Tony Garnett (born 3 April 1936) is a British film and television producer. Best known for his thirteen year association with director Ken Loach, his work as producer has continued into the present century.
Early life and career
Born in Birmingham, Garnett lost his parents when young; his mother died when he was five from the after effects of a back-street abortion, and his father committed suicide nineteen days later. Garnett was raised by an aunt and uncle. He attended the Central Grammar School in Birmingham and read Psychology at University College, London, a constituent part of London University. By his own admission, he spent most of his time acting in the Drama Society and on television.
Beginning as an actor, Garnett appeared in An Age of Kings (1960), the BBC's mounting of Shakespeare's eight contiguous History plays, several television plays by David Mercer, and an episode Catherine (1964) in the Teletale series, significant for his career because it led to his first meeting with its director, Kenneth Loach.
Work with Ken Loach and others
Appointed by Roger Smith, he became an assistant story editor at the BBC working on The Wednesday Play The plays he worked on included the "very, very personal" Up the Junction (1965), directed by Loach, which features a then still illegal abortion, but he was soon under contract as a producer. The best known of his contributions to The Wednesday Play series in this role is the docudrama Cathy Come Home (1966), again directed by Ken Loach. Garnett in 1967 introduced Loach to writer Jim Allen, who would be one of the director's collaborators for a quarter of a century. Garnett worked with Allen too, sometimes independently of Loach (The Lump, 1967), but also with him on such works as Allen's The Big Flame (1969), which had been shot in February and March 1968, but was withheld from transmission by the BBC.
Garnett, together with dramatist David Mercer, fellow producers Kenith Trodd and James MacTaggart, and literary agent Clive Goodwin, founded Kestrel Productions, which was conceived as an autonomous unit connected with London Weekend Television. The arrangement led to the production of seventeen television dramas within two years. Garnett and his colleagues though, found the experience as limiting as they had their period at the BBC. LWT required Garnett and his colleagues to use their television studio facilities, and video tape mainly, only allowing them to shoot on film and on location occasionally. Despite this, as Kestrel Films, the production company had an interest in the feature films Kes (1969), based on a Barry Hines novel, and Family Life (1971), from a television play by David Mercer. Both were produced by Garnett and directed by Loach,
In 1969, Tony Garnett was the producer of Loach's The Save the Children Fund Film. Commissioned by the charity itself, and originally intended for screening by LWT, it was suppressed for forty years after Save the Children disowned it, and only finally screened in 2011 at BFI Southbank. Days of Hope (1975) was a four-part serial for the BBC written by Jim Allen and directed by Loach. It recounts events from the Great War to the General Strike of 1926. A two part Play for Today, The Price of Coal (1977), reunited Garnett and Loach with Barry Hines, and was their response to the silver jubilee of the Queen, mixing that celebration with a fatal accident involving two miners. The Spongers (1978), written by Jim Allen and directed by Roland Joffé, also used the background of the silver jubilee, this time in the context of government spending cuts in the welfare state, in particular the closure of facilities used by a child with learning difficulties. The last production from Garnett's association with Loach was the children's film, Black Jack (1979).
At the end of the 1970s Garnett relocated to the United States. Garnett's later film credits include Prostitute (1980), his directorial debut, Earth Girls Are Easy (1989) and Beautiful Thing (1996). In his American period Gasrnett lived by the principle "a movie should never be about what its about" meaning that, although the former film is disguised as a Sesame Street style children's film and the latter as a space comedy, the real theme of these motion pictures is racial prejudice.
In 2009 an email by Garnett was circulated within the television industry, and published online, in which he argued that the BBC's management techniques "stifle the creativity which the organisation is supposed to be encouraging". Despite his involvement in the independent production sector, a term he finds misleading, Garnett has been critical of it. He has said the BBC no longer has an interest in "poor people". When "occasionally they do" feature, the poor "are smirked at or derided as chavs".
- Jason Deans and Maggie Brown "Up the Junction's Tony Garnett reveals mother's backstreet abortion death", The Guardian, 28 April 2013
- Maggie Brown "Television producer Tony Garnett: 'I'm only interested in love and politics'", The Guardian, 28 April 2013
- "Biography", Tony Garnett's website
- Lez Cooke "Garnett, Tony (1936-)", BFI screenonline
- In the interview with Maggie Brown Garnett asserts he was "taken on" by producer James MacTaggart.
- Stephen Lacey Tony Garnett, Manchester & New York: Manchester University Press, 2007, p.62
- Lacey, p.64-65
- Lacey, p.78-79
- "Save the Children Film / Film / Culture / Home – Morning Star". Morningstaronline.co.uk. 2011-09-02. Retrieved 2011-12-23.
- Brian Winston "Garnett, Tony - British producer", Museum of Broadcast Communications
- Tony Garnett "BBC drama needs to change its culture", Organ Grinder blog, guardian.co.uk, 15 July 2009
- Tony Garnett "Tony Garnett's email on BBC drama", guardian.co.uk, 15 July 2009
- Dalya Alberge "Tony Garnett: 'BBC has little interest in poor people'", The Guardian, 11 April 2013
- Tony Garnett at the Internet Movie Database
- Tony Garnett at BAFTA, 20 October 2008
- Official website of Tony Garnett