Mark Reed (sculptor): Difference between revisions
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[[File:Life Leaf bronze by Mark Reed.jpg|left|thumb|Life Leaf- Bronze]] |
[[File:Life Leaf bronze by Mark Reed.jpg|left|thumb|Life Leaf- Bronze]] |
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[[File:Ammonite slice inside mirror gold plated verdigris bronze in cottage garden sculpture for hotels by Mark Reed.jpg|thumb|Ammonite Slice – Bronze & gold sculpture with verdigris patination]] |
[[File:Ammonite slice inside mirror gold plated verdigris bronze in cottage garden sculpture for hotels by Mark Reed.jpg|thumb|Ammonite Slice – Bronze & gold sculpture with verdigris patination]] |
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Reed's sculptures have nature and his place within it at its roots, with his education in engineering and biology, he is interested in the workings of natural structures and the way they contribute to the artistic view of a plant or animal. With this knowledge, within Reed's work, trees become tables, and natural forms are channelled to become functional items in bronze, aluminium or forged steel. Reed is intrigued by intangible configurations as well, particularly in how an entity exists as an component in a hierarchy of cooperatives. In his bronze ''Life Leaf''(2000) a solitary leaf is the "life giver", it gives energy to the entire tree, whilst being recycled into the organism. The rooks in ''Secret Garden Door'' are a group descending on the tree with giant spring nests, and therefore indicating the death of winter and new life for a tree. Meanwhile, there is a looking forward momentum in Reed's work, the door opens into the future or the viewers' imagination, the eroded holes within the leaf allow shards of life to permeate through. |
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[[File:Secret Garden Door Artspace by Mark Reed.jpg|right|thumb|Secret Garden Door]] |
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Reed's 4.5m x 3.5m forged and stainless steel ''Arbour Metallum '' tree sculpture, (inspired by the windswept trees in his native North Norfolk Coast), was unveiled at Chelsea Flower Show and was exhibited at the Royal Horticultural Society gardens at Wisley in 2013. He sees it as "a protector, from the heat of the sun, creating a dappled shade, as nature protects and nourishes us."<ref>{{cite news|last=Steward|first=Tim|newspaper=The London Paper|date=14 May 2008}}</ref> Reed's family and children influence his other work - whilst he was feeding his baby, the unassuming spoon suddenly became massively significant, as a means of giving sustenance and independence. The same tool can be alienating as well as vital, as in an infant's hands, an adult spoon is huge and out of place. So the stainless steel ''Spoon Bench'' (2004) was conceived, at odds with its place and size, and as if levitating. In August 2013, Reed made a ''Spoon Sculpture'' to public commission for a hospital in Welwyn, Herts and in July 2013, he was commissioned to make ''A Bridge to Success'' for the Prince of Wales and The Prince's Trust at Sandringham Flower Show. Reed has produced many commissions and his work can be found in collections in four continents.<ref>{{cite web|last=Fraser|first=Bridget|title=Sculpture Mark Reed|url=http://www.barngalleries.com/artists/sculpture-31.html|publisher=Barn Galleries|accessdate=6 April 2014|archive-url=https://web.archive.org/web/20140408214250/http://www.barngalleries.com/artists/sculpture-31.html|archive-date=8 April 2014|url-status=dead}}</ref>{{third-party inline|date=April 2023}} |
Reed's 4.5m x 3.5m forged and stainless steel ''Arbour Metallum '' tree sculpture, (inspired by the windswept trees in his native North Norfolk Coast), was unveiled at Chelsea Flower Show and was exhibited at the Royal Horticultural Society gardens at Wisley in 2013. He sees it as "a protector, from the heat of the sun, creating a dappled shade, as nature protects and nourishes us."<ref>{{cite news|last=Steward|first=Tim|newspaper=The London Paper|date=14 May 2008}}</ref> Reed's family and children influence his other work - whilst he was feeding his baby, the unassuming spoon suddenly became massively significant, as a means of giving sustenance and independence. The same tool can be alienating as well as vital, as in an infant's hands, an adult spoon is huge and out of place. So the stainless steel ''Spoon Bench'' (2004) was conceived, at odds with its place and size, and as if levitating. In August 2013, Reed made a ''Spoon Sculpture'' to public commission for a hospital in Welwyn, Herts and in July 2013, he was commissioned to make ''A Bridge to Success'' for the Prince of Wales and The Prince's Trust at Sandringham Flower Show. Reed has produced many commissions and his work can be found in collections in four continents.<ref>{{cite web|last=Fraser|first=Bridget|title=Sculpture Mark Reed|url=http://www.barngalleries.com/artists/sculpture-31.html|publisher=Barn Galleries|accessdate=6 April 2014|archive-url=https://web.archive.org/web/20140408214250/http://www.barngalleries.com/artists/sculpture-31.html|archive-date=8 April 2014|url-status=dead}}</ref>{{third-party inline|date=April 2023}} |
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Revision as of 16:51, 26 June 2023
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Mark Reed (born 23 March 1971) is a British sculptor based in East Anglia. He works primarily in metal – bronze, mild and stainless steel and aluminium, his themes include nature and his place within it, science, the environment, family and the passage of time.[1]
Biography
Born in Colchester, he spent his early years in Suffolk, relocating with his family to a Fruit Farm in rural Norfolk in his teens. The trees in the orchards he once pruned and shaped have inspired much of Reed's sculpture and furniture.[2] Reed studied Engineering at the University of Wales.
Reed initially designed nature inspired furniture.[3] Reed casts all of his bronze sculpture himself in his studio.[4] His initial sculptures explored his fascination with nature and he quickly became known for his tree sculptures in forged steel, the individual branches are heated in the forge and then tapered on the anvil, so the fluid shape of the tree begins to 'grow'. On the birth of his first son in 2004 Reed's own experiences of family life led to a new direction in his work, with his fork and spoon sculptures in stainless steel.[5] In 2004 he worked on his first public commission- Bronze and Cast Iron Tree Planters for The Prince's Trust and the City of London, unveiled by the Lord Mayor of the City.
In 2005, Reed lost his daughter to cot death and his struggle to deal with her loss created Salvation, which is both a teardrop, where tears are the overflow for raging internal emotions and a droplet of rain or dew which is vital for the existence of life. Reed regularly uses recycled materials where possible and was actively involved in the Creative partnership Initiative, working with local primary schools to engage and discuss in the creative process that evolved into his Spaceship (2011) sculpture and Spoon Seesaw 2012.
More recently Reed has created public work in the UK, his concerns about climate change prompted his 10 metre Wave installation (2021) and the sale of many of the 3,000 fish raised thousands of pounds for Norwich Cathedral Charities.[6] His monumental Tree of Life sculpture (2022), was designed to celebrate life, with over 2,000 patinated stainless steel leaves which can be engraved, currently raising funds for Kings Lynn Hospital's League of Friends.[7][8]
He currently lives with his wife and four boys near Swaffham in Norfolk.
Sculpture
Reed's 4.5m x 3.5m forged and stainless steel Arbour Metallum tree sculpture, (inspired by the windswept trees in his native North Norfolk Coast), was unveiled at Chelsea Flower Show and was exhibited at the Royal Horticultural Society gardens at Wisley in 2013. He sees it as "a protector, from the heat of the sun, creating a dappled shade, as nature protects and nourishes us."[9] Reed's family and children influence his other work - whilst he was feeding his baby, the unassuming spoon suddenly became massively significant, as a means of giving sustenance and independence. The same tool can be alienating as well as vital, as in an infant's hands, an adult spoon is huge and out of place. So the stainless steel Spoon Bench (2004) was conceived, at odds with its place and size, and as if levitating. In August 2013, Reed made a Spoon Sculpture to public commission for a hospital in Welwyn, Herts and in July 2013, he was commissioned to make A Bridge to Success for the Prince of Wales and The Prince's Trust at Sandringham Flower Show. Reed has produced many commissions and his work can be found in collections in four continents.[10][third-party source needed]
In 2010, Reed created Ammonite Slice, inspired by a visit to the Natural History Museum in London and the juxtaposition of nature and the mathematical fractal spiral inside an ammonite shell. He is fascinated by the contrasts of the alien and familiar & the alliance of science and nature.
References
- ^ Lee, Emma (14 August 2021). "See stunning wave sculpture at Norwich Cathedral". Archant. Eastern Daily Press. Retrieved 5 April 2023.
- ^ Fordham, Amy (March 2013). "Feed the birds". Eastern Daily Press- Norfolk. No. 167. p. 135.
- ^ Design Times: 43. March–April 2001.
{{cite journal}}: Missing or empty|title=(help) - ^ Sweeney, Jan (7 November 2013). From Studio to Foundry: Preparation for casting. Bloomsbury.
- ^ Mc Glauchan, Clare (November 2004). Anglia News.
{{cite news}}: Missing or empty|title=(help) - ^ Hadden, Joe (25 October 2021). "Attleborough artist Mark Reed's sculpture, 'Your Waves Go Over Me', goes on display at Norwich Cathedral". Iliffe Media. Diss Express. Retrieved 11 May 2023.
- ^ "Huge tree sculpture installed at Norfolk hospital to bring 'joy on difficult days'". ITV Anglia. 16 March 2022. Retrieved 13 May 2023.
- ^ Hussain, Sarah (13 March 2022). "'Monumental' sculpture installed at Norfolk hospital for families and staff". Eastern Daily Press. Retrieved 13 May 2023.
- ^ Steward, Tim (14 May 2008). The London Paper.
{{cite news}}: Missing or empty|title=(help) - ^ Fraser, Bridget. "Sculpture Mark Reed". Barn Galleries. Archived from the original on 8 April 2014. Retrieved 6 April 2014.
External links
Mark Reed's website: www.markreedsculpture.com