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= '''Janiva Ellis''' =
= '''Janiva Ellis''' =
'''Janiva Ellis''' (born 1987) is an American painter based in [[Brooklyn, NY]] and [[Los Angeles, CA]].<ref name=":02">{{cite web |title=Whitney Biennial 2019 |url=https://whitney.org/exhibitions/2019-Biennial |website=whitney.org |language=en}}</ref> Ellis creates [[Figurative painter|figurative]] paintings that explore the [[African-American]] female experience, while incorporating her journey of self-identity within the Black community.<ref name="nyt2">{{cite web |last1=Sheets |first1=Hilarie M. |date=2 February 2018 |title=Meet Six Disrupters at the New Museum's Triennial |url=https://www.nytimes.com/2018/02/02/arts/design/new-museum-triennial.html |website=The New York Times}}</ref>
'''Janiva Ellis''' (born 1987) is an American painter based in [[Brooklyn, NY]] and [[Los Angeles, CA]]. Ellis creates [[Figurative painter|figurative]] paintings that explore the [[African-American]] female experience, while incorporating her journey of self-identity within the Black community.<ref name="nyt2">{{cite web |last1=Sheets |first1=Hilarie M. |date=2 February 2018 |title=Meet Six Disrupters at the New Museum's Triennial |url=https://www.nytimes.com/2018/02/02/arts/design/new-museum-triennial.html |website=The New York Times}}</ref>


== Early life and Education ==
== Early life and Education ==
Line 32: Line 32:




Ellis describes her paintings as, “not only an attempt to communicate to nonblack women my experience, but also to call to other [[black women]], ‘Do you feel this, too?’”<ref name="nyt2">{{cite web |last1=Sheets |first1=Hilarie M. |date=2 February 2018 |title=Meet Six Disrupters at the New Museum's Triennial |url=https://www.nytimes.com/2018/02/02/arts/design/new-museum-triennial.html |website=The New York Times}}<cite id="CITEREFSheets2018" class="citation web cs1" data-ve-ignore="true">Sheets, Hilarie M. (2 February 2018). [https://www.nytimes.com/2018/02/02/arts/design/new-museum-triennial.html "Meet Six Disrupters at the New Museum's Triennial"]. ''The New York Times''.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+New+York+Times&rft.atitle=Meet+Six+Disrupters+at+the+New+Museum%27s+Triennial&rft.date=2018-02-02&rft.aulast=Sheets&rft.aufirst=Hilarie+M.&rft_id=https%3A%2F%2Fwww.nytimes.com%2F2018%2F02%2F02%2Farts%2Fdesign%2Fnew-museum-triennial.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AUser%3AScrumbulusSour%2FJaniva+Ellis" class="Z3988" data-ve-ignore="true"></span></ref> Critic Rachel Corbett has commended Ellis for the psychoanalytic tension in her paintings, stating "The calm country landscapes in the background of Ellis’s paintings clash with her psychologically tormented subjects, who are often tyrannized by cartoon characters."<ref name=":0">{{Cite web |last=Corbett |first=Rachel |date=2018-02-13 |title=5 Young Stars-in-the-Making From the New Museum's 'Songs for Sabotage' Triennial |url=https://news.artnet.com/art-world/five-star-making-standouts-from-the-new-museum-triennial-1222271 |access-date=2023-11-08 |website=Artnet News |language=en-US}}</ref> Occasionally, Ellis's paintings incorporate [[Religious symbol|religious symbology]]; such as [[Lamb (sheep)|lambs]] or [[Angel|angels]], referencing the canon of [[Religious art|religious painting]]<ref name=":0" />. In each of her works Ellis continues to share her story incorporating different parts of her self identity. In 2017, Ellis presented "''Lick Shot"'' at 47 Canal<ref name=":1">{{Cite web |date=2017-07-16 |title=Janiva Ellis “Lick Shot” at 47 Canal, New York — Mousse Magazine and Publishing |url=https://www.moussemagazine.it/magazine/janiva-ellis-lick-shot-47-canal-new-york-2017 |access-date=2023-11-08 |website=www.moussemagazine.it |language=en-US}}</ref>, her first [[Solo show (art exhibition)|solo show]] in [[New York City]]. In 2018, Ellis participated in the [[New Museum]] Triennial - ''“Songs for Sabotage.”''<ref name=":0" /> Then in 2019 Ellis was included in the [[Whitney Biennial]] curated by [[Rujeko Hockley]] and [[Jane Panetta]].<ref name=":02">{{cite web |title=Whitney Biennial 2019 |url=https://whitney.org/exhibitions/2019-Biennial |website=whitney.org |language=en}}<cite class="citation web cs1" data-ve-ignore="true">[https://whitney.org/exhibitions/2019-Biennial "Whitney Biennial 2019"]. ''whitney.org''.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=whitney.org&rft.atitle=Whitney+Biennial+2019&rft_id=https%3A%2F%2Fwhitney.org%2Fexhibitions%2F2019-Biennial&rfr_id=info%3Asid%2Fen.wikipedia.org%3AUser%3AScrumbulusSour%2FJaniva+Ellis" class="Z3988" data-ve-ignore="true"></span></ref>
Ellis describes her paintings as, “not only an attempt to communicate to nonblack women my experience, but also to call to other [[black women]], ‘Do you feel this, too?’”<ref name="nyt2">{{cite web |last1=Sheets |first1=Hilarie M. |date=2 February 2018 |title=Meet Six Disrupters at the New Museum's Triennial |url=https://www.nytimes.com/2018/02/02/arts/design/new-museum-triennial.html |website=The New York Times}}<cite id="CITEREFSheets2018" class="citation web cs1" data-ve-ignore="true">Sheets, Hilarie M. (2 February 2018). [https://www.nytimes.com/2018/02/02/arts/design/new-museum-triennial.html "Meet Six Disrupters at the New Museum's Triennial"]. ''The New York Times''.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+New+York+Times&rft.atitle=Meet+Six+Disrupters+at+the+New+Museum%27s+Triennial&rft.date=2018-02-02&rft.aulast=Sheets&rft.aufirst=Hilarie+M.&rft_id=https%3A%2F%2Fwww.nytimes.com%2F2018%2F02%2F02%2Farts%2Fdesign%2Fnew-museum-triennial.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AUser%3AScrumbulusSour%2FJaniva+Ellis" class="Z3988" data-ve-ignore="true"></span></ref> Critic Rachel Corbett has commended Ellis for the psychoanalytic tension in her paintings, stating "The calm country landscapes in the background of Ellis’s paintings clash with her psychologically tormented subjects, who are often tyrannized by cartoon characters."<ref name=":0">{{Cite web |last=Corbett |first=Rachel |date=2018-02-13 |title=5 Young Stars-in-the-Making From the New Museum's 'Songs for Sabotage' Triennial |url=https://news.artnet.com/art-world/five-star-making-standouts-from-the-new-museum-triennial-1222271 |access-date=2023-11-08 |website=Artnet News |language=en-US}}</ref> Occasionally, Ellis's paintings incorporate [[Religious symbol|religious symbology]]; such as [[Lamb (sheep)|lambs]] or [[Angel|angels]], referencing the canon of [[Religious art|religious painting]]<ref name=":0" />. In each of her works Ellis continues to share her story incorporating different parts of her self identity. In 2017, Ellis presented "''Lick Shot"'' at 47 Canal<ref name=":1">{{Cite web |date=2017-07-16 |title=Janiva Ellis “Lick Shot” at 47 Canal, New York — Mousse Magazine and Publishing |url=https://www.moussemagazine.it/magazine/janiva-ellis-lick-shot-47-canal-new-york-2017 |access-date=2023-11-08 |website=www.moussemagazine.it |language=en-US}}</ref>, her first [[Solo show (art exhibition)|solo show]] in [[New York City]]. In 2018, Ellis participated in the [[New Museum]] Triennial - ''“Songs for Sabotage.”''<ref name=":0" /> Then in 2019 Ellis was included in the [[Whitney Biennial]] curated by [[Rujeko Hockley]] and [[Jane Panetta]].<ref name=":02">{{cite web |title=Whitney Biennial 2019 |url=https://whitney.org/exhibitions/2019-Biennial |website=whitney.org |language=en}}</ref>


== Art Career ==
== Art Career ==

Revision as of 21:12, 26 November 2023

Janiva Ellis
Born1987
Oakland, California
NationalityAmerican
EducationCalifornia College of the Arts
Known forPainting

Janiva Ellis

Janiva Ellis (born 1987) is an American painter based in Brooklyn, NY and Los Angeles, CA. Ellis creates figurative paintings that explore the African-American female experience, while incorporating her journey of self-identity within the Black community.[1]

Early life and Education

Born in Oakland, California, Ellis moved to Hawaii at the age of 7, moving between the islands of Kauai and Oahu.[2] While having a black father, Ellis was raised solely by her white mother in the state of Hawaii, which had a small black population. Ellis investigates in her work the complex racial dynamic of her upbringing and the biracial origins of her identity.[2] Ellis studied painting at the California College of the Arts in San Francisco, graduating in 2012.[2]

Professional Onset

Upon graduating in 2012, Ellis took a pause from the art world and returned to Hawaii. Ellis did not find any inspiration from the New York art scene, nor companions of the same ethnic background. This was a big loss for Ellis's self identity and reasons why she left Hawaii to begin with. As she said for an article Hawaii was, “a place where I didn’t know any black person until I was 18.” [3] After taking a few years to find herself, Ellis returned to New York in 2017 with a new outlook on her upbringing and a sense of self identity being both black and white.[3]

In one of Ellis's recent works, The Angles, held at the Hammer Vault Gallery, in Los Angeles, California, she relates her experience of feeling confusion and chaos of the self and the beauty of when one finds the self and accepts what is to be in the work. Critic Aram Moshayedi writes, "Decay and loss permeateThe Angels, yet the intimate experience of looking closely and allowing oneself to succumb to the painting’s wrapping embrace reveals moments of flourish and signs of life amidst the debris."[4]

Janiva Ellis, The Angles, Hammer Projects (2022), Oil on Canvas[4]

Artistic Practice

Janiva Ellis, "Doubt-Guardian", 2018, Oil on Canvas[5]


Ellis describes her paintings as, “not only an attempt to communicate to nonblack women my experience, but also to call to other black women, ‘Do you feel this, too?’”[1] Critic Rachel Corbett has commended Ellis for the psychoanalytic tension in her paintings, stating "The calm country landscapes in the background of Ellis’s paintings clash with her psychologically tormented subjects, who are often tyrannized by cartoon characters."[6] Occasionally, Ellis's paintings incorporate religious symbology; such as lambs or angels, referencing the canon of religious painting[6]. In each of her works Ellis continues to share her story incorporating different parts of her self identity. In 2017, Ellis presented "Lick Shot" at 47 Canal[7], her first solo show in New York City. In 2018, Ellis participated in the New Museum Triennial - “Songs for Sabotage.”[6] Then in 2019 Ellis was included in the Whitney Biennial curated by Rujeko Hockley and Jane Panetta.[8]

Art Career

  • 2017 - "You Catch More Flies With Arsenic Than Honey” - Club Pro, Los Angeles, California[9]
  • 2017 - "Cabin Fever" - BBQLA, Los Angeles California[10]
  • 2017 - "Lick Shot” - 47 Canal, New York City[11]
  • 2017 - "Prick Up Your Ears” - Karma International, Los Angeles, California[12]
  • 2018 - “Painting: Now & Forever, Part III” - Greene Naftali, New York City[12]
  • 2018 - Triennial: “Songs for Sabotage” - New Museum, New York City[13]
  • 2018 - "Keebler’s Revenge" -The American Academy of Arts and Letters, New York City[14]
  • 2019 - Whitney Biennial 2019, Whitney Museum of American Art, New York City[15]
  • 2022 - "The Angles" - Hammer Vault Gallery, Los Angeles, California [16]

Awards

  • Rema Hort Mann Foundation Grant, 2018[17]
  • Stanley Hollander Award, 2018[18]

References

  1. ^ a b Sheets, Hilarie M. (2 February 2018). "Meet Six Disrupters at the New Museum's Triennial". The New York Times. Cite error: The named reference "nyt2" was defined multiple times with different content (see the help page).
  2. ^ a b c Brown, Laura. "X-TRA". www.x-traonline.org.
  3. ^ a b "The 6 Rising Artists to Watch in 2019". W Magazine. 2019-01-29. Retrieved 2023-10-18.
  4. ^ a b "Hammer Projects: Janiva Ellis | Hammer Museum". hammer.ucla.edu. 2022-09-24. Retrieved 2023-10-18.
  5. ^ "47 Canal Janiva Ellis". 47canal.us. Retrieved 2023-11-11.
  6. ^ a b c Corbett, Rachel (2018-02-13). "5 Young Stars-in-the-Making From the New Museum's 'Songs for Sabotage' Triennial". Artnet News. Retrieved 2023-11-08.
  7. ^ "Janiva Ellis "Lick Shot" at 47 Canal, New York — Mousse Magazine and Publishing". www.moussemagazine.it. 2017-07-16. Retrieved 2023-11-08.
  8. ^ "Whitney Biennial 2019". whitney.org.
  9. ^ "Proceed with caution: finding hope in the perils of 'You Catch More Flies with Arsenic Than Honey' | atractivoquenobello". www.aqnb.com. Retrieved 2023-11-08.
  10. ^ "Datebook: Photos of adult babies, race and the public figure, and weaving Brazil's landscape". Los Angeles Times. 2017-07-20. Retrieved 2023-11-08.
  11. ^ "Janiva Ellis "Lick Shot" at 47 Canal, New York — Mousse Magazine and Publishing". www.moussemagazine.it. 2017-07-16. Retrieved 2023-11-08.
  12. ^ a b "Janiva Ellis". Contemporary Art Library. Retrieved 2023-11-08.
  13. ^ "2018 Triennial: Songs for Sabotage". www.newmuseum.org. Retrieved 2023-11-08.
  14. ^ Cascone, Sarah (2020-03-03). "Editors' Picks: 19 Things Not to Miss in New York's Art World This Week". Artnet News. Retrieved 2023-10-18.
  15. ^ "Whitney Biennial 2019". whitney.org.
  16. ^ "Hammer Projects: Janiva Ellis | Hammer Museum". hammer.ucla.edu. 2022-09-24. Retrieved 2023-10-18.
  17. ^ Russeth, Andrew (2018-02-05). "Here Are the Rema Hort Mann Foundation's 2018 Los Angeles Grantees". ARTnews.com. Retrieved 2023-11-11.
  18. ^ "Announcing the 2018 Emerging Artist Grantees in Los Angeles". Rema Hort Mann Foundation. 2018-02-02. Retrieved 2023-11-11.
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