Song Yu

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This is a Chinese name; the family name is Song.
Song Yu
Chinese 宋玉

Song Yu (Chinese: 宋玉; Wade–Giles: Sung Yü; ca. 319–298 BC) was an ancient Chinese writer from the late Warring States period, and is known as the traditional author of a number of poems in the Verses of Chu (Chu ci 楚辭). Among the Verses of Chu poems usually attributed to Song Yu are those in the Jiu Bian section. Also credited to Song Yu, somewhat improbably, are several fu collected in the 6th century literary anthology Wen Xuan.[1]

Biography[edit]

Biographic information about Song Yu tends to be anecdotal, rather than truly historical,[2] and little reliable information about Song's life exists.[3] Historical accounts agree that Song was from the state of Chu, and was born in the city of Yan (modern Yicheng, Hubei Province), and lived during the reign of King Xiang of Chu (r. 298–263 BC).[4]

Works[edit]

According to the section of Literature and Art in Book of Han, Song has altogether written 16 pieces of work, but only 14 of them have been handed down, such as Jiu Bian and Dengtuzi Haose Fu (登徒子好色赋). What is more, it is doubted if, with the exception of Jiu Bian, these works are written by Song at all. Wang Yi the noted Chu Ci anthologist and commentator also attributes the "Zhao Hun" (Summons of the Soul" to Song Yu.[5] As a writer of cifu, Song is an accomplished successor to Qu Yuan with his own original style. In the fu poems attributed to Song Yu in the Wen Xuan literary anthology compiled by Xiao Tong (501-531), the poems appear in the context of a purported dialog between Song Yu and King Xiang of Chu, in which the King requests a fu on a certain subject; however, this is likely to be a literary device deployed by a later author, rather than an authentic historical record of a real event.[6] Song's name has long been put together with Qu Yuan as "Qu-Song". Qu Yuan is known for writing poems with a strong personal voice. Song Yu's main general contribution to Classical Chinese poetry may be the development of the theme of nature together with an implicit sense of inherent pathos.[7]

See also[edit]

Notes[edit]

  1. ^ Hawkes, 207-8
  2. ^ Hawkes, 207-208
  3. ^ Knechtges (2014), p. 1007.
  4. ^ Knechtges (2014), p. 1008.
  5. ^ Hawkes, 208
  6. ^ Hawkes, 207-208
  7. ^ Hawkes, 208

References[edit]

External links[edit]