Sir Philip Sidney
|Father||Sir Henry Sidney|
|Mother||Lady Mary Dudley|
30 November 1554|
Penshurst Place, Kent, England
|Died||17 October 1586
|Buried||St Paul's Cathedral|
Sir Philip Sidney (30 November 1554 – 17 October 1586) was an English poet, courtier, Scholar, and soldier, who is remembered as one of the most prominent figures of the Elizabethan age. His works include Astrophel and Stella, The Defence of Poesy (also known as The Defence of Poetry or An Apology for Poetry), and The Countess of Pembroke's Arcadia.
Born at Penshurst Place, Kent, he was the eldest son of Sir Henry Sidney and Lady Mary Dudley. His mother was the eldest daughter of John Dudley, 1st Duke of Northumberland, and the sister of Robert Dudley, 1st Earl of Leicester. His younger brother, Robert was a statesman and patron of the arts, and was created Earl of Leicester in 1618. His younger sister, Mary, married Henry Herbert, 2nd Earl of Pembroke and was a writer, translator and literary patron. Sidney dedicated his longest work, the Arcadia, to her. After her brother's death, Mary reworked the Arcadia, which became known as The Countess of Pembroke's Arcadia.
Philip was educated at Shrewsbury School and Christ Church, Oxford. In 1572 he was elected to Parliament as Member of Parliament for Shrewsbury and in the same year travelled to France as part of the embassy to negotiate a marriage between Elizabeth I and the Duc D'Alençon. He spent the next several years in mainland Europe, moving through Germany, Italy, Poland, the Kingdom of Hungary and Austria. On these travels, he met a number of prominent European intellectuals and politicians. During a 1577 diplomatic visit to Prague, Sidney secretly visited the exiled Jesuit priest Edmund Campion.
Returning to England in 1575, Sidney met Penelope Devereux, the future Lady Rich; though much younger, she would inspire his famous sonnet sequence of the 1580s, Astrophel and Stella. Her father, Walter Devereux, 1st Earl of Essex, is said to have planned to marry his daughter to Sidney, but he died in 1576. In England, Sidney occupied himself with politics and art. He defended his father's administration of Ireland in a lengthy document. More seriously, he quarrelled with Edward de Vere, 17th Earl of Oxford, probably because of Sidney's opposition to the French marriage, which de Vere championed. In the aftermath of this episode, Sidney challenged de Vere to a duel, which Elizabeth forbade. He then wrote a lengthy letter to the Queen detailing the foolishness of the French marriage. Characteristically, Elizabeth bristled at his presumption, and Sidney prudently retired from court.
His artistic contacts were more peaceful and more significant for his lasting fame. During his absence from court, he wrote Astrophel and Stella and the first draft of The Arcadia and The Defence of Poesy. Somewhat earlier, he had met Edmund Spenser, who dedicated The Shepheardes Calender to him. Other literary contacts included membership, along with his friends and fellow poets Fulke Greville, Edward Dyer, Edmund Spenser and Gabriel Harvey, of the (possibly fictitious) 'Areopagus', a humanist endeavour to classicise English verse.
Sidney had returned to court by the middle of 1581 and in 1584 was MP for Kent. That same year Penelope Devereux was married, apparently against her will, to Lord Rich. Sidney was knighted in 1583. An early arrangement to marry Anne Cecil, daughter of Sir William Cecil and eventual wife of de Vere, had fallen through in 1571. In 1583, he married Frances, teenage daughter of Sir Francis Walsingham. In the same year, he made a visit to Oxford University with Giordano Bruno, who subsequently dedicated two books to Sidney.
Both through his family heritage and his personal experience (he was in Walsingham's house in Paris during the St. Bartholomew's Day Massacre), Sidney was a keenly militant Protestant. In the 1570s, he had persuaded John Casimir to consider proposals for a united Protestant effort against the Roman Catholic Church and Spain. In the early 1580s, he argued unsuccessfully for an assault on Spain itself. Promoted General of Horse in 1583, his enthusiasm for the Protestant struggle was given a free rein when he was appointed governor of Flushing in the Netherlands in 1585. In the Netherlands, he consistently urged boldness on his superior, his uncle the Earl of Leicester. He conducted a successful raid on Spanish forces near Axel in July, 1586.
Injury and death
Later that year, he joined Sir John Norris in the Battle of Zutphen, fighting for the Protestant cause against the Spanish. During the battle, he was shot in the thigh and died of gangrene 26 days later, at the age of 31. According to the story, while lying wounded he gave his water to another wounded soldier, saying, "Thy necessity is yet greater than mine". As he lay dying, Sidney composed a song to be sung by his deathbed. This became possibly the most famous story about Sir Phillip, intended to illustrate his noble and gallant character. It also inspired evolutionary biologist John Maynard Smith to formulate a problem in signalling theory which is known as the Sir Philip Sidney game.
Sidney's body was returned to London and interred in the Old St. Paul's Cathedral on 16 February 1587. The grave and monument were destroyed in the Great Fire of London in 1666. A modern monument in the crypt lists him among the important graves lost.
Already during his own lifetime, but even more after his death, he had become for many English people the very epitome of a Castiglione courtier: learned and politic, but at the same time generous, brave, and impulsive. The funeral procession was one of the most elaborate ever staged, so much so that his father-in-law, Francis Walsingham, almost went bankrupt. Never more than a marginal figure in the politics of his time, he was memorialised as the flower of English manhood in Edmund Spenser's Astrophel, one of the greatest English Renaissance elegies.
An early biography of Sidney was written by his friend and schoolfellow, Fulke Greville. Traditionally depicted as a staunch and unwavering Protestant, recent biographers like Katherine Duncan-Jones have suggested that Sidney's religious loyalties were more ambiguous.
- The Lady of May – This is one of Sidney's lesser-known works, a masque written and performed for Queen Elizabeth in 1578 or 1579.
- Astrophel and Stella – The first of the famous English sonnet sequences, Astrophel and Stella was probably composed in the early 1580s. The sonnets were well-circulated in manuscript before the first (apparently pirated) edition was printed in 1591; only in 1598 did an authorised edition reach the press. The sequence was a watershed in English Renaissance poetry. In it, Sidney partially nativised the key features of his Italian model, Petrarch: variation of emotion from poem to poem, with the attendant sense of an ongoing, but partly obscure, narrative; the philosophical trappings; the musings on the act of poetic creation itself. His experiments with rhyme scheme were no less notable; they served to free the English sonnet from the strict rhyming requirements of the Italian form.
- The Countess of Pembroke's Arcadia – The Arcadia, by far Sidney's most ambitious work, was as significant in its own way as his sonnets. The work is a romance that combines pastoral elements with a mood derived from the Hellenistic model of Heliodorus. In the work, that is, a highly idealised version of the shepherd's life adjoins (not always naturally) with stories of jousts, political treachery, kidnappings, battles, and rapes. As published in the sixteenth century, the narrative follows the Greek model: stories are nested within each other, and different storylines are intertwined. The work enjoyed great popularity for more than a century after its publication. William Shakespeare borrowed from it for the Gloucester subplot of King Lear; parts of it were also dramatised by John Day and James Shirley. According to a widely-told story, King Charles I quoted lines from the book as he mounted the scaffold to be executed; Samuel Richardson named the heroine of his first novel after Sidney's Pamela. Arcadia exists in two significantly different versions. Sidney wrote an early version (the Old Arcadia) during a stay at Mary Herbert's house; this version is narrated in a straightforward, sequential manner. Later, Sidney began to revise the work on a more ambitious plan, with much more backstory about the princes, and a much more complicated story line, with many more characters. He completed most of the first three books, but the project was unfinished at the time of his death—the third book breaks off in the middle of a swordfight. There were several early editions of the book. Fulke Greville published the revised version alone, in 1590. The Countess of Pembroke, Sidney's sister, published a version in 1593, which pasted the last two books of the first version onto the first three books of the revision. In the 1621 version, Sir William Alexander provided a bridge to bring the two stories back into agreement.<Evans, 12-13> It was known in this cobbled-together fashion until the discovery, in the early twentieth century, of the earlier version.
- An Apology for Poetry (also known as A Defence of Poesie and The Defence of Poetry) – Sidney wrote the Defence before 1583. It is generally believed that he was at least partly motivated by Stephen Gosson, a former playwright who dedicated his attack on the English stage, The School of Abuse, to Sidney in 1579, but Sidney primarily addresses more general objections to poetry, such as those of Plato. In his essay, Sidney integrates a number of classical and Italian precepts on fiction. The essence of his defence is that poetry, by combining the liveliness of history with the ethical focus of philosophy, is more effective than either history or philosophy in rousing its readers to virtue. The work also offers important comments on Edmund Spenser and the Elizabethan stage.
- The Sidney Psalms – These English translations of the Psalms were completed in 1599 by Philip Sidney's sister Mary.
In popular culture
The city of Sidney, Ohio in the United States and a street in Zutphen, Netherlands have been named after Sir Philip. A statue for him can be found in the park at the Coehoornsingel, where in the harsh winter of 1795 English and Hanoverian soldiers were buried who had died while on retreat from advancing French troops. A memorial at the location where he was mortally wounded by the Spanish can be found at the entrance of a footpath at the Warnsveldseweg, southeast of the Catholic cemetery. Another statue of Sidney, by Arthur George Walker, forms the centrepiece of Shrewsbury School's war memorial to alumni who died serving in World War I (unveiled 1924).
W. B. Yeats appears to allude to Sidney as a model of the ideal man in his poem "In Memory of Major Robert Gregory" when he calls Robert Gregory "Our Sidney and our perfect man".
Sidney is referenced in the T.S. Eliot's poem "A Cooking Egg", published in his 1920 poetry collection Aras Vos Prec, where Eliot expresses a desire to speak with Sir Philip in heaven.
An extended sketch from Monty Python's Flying Circus (Series 3, Episode 10 "E. Henry Thripshaw's Disease") featured a police officer, disguised as Sir Philip Sidney, finding himself transported to the Tudor era after raiding a pornography shop.
- "History of Parliament". Retrieved 2011-10-29.
- Duncan-Jones (1991), pp. 125-127.
- The Norton Anthology of English Literature: Sixteenth/Early Seventeenth Century, Volume B, 2012, pg. 1037
- Charles Carlton (1992). Going to the Wars: The Experience of the British Civil Wars, 1638–1651, Routledge, ISBN 0-415-10391-6. p. 216
- The Norton Anthology of English Literature: Sixteenth/Early Seventeenth Century, Volume B, 2012, pg 1037
- Works by Sir Philip Sidney at Project Gutenberg
- Bert Fermin en Michel Groothedde: 'De Lunetten van Van Coehoorn', Zutphense Archeologische Publicaties 34, 2007, page 7
- Francis, Peter (2013). Shropshire War Memorials, Sites of Remembrance. YouCaxton Publications. pp. 74–75. ISBN 978-1-909644-11-3.
- The Countess of Pembroke's Arcadia, ed. Maurice Evans. Penguin Books, 1997. ISBN 0-14-043111-X
- The Sidney Psalms, completed by Mary Sidney Herbert, Countess of Pembroke, ed. R.E. Pritchard. Fyfield Books. ISBN 978-0-85635-983-5
- Alexander, Gavin. Writing After Sidney: the literary response to Sir Philip Sidney 1586–1640. Oxford: Oxford University Press, 2006.
- Craig, D. H. "A Hybrid Growth: Sidney's Theory of Poetry in An Apology for Poetry." Essential Articles for the Study of Sir Philip Sidney. Ed. Arthur F. Kinney. Hamden: Archon Books, 1986.
- Davies, Norman. Europe: A History. London: Pimlico, 1997.
- Duncan-Jones, Katherine. Sir Philip Sidney: Courtier Poet. New Haven and London: Yale University Press, 1991.
- Frye, Northrup. Words With Power: Being a Second Study of the Bible and Literature. Toronto: Penguin Books, 1992.
- Garrett, Martin. Ed. Sidney: the Critical Heritage. London: Routledge, 1996.
- Greville, Fulke.Life of the Renowned Sir Philip Sidney. London, 1652.
- Hale, John. The Civilization of Europe in the Renaissance. New York: Atheeum, 1994.
- Jasinski, James. Sourcebook on Rhetoric: Key Concepts in Contemporary Rhetorical Studies. Thousand Oaks: Sage Publications, 2001.
- Kimbrough, Robert. Sir Philip Sidney. New York: Twayne Publishers, Inc., 1971.
- Kuin, Roger (ed.), "The Correspondence of Sir Philip Sidney". 2 vols. Oxford: Oxford University Press, 2012.
- Leitch, Vincent B., Ed. The Norton Anthology of Theory and Criticism. New York: W. W. Norton & Company, Inc., 2001.
- Lewis, C. S. English Literature in the Sixteenth Century, Excluding Drama. Oxford: Oxford University Press, 1954.
- Robertson, Jean. "Philip Sidney." In The Spenser Encyclopedia. eds. A. C. Hamilton et al. Toronto: University of Toronto Press, 1990.
- Shelley, Percy Bysshe. "A Defence of Poetry." In Shelley’s Poetry and Prose: A Norton Critical Edition. 2nd ed. Eds. Donald H. Reiman and Neil Fraistat. New York: W. W. Norton & Company, 2002.
- Sidney, Philip. A Defence of Poesie and Poems. London: Cassell and Company, 1891.
- The Cambridge History of English and American Literature. Volume 3. Cambridge: Cambridge University Press, 1910.
- Acheson, Kathy. "'Outrage your face': Anti-Theatricality and Gender in Early Modern Closet Drama by Women." Early Modern Literary Studies 6.3 (January, 2001): 7.1–16. 21 October 2005.
- Bear, R. S. "Defence of Poesie: Introduction. In Renascence Editions. 21 October 2005.
- Griffiths, Matthew. English Court Poets and Petrarchism: Wyatt, Sidney and Spenser. 25 November 2005.
- Harvey, Elizabeth D. Sidney, Sir Philip. In The Johns Hopkins Guide to Literary Theory & Criticism. 25 November 2005.
- Knauss, Daniel, Philip. Love’s Refinement: Metaphysical Expressions of Desire in Philip Sidney and John Donne., Master's Thesis submitted to the Faculty of the North Carolina State University. 25 November 2005.
- Maley, Willy. Cultural Materialism and New Historicism. 8 November 2005
- Mitsi, Efterpi. The "Popular Philosopher": Plato, Poetry, and Food in Tudor Aesthetics. In Early Modern Literary Studies. 9 November 2004.
- Pask, Kevin. "The "mannes state" of Philip Sidney: Pre-scripting the Life of the Poet in England." 25 November 2005.
- Staff. Sir Philip Sidney 1554–1586, Poets' Graves. Accessed 26 May 2008
- Stump, Donald (ed). "Sir Philip Sidney: World Bibliography, Saint Louis University. Accessed 26 May 2008. "This site is the largest collection of bibliographic references on Sidney in existence. It includes all the items originally published in Sir Philip Sidney: An Annotated Bibliography of Texts and Criticism, 1554–1984 (New York: G.K. Hall, Macmillan 1994) as well updates from 1985 to the present."
|Wikiquote has quotations related to: Philip Sidney|
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|Wikimedia Commons has media related to Philip Sidney.|
- Works by Philip Sidney at Project Gutenberg
- Works by or about Philip Sidney at Internet Archive
- Works by Philip Sidney at LibriVox (public domain audiobooks)
- Audio: Robert Pinsky reads "My True Love Hath My Heart and I Have His" by Philip Sidney (via poemsoutloud.net)
- Archival material relating to Philip Sidney listed at the UK National Archives
- Portraits of Sir Philip Sidney at the National Portrait Gallery, London
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