Jump to content

Retribution (2006 film)

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by 0zero9nine (talk | contribs) at 06:15, 16 April 2012. The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Retribution
Directed byKiyoshi Kurosawa
Written byKiyoshi Kurosawa
StarringKoji Yakusho
Manami Konishi
Tsuyoshi Ihara
Hiroyuki Hirayama
Joe Odagiri
CinematographyAkiko Ashizawa
Edited byNobuyuki Takahashi
Distributed byAvex Entertainment
Xanadeux Company
Release dates
September 3, 2006 (Venice Film Festival)
Japan:
February 24, 2007
Running time
104 minutes
CountryTemplate:FilmJapan
LanguageJapanese

Retribution (, sakebi, literally "Scream") is a 2006 mystery film, directed by Kiyoshi Kurosawa, of a detective's investigation of serial murders that leads him to a mysterious woman in red who slowly draws him into the darkness.

Plot

Yoshioka, an experienced detective, investigates the murder of an unknown woman in a red dress. She was drowned on the Tokyo waterfront, but an autopsy reveals that her stomach is full of seawater. Moreover, all the clues he finds relate to himself: A button found at the murder scene matches one that is missing from his own coat, and fingerprints found match his own. Yoshioka realizes that the only viable suspect is himself; but he doesn’t remember a thing.

A ghost in a red dress soon starts appearing to him. As these apparitions become more intense and bizarre, similar murders occur with people killing loved ones for small infractions. All the perpetrators are found by Yoshioka as he searches for clues about the original murder. Eventually the drowned woman is identified. Yoshioka visits her parents, only to find she had a boyfriend who was extorting her parents, who happens to visit the house at the same time. He quickly confesses to the crime.

Yoshioka is visited by the ghost again who reveals that she is not the murdered woman, but a ghost of a woman whom he saw in the window of an asylum fifteen years ago who has died. All of the murderers took the ferry past the same asylum. Yoshioka sends his girlfriend away, afraid of what he might do to her. He goes to the asylum, where the woman in red agrees to forgive him for not helping her 15 years ago. He goes home, only to discover that he murdered his girlfriend 6 months ago. Going insane, he tries to forget. He collects the bones, and goes to the asylum to pick up the ghost's bones. His partner arrives at his apartment like the bowl of water, which was used to commit the murder, empty as the ghost menaces him in the background. An earthquake occurs as the bowl is refilled. The ghost suddenly appears and drags him into the bowl. The film ends with Yoshioka walking in the street holding a bag containing his girlfriend's and the ghost's bones, with the ghost repeatedly saying "I am dead" and "Please, I want everyone to die too".

Cast

Trivia

This film is part of the J-Horror Theater series.

  • Infection (2004, Masayuki Ochiai), the first release.
  • Premonition (2004, Norio Tsuruta), the second release.
  • Reincarnation (2006, Takashi Shimizu), the third release.
  • Retribution (2006, Kiyoshi Kurosawa), the fourth release.
  • Kaidan (2007, Hideo Nakata), the fifth release.
  • Kyôfu (2010, Hiroshi Takahashi), the sixth and final release.

Interpretation

As F18, the ghost of the movie, is seeking revenge from past events of which every protagonist is apparently responsible, the horror in Retribution has been seen by some as expressing some kind of social illness and collective guilt in our contemporary world.[1][2]

References

  1. ^ "Retribution". Cinepinion. 2007-07-06. Retrieved 2008-04-20. She may be a revenge-seeking ghost and proof-positive of an afterlife or she may simply be a psychological symbol of collective guilt that drives the characters to behave madly. "I died," she plaintively insists, "so everyone else should die, too." {{cite web}}: External link in |publisher= (help)
  2. ^ "Retribution". d-kaz.com. 2007-02-21. Retrieved 2008-04-20. This is Kurosawa at his most apocalyptic, portraying a contemporary world that seems decaying in its last days as it etches out an existence amidst the industrial detritus of the previous world...The horror film semantics no longer appear scary because they are being mobilized to express forlorn symptoms of a morose social illness.