitt (1968), of which Bruce Weber has written, "Mr. Yates’s reputation probably rests most securely on “Bullitt” (1968), his first American film – and indeed, on one particular scene, an extended car chase that instantly became a classic." Frank P. Keller won the Academy Award for film editing on Bullitt. After Bullitt, Yates would do action films, but would intermix them with comedy and drama films.
Yates was nominated for the BAFTA Award for Best Direction for Bullitt (1968). Yates produced and directed Breaking Away (1979), which was nominated for five Academy Awards ("Oscars") including Best Director and Best Film for Yates. Yates also produced and directed The Dresser (1983), which was an adaptation of the Ronald Harwood stage play. The film received seven BAFTA and five Oscar nominations, including the BAFTA Award for Best Film and for Best Direction and the Academy Award for Best Film and for Best Director for Yates. The Dresser was also entered into the 34th Berlin International Film Festival. He went on to direct other films such as Krull, The House on Carroll Street, The Deep, and Suspect plus comedies like For Pete's Sake.
Yates has two distinct styles — one used for his thriller, action and drama projects which frequently reflects on the principal character's state of alienation with a humanistic perspective — and his expressive and sentimental style which focuses on the moral dilemmas of the characters, predominantly seen in his coming-of-age and other dramatic films.
Films as director
- The Saint (1962) (TV)
- Summer Holiday (1963)
- One Way Pendulum (1964)
- Koroshi (1966) (TV)
- Robbery (1967)
- Bullitt (1968)
- John and Mary (1969)
- Murphy's War (1971)
- The Hot Rock (1972)
- The Friends of Eddie Coyle (1973)
- For Pete's Sake (1974)
- Mother, Jugs & Speed (1976)
- The Deep (1977)
- Breaking Away (1979)
- Eyewitness (1981)
- Krull (1983)
- The Dresser (1983)
- Eleni (1985)
- Suspect (1987)
- The House on Carroll Street (1988)
- An Innocent Man (1989)
- Year of the Comet (1992)
- The Run of the Country (1995)
- Roommates (1995)
- Curtain Call (1999)
- Don Quixote (2000) (TV)
- A Separate Peace (2004) (TV)
- Baxter, Brian (10 January 2011). "Peter Yates obituary". The Guardian.
- Hall, Sheldon. "Yates, Peter (1928[sic]–2011)". BFI screenonline. Retrieved 14 January 2011.
- "Three Peter Yates Films Every Movie Fan Should See". ifc.com. Retrieved 28 December 2013.
- Child, Ben (10 January 2011). "Bullitt director Peter Yates dies aged 82". The Guardian.
- Weber, Bruce (11 January 2011). "Peter Yates, Filmmaker, Is Dead at 81". The New York Times.
- Peter Waymark. "Burton as Quixote under 'Bullitt' director." Times [London, England] 15 Dec. 1970: 3. The Times Digital Archive. Web. 12 July 2012.
- "Berlinale: 1984 Programme". berlinale.de. Retrieved 26 November 2010.
- "Peter Yates Tribute: The Obituary and Death Notice of Peter Yates". Associated Press. Retrieved 10 January 2011.