Questing Beast

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Arthur and the Questing Beast.

The Questing Beast, or the Beast Glatisant (Barking Beast), is a monster from Arthurian legend. It is the subject of quests undertaken by famous knights such as King Pellinore, Sir Palamedes, and Sir Percival.

The strange creature has the head and neck of a snake, the body of a leopard, the haunches of a lion and the feet of a hart.[1] Its name comes from the great noise it emits from its belly, a barking like "thirty couple hounds questing". 'Glatisant' is related to the French word glapissant, 'yelping' or 'barking', especially of small dogs or foxes.

The questing beast is a variant of the mythological medieval view on giraffes, whose species name of Camelopardalis originated from their description of being half camel and half leopard.[2][3]

Early accounts

The first accounts of the beast are in the Perlesvaus and the Post-Vulgate Suite du Merlin. The Post-Vulgate's account, which is taken up in Thomas Malory's Le Morte d'Arthur, has the Questing Beast appear to King Arthur after he has had an affair with his sister Morgause and begotten Mordred (they did not know that they were related when the incestuous act occurred).

Arthur sees the beast drinking from a pool just after he wakes from a disturbing dream that foretells Mordred's destruction of the realm (no noise of hounds from the belly is emitted while it is drinking); he is then approached by King Pellinore who confides that it is his family quest to hunt the beast. Merlin reveals the Questing Beast had been borne of a human woman, a princess who lusted after her own brother. She slept with a devil who had promised to make the boy love her; but the devil manipulated her into accusing her brother of rape. Their father had him torn apart by dogs as punishment. Before he died however, he prophesied that his sister would give birth to an abomination which would make the same sounds as the pack of dogs that was about to kill him.

The beast has been taken as a symbol of the incest, violence, and chaos that eventually destroys Arthur's kingdom.

Other appearances

The Perlesvaus offers an entirely different depiction of the Questing Beast than the best known one, given above. There, it is described as pure white, smaller than a fox, and beautiful to look at. The noise from its belly is the sound of its offspring who tear the creature apart from the inside; the author takes the beast as a symbol of Christ, destroyed by the followers of the Old Law, the Twelve Tribes of Israel.

Gerbert de Montreuil provides a similar vision of the Questing Beast in his Continuation of Perceval, the Story of the Grail, though he says it is "wondrously large" and interprets the noise and subsequent gruesome death by its own offspring as a symbol of impious churchgoers who disturb the sanctity of Mass by talking.

Later in the Post-Vulgate, the Prose Tristan and the sections of Malory based on those works, the Saracen knight Sir Palamedes hunts the Questing Beast. It is a futile venture, much like his love for Sir Tristan's paramour Iseult, offering him nothing but hardship. In the Post-Vulgate, his conversion to Christianity allows him relief from his endless worldly pursuits, and he finally slays the creature during the Grail Quest after he, Percival and Galahad have chased it into a lake.

The Questing Beast appears in many later works as well, including stories written in French, Spanish, and Italian.

Modern versions

T. H. White re-envisions the Questing Beast's role in his novel The Once and Future King. As King Pellinore describes it, the hunt of the beast has always been the burden of the Pellinores, and all Pellinores are in fact trained for the hunt from birth (a training which does not seem to extend much beyond finding the beast's fewmets; Pellinore, as described by White, is more of a comic character than a great hunter or knight). Having searched fruitlessly all his life for the beast, Pellinore is convinced by his friend Sir Grummore Grummursum to drop his quest. However, when it turns out later that the beast had been pining away for lack of attention, King Pellinore nurses it back to health and resumes his Sisyphean hunt. Later, it falls in love with Sir Palomides, who has disguised himself and Grummore as a beast in order to raise Pellinore's spirits when he is pining for "Piggy", a girl whom he left behind when he, Palomides, and Grummore stepped into a magic barge which bore them to the Orkney Islands. White explains that this is why it is Palomides who is seen pursuing the beast later in Malory's work.

The Questing Beast also makes an appearance in Jasper Fforde's Thursday Next series, in Lost in a Good Book (2002) and The Well of Lost Plots (2003), along with King Pellinore. They are used here largely as devices subsidiary to a comic-drama plot.

File:Beastglatisant1.jpg
The Questing Beast as depicted in the TV series Merlin.

The Questing Beast appears in "Le Morte d'Arthur", the last episode of season one of the British television series Merlin. It is described as a product of the Old Religion, the magic of life and death, as a creature of nightmare: "One bite, you die." Its form in the series was pretty much the famous one, featuring the body of a leopard with the head of a snake.

References