The Great White Hope (film)
This article needs additional citations for verification. (April 2020) |
The Great White Hope | |
---|---|
Directed by | Martin Ritt |
Screenplay by | Howard Sackler |
Based on | The Great White Hope by Howard Sackler |
Produced by | Lawrence Turman |
Starring | James Earl Jones Jane Alexander |
Cinematography | Burnett Guffey |
Edited by | William Reynolds |
Music by | Lionel Newman |
Production company | Lawrence Turman Films |
Distributed by | 20th Century Fox |
Release date |
|
Running time | 103 minutes |
Country | United States |
Language | English |
Budget | $9.87 million[1] |
Box office | $9.325 million (rentals)[2] |
The Great White Hope is a 1970 American biographical romantic drama film written and adapted from the 1967 Howard Sackler play of the same name.[3][4][5]
The film was directed by Martin Ritt, starring James Earl Jones, Jane Alexander, Chester Morris, Hal Holbrook, Beah Richards and Moses Gunn. Jones and Alexander, who also appeared in the same roles in the stage versions, received Best Actor and Actress Academy Award nominations for their performances.
The film and play is based on the true story of boxer Jack Johnson and his first wife, Etta Terry Duryea, and the controversy over their marriage and Duryea's death by suicide in 1912.[6]
Plot
Set between 1910 and 1915, the story follows Jack Jefferson, patterned after real-life boxer Jack Johnson, going on a hot streak of victories in the boxing ring as he defeats every white boxer around. Soon the press and others who wanted to see white people win at sports, announce the search for a "great white hope", a white boxer who will defeat Jefferson for the heavyweight title. Meanwhile, Jefferson prepares for a few more matches, but he lets his guard down by courting the beautiful, and very white, Eleanor Bachman, and when everyone, including Jack's black "wife", discover this, the tensions grow to fever pitch. Jack's close black friends become scared over his pushing the envelope of success and the white authorities conspire to frame him for unlawful sexual relations with Eleanor and thereby take away his title. It leads to jealousy, a run from the law, and finally, Eleanor's suicide.
Cast
- James Earl Jones as Jack Jefferson
- Jane Alexander as Eleanor Bachman
- Chester Morris as Pop Weaver
- Hal Holbrook as Al Cameron
- Beah Richards as Mama Tiny
- Moses Gunn as Scipio
- Lou Gilbert as "Goldie"
- Robert Webber as Dixon
- Rockne Tarkington as Rudy
- Jim Beattie as The Kid
Reception
The film opened to positive responses from both audiences and critics. They especially loved the performances of both James Earl Jones and Jane Alexander, who were in the original stage play: they won Tonys for the play. Jones would get bigger roles after this film, and Alexander made a debut here. Jones later contributed commentary to a documentary about Jack Johnson that would sum up this film, saying: "To know the story of Jack Johnson is to know that it is a study in hubris."[citation needed]
Critic Vincent Canby referred to the film as "One of those liberal, well-meaning, fervently uncontroversial works that pretend to tackle contemporary problems by finding analogies at a safe remove in history".[citation needed] Critic Emanuel Levy wrote "The movie is too theatrical and every idea is spelled out for the audience."[citation needed] Variety said: “Jones' re-creation of his stage role is an eye-riveting experience. The towering rages and unrestrained joys of which his character was capable are portrayed larger than life.”
On Rotten Tomatoes the film has an approval rating of 43% based on reviews from 7 critics.[7] On Metacritic the film has a score of 53% based on reviews from 7 critics, indicating "mixed or average reviews".[8]
Box Office
According to Fox records, the film required $16,075,000 in rentals to break even. By December 11, 1970, it had earned $9,325,000 in rentals, thus the studio took a loss on the film.[2]
See also
References
- ^ Solomon, Aubrey. Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series). Lanham, Maryland: Scarecrow Press, 1989. ISBN 978-0-8108-4244-1. p256
- ^ a b Silverman, Stephen M (1988). The Fox that got away : the last days of the Zanuck dynasty at Twentieth Century-Fox. L. Stuart. p. 329. ISBN 9780818404856.
- ^ Clive Barnes (1968-10-04). "Theater: Howard Sackler's 'Great White Hope'" (PDF). The New York Times.
- ^ Vincent Canby (1970-10-12). "'Great White Hope' Brought to Screen". The New York Times.
- ^ Sackler, Howard (1968). The Great White Hope, A Play. New York, NY: The Dial Press, Inc. OCLC 451597.
- ^ Unforgivable Blackness accessed 11/5/2016
- ^ "The Great White Hope (1970)". Rotten Tomatoes.
- ^ "The Great White Hope". Metacritic.
External links
- 1970 films
- 1970 romantic drama films
- 20th Century Fox films
- American biographical drama films
- American films based on plays
- American romantic drama films
- Biographical films about sportspeople
- American boxing films
- Cultural depictions of Jack Johnson
- Drama films based on actual events
- 1970s English-language films
- Films about interracial romance
- Films about race and ethnicity
- Films about racism
- Films directed by Martin Ritt
- Films scored by Lionel Newman
- Films set in the 1910s
- Films set in Chicago
- Films set in London
- Films set in Paris
- Films set in Berlin
- Films set in Reno, Nevada
- Films set in Mexico
- Films set in Havana
- Films shot in California
- 1970s sports drama films
- American sports drama films
- 1970s American films